< Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy (Studies in the History of Sexuality) >
< The Return of Martin Guerre >
< Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (Studies in the History of Sexuality) >
< Giovanni and Lusanna: Love and Marriage in Renaissance Florence >
< The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller >
< Candide: Or Optimism (Penguin Classics) >
Judith C. Brown
price: 180
Oxford University Press, USA
Usually ships in 24 hours customer 's review (Renaissance lesbianism)    
(Excellent writing!)   
(One of my all-time favorites)     This is the true story of a mother superior named Sister Benedetta Carlini and another nun from a small village near Florence in 17th century Italy who basically liked to rub bodies together in bed until they reached orgasm. This if course was a big no-no if you're a nun sworn to chastity. People found out and there was a trial in which the private sex life of these two nunnies was exposed. The scandal made them both lose their reputations. This is one of the earliest and most sensationalistic accounts of lesbian love on record. The fact that it was between two nuns makes it just that much more shocking and intriguing.(...) This book is a fabulous depiction of the Italian nun, Benedetta Carlini, whose drive for ambition in the Catholic church drove her to get the help of her lesbian lover to create the illusion of stigmata. Through this, she moves to new heights of power and respect in the church and brings money and fortune to the church...but upon accusations and scrutiny, she's brought down to pay for her ambition. The story is a tenderly told one. It has feminist elements and deals with the desperate desire of spoils, along with a not-so-pretty picture of the Church. If you are interested in Renaissance Italy, gender studies, or the history of the Christian Church, this book is for you. This book presents the story of an ambitious abbess on the road to sainthood a la Catherine of Siena and her fall from grace as she becomes too powerful for the comfort of her male collegues. It is the story of the making and unmaking of a saint. This is one of my favorite books of all time. The discovery of the fascinating and richly documented story of Sister Benedetta Carlini, Abbess of the Convent of the Mother of God, by Judith C. Brown was an event of major historical importance. Not only is the story revealed in Immodest Acts that of the rise and fall of a powerful woman in a church community and a record of the life of a religious visionary, it is also the earliest documentation of lesbianism in modern Western history. Born of well-to-do parents, Benedetta Carlini entered the convent at the age of nine. At twenty-three, she began to have visions of both a religious and erotic nature. Benedetta was elected abbess due largely to these visions, but later aroused suspicions by claiming to have had supernatural contacts with Christ. During the course of an investigation, church authorities not only found that she had faked her visions and stigmata, but uncovered evidence of a lesbian affair with another nun, Bartolomeo. The story of the relationship between the two nuns and of Benedetta's fall from an abbess to an outcast is revealed in surprisingly candid archival documents and retold here with a fine sense of drama. Rerations < Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy (Studies in the History of Sexuality) >
< The Return of Martin Guerre >
< Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (Studies in the History of Sexuality) >
< Giovanni and Lusanna: Love and Marriage in Renaissance Florence >
< The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller >
freaks
< True Selves: Understanding Transsexualism--For Families, Friends, Coworkers, and Helping Professionals >
< She's Not There : A Life in Two Genders >
< Wrapped In Blue: A Journey of Discovery >
< She's Not the Man I Married: My Life with a Transgender Husband >
< Transgender Emergence: Therapeutic Guidelines for Working With Gender-Variant People and Their Families (Haworth Marriage and the Family) (Haworth Marriage and the Family) >
< Becoming a Visible Man >
Mildred L. Brown,Chloe Ann Rounsley
price: 606
Jossey-Bass
Usually ships in 24 hours customer 's review (Good Place To Start)  
(Decent read but...)   
(Very Helpful)    
(Exceptional Book)    
(Excellent Resource and Guidance)     While there are several things about this book that disappoint me, specifically the author's apparent inability to call a person by their proper pronouns or names and the idea that people who were abused are not/cannot be transsexual, it's a good place to start as long as you keep in mind that basing your entire opinion on a subject based on the views in ONE book is NOT a good idea.
The book is fairly easy to read, can have it's shining moments and can be a great help to both transsexual and their family and friends alike. It shouldn't be shunned, but it also shouldn't be taken as the Gospel Truth-- it's not, but that doesn't automatically make it worthless.
I would recommend "Trans Forming Families" (I forget the author) over this book, but as a resource, True Selves is still useful. It's a well-meaning book, despite it's (few, but glaringly obvious) flaws, and in my opinion, at least the author's didn't make transsexuals out to be psychotic freaks of nature. Much like a former reviewer I feel like on could nitpick the book to death however, as a bridge from knowing absolutely nothing about trans people (much like my mother) one I believe could do worse. This book was a recommended read for my mother and I by my/our therapist,which was a good call but I still had to explain lots of things myself.
This book arrived in a good state,very quickly and was most helpful to those who have read it I purchased this book after a close family member announced that he was transsexual. I knew very little about transexualism and was spending hours online looking for any information I could find about it. This book was enormously helpful to me in learning about an experience I knew nothing about. I am encouraging members of my family to also read it as they like me want to understand to the best of our ability how to support our family member. The book is wonderfully organized starting with an explanation of terms (e.g. transsexual, transgendered, transvestite) then moving into a description about what transsexuals typically experience during their lives. Starting from childhood and moving through life stages, the authors provide a thoughtful and thorough explanation of what life often entails for transsexuals. The author's are very clear in saying when experiences are common to men or women, and take every effort to not overly generalize experiences across all transsexuals. The last few chapters of the book provide a helpful overview of the medical procedures some transsexuals choose to do and how and why they may or may not officially change their gender. I wish I could more eloquently describe how thorough and well written this book is but I hope that those reading this review can at least hear in my words how very helpful I have found this book. I recommend it to anyone who wants to understand transexualism regardless of whether or not they personally know someone who is. 'True Selves' is a unique and excellent book. The book cover says "For Families, Friends, Coworkers, and Helping Professionals".
It is that and so much more. It is a great resource for learning or teaching about trnassexualism. But, it is also a great guide for those who are transgender or transsexual. It covers personal feelings, the feelings of others and also how to transition from coming out to the ultimate step of sexual/gender reassignment surgery. It discusses coming out, hormones, living full-time and covers every aspect of what is means to be transsexual.
I cannot say enough about this book. I would recommend this book be on anyone's list that is transgender or is dealing with a transgender individual. Combines authoritative information and humanitarian insight into the transsexual experience
Filled with wisdom and understanding, this groundbreaking book paints a vivid portrait of conflicts transsexuals face on a daily basis--and the courage they must summon as they struggle to reveal their true being to themselves and others. True Selves offers valuable guidance for those who are struggling to understand these people and their situations.
Using real life stories, actual letters, and other compelling examples, the authors give a clear understanding of what it means to be transsexual. They also give other useful advice, including how to deal compassionately with these commonly misunderstood individuals--by keeping an open heart, communicating fears, pain and support, respecting choices. Rerations < True Selves: Understanding Transsexualism--For Families, Friends, Coworkers, and Helping Professionals >
< She's Not There : A Life in Two Genders >
< Wrapped In Blue: A Journey of Discovery >
< She's Not the Man I Married: My Life with a Transgender Husband >
< Transgender Emergence: Therapeutic Guidelines for Working With Gender-Variant People and Their Families (Haworth Marriage and the Family) (Haworth Marriage and the Family) >
freaks
< Excitable Speech: A Politics of the Performative >
< Giving an Account of Oneself >
< Gender Trouble: Feminism and the Subversion of Identity (Routledge Classics) >
< Bodies That Matter: On the Discursive Limits of Sex >
< The Psychic Life of Power: Theories in Subjection >
< How to Do Things with Words: Second Edition (William James Lectures) >
Judith Butler
price: 450
Routledge
Usually ships in 24 hours customer 's review (Butler and Agency)   
(Irascible Speech) 
(dilettantism at its worst)
(Butler's most"grounded"work)    
(When words injure, what do we do?)     Butler is a difficult author to understand, particularly if you don't have a background in theories of performativity. I recommend reading JL Austin's How to Do Things with Words and Derrida's Limited, Inc either before or alongside this book. She also draws heavily from Foucault and Althusser.Excitable Speech is powerful for its account of how subjects are formed through the address of hate speech and how, through this very address, the conditions for the subject's agency are enabled. A previous reviewer pointed out that for Butler"the subject can only exhibit agency in and through language"and that agency in Butler's account emerges ex nihilio. This is a misunderstanding of both Butler and poststructural theories of agency in general. For Butler, agency is not produced by an autonomous actor; nor is it contained to language. Drawing from Derrida and Bourdieu, Butler's point is that agency arises from social iterability and the fact that every re-iteration opens the potential for change and subversion. Such iteration, however, is part of the structure of signification broadly conceived (not simply language) and is not the conscious effort of an individual agent. Thus, Butler points to the effect of the body and how bodies are implicated in acts of speech and iteration. In this text Butler is perhaps at her most cogent and most optimistic reach. I would recommend picking this up for anyone serious about theories of performativity. Several years ago, I saw a film entitled Total Eclipse, which is a dramatization of the complex and ill-fated relationship between Arthur Rimbaud and Paul Verlaine, two nineteenth-century French poets. In one scene, a manic Rimbaud, played by the pubescently-challenged Leonardo Dicaprio, exclaims that "The only unendurable thing about life is that nothing is unendurable" (I may have misquoted this slightly; as I said, its been several years since I saw the film). As I recall, the film was rather silly by and large, although I found that this particular exclamation had the ring of solid truth (incidentally, at the time I had been an autodidactic devotee of Nietzsche's philosophy). I subsequently incorporated it into my own repertoire of pithy aphorisms, held at the ready the appropriate occasion present itself. However, by reading Butler's Excitable Speech in tandem with a whole host of other works of a theoretical/critical sort, I came to realize that there is in fact one thing that is truly unendurable for what appears to be just about every latter-day theoretician: viz., poststructuralist discursive determinism, especially the agentless, discursively animated individual that such determinism entails. Hence Butler's insistence upon the fundamental citationality of speech, which strikes me as the continental philosopher's version of the notion of "weak voluntarism" popular among certain ethicists of an Anglo-American bent. Butler's notion of the subject's agency is certainly a qualified one, in that the subject can only exhibit agency in and through language. But nevertheless, it appears that Butler considers this deterministic influence of language to be less than rigidly absolute. Agency does not in fact emerge ex nihilo, because it is impossible to produce positive effects by using absolutely nothing. The subject must have at her disposal something with which to demonstrate her agency, because agency is observed through its effects--just as "government" [an abstraction] is manifested only through people's comportment in a manner understood to be in accordance with the principles of such an abstraction. Language is a medium as well as a matrix. However, if agency is manifested empirically, that is, through effects, then it follows that agency is a posteriori synthetic, because we observers ascribe causal necessity to the action in relation to its source, the performer of the action. Therefore, I remain uncertain as to how these effects point to a capacity for agency that is intrinsic to the subject as constitutive of the subject a priori. Perhaps the answer lies in the distinction Butler draws between "agency" and "mastery," the latter of which connotes an absolute agency which is inimical to the "weak voluntarism" thesis she advances in Excitable Speech." The results of Butler's attempt to tackle the very serious issue of speech rights are disappointing in the extreme. With no legal background whatsoever and a myopic philosophical vision which seems ingorant of the liberal tradition upon which the right of free speech is grounded, Butler provides an obfuscted discussion (and that's all it is, a discussion) of the issue that is at the best of times, irrelevant, and at the worst of times, offensively misleading. The book is worthwhile only as an example of what happens when a postmodern thinker in the French tradition tries to tackle a subject outside the race/power/gender/subjectivity canon outlined by the philosophers of the 1960s. If you have an appetite for reading philosophical trainwrecks, then by all means read it. If you want something serious on the issue of free speech, look elsewhere. Butler does a good job grounding speech act theory in political and legal issues, particularly racist and homophobic"hate speech."She takes Derrida's theory of iterability and shows how repetition of discourse in new contexts can be a means of resistance. For Butler, this is very applied and I liked it much better than Gender trouble. An insightful and thoroughly researched study of the social, political, and legal ramification of not only hate speech but discourse concerning the lingusitics of hate. Butler questions the contemporary practices of the adjudication of speech which seeks to define what is correct speech and what is proscribable under law. If words are legally indistinguishable from conduct, then, Butler asks, is law not complicit in the wounds that words cause? Challenging reading With the same intellectual courage with which she addressed issues of gender in two earlier best-selling Routledge books,Gender TroubleandBodies That Matter, philosopher Judith Butler turns her attention to speech and conduct in contemporary political life, looking at several efforts to target speech as conduct that has become subject to political debate and regulation. Reviewing hate speech regulations, anti-pornography arguments, and recent controversies about gay self-declaration in the military, Judith Butler asks whether and how language acts in each of these cultural sites.
Excitable Speechexamines the issue of the threatening action of words. The book suggests that although language is a kind of performance which has the power to produce political effects and injuries, it is best understood as a scene of injury rather than its cause. Rather, Butler warns us againts a "sovereign" view of language, in which thewords we speak are construed as unequivocal forms of conduct. She shows that the repetition of injurious language can be the occasion of its redefinition.
Butler illuminates the efficacy of injurious language, covering speech act therapy in both philosophical and literary traditions, Supreme Court cases, hate speech and pornography critics, and recent bans on gay speech in the military. Rerations < Excitable Speech: A Politics of the Performative >
< Giving an Account of Oneself >
< Gender Trouble: Feminism and the Subversion of Identity (Routledge Classics) >
< Bodies That Matter: On the Discursive Limits of Sex >
< The Psychic Life of Power: Theories in Subjection >
freaks
< Master/slave Relations: Handbook of Theory and Practice (M/s Studies Books) >
< Protocols: Handbook for the female slave >
< The Master's Manual: A Handbook of Erotic Dominance >
< SM 101: A Realistic Introduction >
< Manual Creation: Defining the Structure of an M/s Household >
< The Loving Dominant >
PhD Robert J Rubel
price: 638
Nazca Plains Corp(2006-10-24)
Usually ships in 24 hours customer 's review (How to write a manual for your slave ... kinda.)  
(Dominance and Submission)    
(accelerate your journey into BDSM)    
(Less time on Differences, More Time on Realistic Questions)    
(What a surprise)     Now that you have a slave, what do you do with him or her? I'll tell you right now that this book will not answer that question for you. And for what the introduction claims the book is, it could be a far better guide to how to write "a master manual." The problem is that I've read no other book like it, and am uncertain of where else to point the hopeful reader who doesn't have a leather or kink community available as a local resource. if one keeps the introduction in mind and questions oneself as to what is really, really important in their day-to-day life as is, one can get an idea of how to assign tasks, train and remind a slave or submissive in how to serve specific interests.
Regarding the seemingly endless section about the dinner parties: if you don't have dinner parties, mentally substitute something that you find too time consuming to do yourself, but that you'd love to have someone else take care of for you. Preparing for and attending an Society of Creative Anachronism event? Tending to your artistic space? Buying produce? Tending to your feet? Really, anything truly nitpicky that you want done a certain way -- that section shows you how to give step-by-step detail in writing that a slave or submissive can refer to as they're doing the task.
Other tasks have detail given their importance TO THE AUTHOR. If there are things that the dominant / owner / daddy/ master (hereby known as the grand poobah, because I'm getting sick of typing all that) wants to do themselves, then they either get to specify that those actions are off limits unless specifically mentioned, or don't list them at all. Cleaning? What can be touched, and what should be left alone? How often? Spring cleaning? Seasonal changes, visits, decorations, etc? Who drives? How is the opening of doors dealt with? Dietary preferences and restrictions? If taken with the required grain of salt mentioned in the introduction, this book could help a lot of new people go from having their submissives post about looking for ideas for their grand poobah to having details instructions and a schedule already prepared after the contract is signed and the (training / temporary) collar is locked on.
I wish that Rubel had taken the time to outline his manual as he was presenting his information, as I've read reviews and even talked to people within my community who took offense at his tone because he wasn't being clear on providing a roadmap rather than specific expectations of behavior for all slaves. Indeed, a section regarding the potentially rude behaviors of guests at the above mentioned dinner parties would have been much more clear had it been explained why detailing such rude behavior was necessary to include in the manual; I can make some intelligent guesses, but it seems as though the manual involves a lot of in-references between the author and his slave that should have either been explained or edited out completely. Sidebars, more asides in italics and so on could have gone a long way to keeping otherwise normally intelligent and perceptive people from reading what they were used to reading -- lists of expected behaviors -- rather than what was being presented -- an outline of how to generate the behaviors the dominant reading the book would want for their particular life.
If this book ever ends up going out of print, I hope that the author redesigns it in a second edition rather than simply allow another printing of the same format. When presented in the right way, this could end up being a very valuable workbook for a number of budding ... well, poobahs. Learn everything you need to know about dominant and submissive relationships in one explicit volume. You'll even learn how to find your own slave.
A decade of M/s knowledge in one book
Both books Master/slave Relations: Handbook of Theory and Practice and Protocol Handbook for the Leather Slave: Theory and Practice by Robert J. Rubel, PhD Cover the same subject with a slightly different focus.
It amazes me that knowledge that took me years to learn is now available in 7 easy steps. The book can accelerate your journey into BDSM by a decade.
I consider this an expansion in many ways of the Leather Protocols book by Rubel. Here he gives more explicit examples of his own protocols and asks the reader to really consider what they might include and should include in their own should they chose the very, very rare path of an owner-slave or master-slave relationship. Personally my own protocols (yes, I do live this life, too) are not nearly as formal but these are very much the same considerations I felt were necessary to address when I began and as I continue in this life. Take the questions seriously don't just copy Rubel's ideas. Also don't plan on just jumping quickly into these relationships -- success requires planning and continuous reflection. Wow! An A to Z discussion of what goes into developing and maintaining a Leather Master/slave relationship. This guy clearly knows what he's talking about. Rubel begins by defining his terms, moves through self examination, touches on ways of finding a slave, describes how to begin such a relationship, moves through collars and contracts and ends up with a slightly irreverent section called: "How's it Going?" All in all, this book provides a comprehensive and fresh look at this form of relationship. You should also check out his companion book, Protocols for the Leather Slave. Judging from the covers, they are probably meant to be companion works. This book is for Masters. This book is for established Masters who are curious about what someone could possibly write on the subject they know so well. This book is also for those relatively new to the BDSM Lifestyle who are finding themselves called to Mastery. Rerations < Master/slave Relations: Handbook of Theory and Practice (M/s Studies Books) >
< Protocols: Handbook for the female slave >
< The Master's Manual: A Handbook of Erotic Dominance >
< SM 101: A Realistic Introduction >
< Manual Creation: Defining the Structure of an M/s Household >
freaks
< The Complete Kake Comics >
< Just Us Guys >
< Hard Boys >
< Stripped: The Illustrated Male >
< Dirty Little Drawings: The Queer Men's Erotic Art Workshop >
< Un/Cut >
price: 1020
Taschen
Usually ships in 24 hours customer 's review (quite a complete collection)     Wish it were in its original release size and not thick digest form. Otherwise a comprehensive collection of Tom's work.
All 26 episodes of the Kake comic serial have been collected in one volume--a reflection of a time when gay men were men, sex was carefree, and everyone wore a big, thick, mustache. Rerations < The Complete Kake Comics >
< Just Us Guys >
< Hard Boys >
< Stripped: The Illustrated Male >
< Dirty Little Drawings: The Queer Men's Erotic Art Workshop >
freaks
< City of Night (Rechy, John) >
< About My Life and the Kept Woman: A Memoir >
< Numbers >
< The Sexual Outlaw: A Documentary (Rechy, John) >
< Faggots >
< Giovanni's Room >
John Rechy
price: 480
Grove Press
Usually ships in 24 hours customer 's review (on the road with john rechy)   
(On prostitution) 
(LOOKING FOR LOVE)    
(A Night Without End)    
(A gay "classic" enhanced by an eerily prophetic ending set in New Orleans)    i have never read or, for that matter, heard of john rechy prior to reading a review of his latest book. after doing a bit of research, i found that this is his most well known book. i must admit, it was well worth the time and research. i love this book! it's very sad, often funny and always insightful. the author has a nice way of observing situations and moving through their center to gain some understanding of the characters motivations, his own reactions and motives and, thereby, ours. this isn't always evident at first and often will take time to reveal. he has a great way of relating events in his early life to later events and discerning the pattern there. something we all should have done, should be doing, hopefully, in our own lives. get this book! This sad book is nothing else than a depressing wandering among the seedy world of mercenary sex. Boring and giving a misidentification of the gay world, as if it were identified with the world of prostitutes and their clients: that's SO not true. Rechy, John. "City of Night", Grove Press Reprint, 1994
Looking for Love
Amos Lassen and Literary Pride
John Rechy's "City of Night" is one of the classics of gay literature and I am amazed that reading it again now I find that it still mesmerizes as it did when I read it the first time in 1963 (I really am an old person it seems). When it was first published in '63 it was a national best seller and it caused uproar as well as ushered in a new age of gay literature. Rechy's account of the big city and its underworld of male prostitution sent waves through society. His unflinching view of "Youngman" (as his main character is called) and the world of hustling and drag queens and all kinds of men were shocking and honest. Our narrator traverses the United States and gives us an unforgettable picture of gay life. Written in the slang of the period, it is an authentic look at the world of twilight men with extreme clarity and realism minus self-pity and sentimentality. Rechy passionately tells the truth and in doing so liberated many who had up until this point lived in the shadows of a larger society. When I first read this book I had to hide it for I was afraid that someone might discover y secret. By the time I finished it, I did not much care who knew about me--I felt liberated. Rechy's story of the world was one that I had always hoped existed but I was not man enough to go and look for it. By chance, I sat back yesterday and reread the book. For the second time, I could not stop reading and when I closed the covers I could not help think about how far we have come. I am sure that whoever read "City of Night" in the year of and the years after its publication finally felt that he had something to identify with. The novel has lost none of its power some thirty-four years after it was written. Rechy shows his love for his language in his writing and he wastes no words in telling his story. Even with the many metaphors ad poetic style, Rechy manages to clearly and honesty portray what gay life was like back "in the day". I felt like I had been hit by a train as I read. I felt as if I was living the situations I was reading about and it fascinated me. Rechy shows great generosity for the human race as he tries to understand and then explain to the reader about those men that were (and still are in many cases) on the fringe of society--sexual minorities, hustlers, bums, drunks, drag queens, junkies. He gives an unforgettable portrait of the "love that dare not speak its name". The vividness of gay life that Rechy paints was new to many people in the 60's and I was walking next to the author as he took me on a tour of it. "City of Night" is something more than just a gay novel; it is a look at a world within a world. The main character is an embodiment of an everyman. He sees all, does everything and learns nothing from it, His behavior is arbitrary; he has no motivation ad he makes nothing happen--everything, instead, happens to him. His subculture is one of oppression ad internalized homophobia (didn't we once hate ourselves and lurk in the shadows of the night?).Rechy opened societal eyes and as much as we have changed, we really see that we haven't really changed that much. I know this sounds contradictory but this is the only way I can put this. On one hand, things appear better, on the other, things have not really changed that much. We, gay men, are still confused and still suffer from mental turmoil. Many of us are out but many still hide. We need to open our eyes and realize that if we really want change, we must become more aware of whom we are and accept that. We must never forget that we are human and we are important and we all want to be loved. Rechy's story is sad but beautiful. Some of us still hate ourselves for being gay like "youngman". Many of us, like him, still live on the fringe of society and we all have one thing in common--the desire to be loved.
Someone once remarked that great artists remake the same works over and over, likening them to musicians who play variations on the same riff.
John Rechy would fall into this category of literary artist.
Take his first novel, for instance: CITY OF NIGHT. After one has read this novel and gone on to Rechy's other works, one sees the same themes and concerns sounded again and again in almost the same register - the note of erotic desperation played in high lyricism and despair. Still, he's such a virtuoso with this instrument, and tells such a compelling story, one doesn't mind.
CITY OF NIGHT, as noted, is the book that got the ball rolling for Rechy. It's a stark, unsentimental portrait of a male hustler's sojourn through the underbellies of numerous big towns - NY, LA, Chicago, and New Orleans. The section in New Orleans, with its depictions of "floods" of people during Mardi Gras racing ahead of impending doom, is eerily prophetic of the recent fate of that great city.
Although the point of view is first person, Rechy also incorporates the voices of the men and women the protagonist encounters in his carnal odyssey - the fellow hustlers, the scores, the drag queens, the closet cases, etc. - and the song they sing is usually one of vast loneliness and unfulfilled desire.
This is a seminal work but not without flaws. At times Rechy's prose bows to the worst inclinations of creative writing class cliches - comparing buildings and trees to giants, for instance, and waxing more than a little purple at times. One wants to shout, "Please, sir, you ARE a good writer. No need to show off." Also, one cannot help but tire at times of the repetitiveness of the unnamed narrator's adventures, but that may be Rechy's point about this kind of life.
It's easy to see why this book caused such a sensation when it was published in 1963. It's not because of the sexual descriptions, which are neither remotely erotic nor all that graphic--even for the early 1960s. Nor is it because of the Beat-genre prose and the in-your-face nihilism. Instead, "City of Night" brought to the light of day the darkest corners of the "gay underworld" (and, yes, Rechy uses the term "gay" here), and the book does it in a way that highlights the insecurities and the pretenses, the profligacy and the humanity of even the most jaded hustlers, "scores," and "queens" who fervently frequent the bars and speakeasies in metropolitan America.
The unnamed narrator has fled his hometown of New Orleans, initially for New York, and he finds himself both bored of the "respectable" jobs he manages to find and intrigued by the easy money (not to mention the ready drugs, the nervous thrill, and the artificial freedom) that comes from being a male prostitute. Like many of his associates, the narrator tries to convince himself that he is only "gay for pay"--that his activities are no more than a job and that in the real world he would sleep with women. But gradually he realizes that this conviction, for him and for most of the others, is little more than a pose. Among the book's many themes is the tension between the futility of the closet and its ultimate necessity (let's not forget that, in much of the country, it was illegal for two men to dance together or to wear women's clothing).
Each chapter scrutinizes the bar scene and focuses on a different type (sometimes bordering on stereotype), from the flamboyant drag queen to the aging hustler to the married man to the older women whose guilt over a long-kept secret motivates her to tend to street boys. There are passages and scenes that will, of course, seem dated (or--to use a less loaded term--of historical interest), but many of the characters are, forty years later, hilariously and scarily recognizable.
Finally--for reasons Rechy could not have fathomed--the most disconcerting section of the book is the last one, which is set in New Orleans. The eeriness of finishing this book at a time like this (early September 2005) is that certain passages take on a prophetic tone. The environs around the French quarter are "merely the remnants of what may have been; a city scarred by memories of an elegance and gentility which may have never existed. A ghost city." And later: "An almost Biblical feeling of Doom--of the city about to be destroyed, razed, toppled--assaults you." The narrator's love-hate relationship with the Big Easy--with its celebratory abandon and its remorseful gloom--instills the novel's finale with an intensity both haunting and unforgettable.
John Rechy, recipient of the Publishing Triangle’s William Whitehead Lifetime Achievement Award, wrote City of Night in 1963. This radical and daring work, which launched Rechy’s reputation as one of America’s most courageous novelists, remains the classic document of the garish neon-lit world of hustlers, drag queens, and men on the make who inhabited the homosexual underground of the early sixties. Rerations < City of Night (Rechy, John) >
< About My Life and the Kept Woman: A Memoir >
< Numbers >
< The Sexual Outlaw: A Documentary (Rechy, John) >
< Faggots >
freaks
< Exile and Pride >
< Transgender Warriors : Making History from Joan of Arc to Dennis Rodman >
< White Like Me: Reflections on Race from a Privileged Son >
< Where We Stand: Class Matters >
< Stone Butch Blues: A Novel >
< Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front (Series).) >
Eli Clare
price: 280
South End Press
In stock soon. Order now to get in line. First come, first served. customer 's review (Brings the hybridity of living...)    
(This subject is very important but)
(This book changed my life)    
(Invitation into Experience) |