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『 Repulsion- Criterion Collection [Blu-ray] > 『 Repulsion- Criterion Collection [Blu-ray] > 『 Last Year at Marienbad (Criterion Collection) [Blu-ray] > 『 Last Year at Marienbad (Criterion Collection) [Blu-ray] > 『 The Seventh Seal (Criterion Collection) [Blu-ray] > 『 The Seventh Seal (Criterion Collection) [Blu-ray] > 『 Playtime- Criterion Collection [Blu-ray] > 『 Playtime- Criterion Collection [Blu-ray] > 『 Wages of Fear [Blu-ray] - Criterion Collection > 『 Wages of Fear [Blu-ray] - Criterion Collection > I wanted to buy It↑

タイトル『 Thirteen Ghosts > 『 Thirteen Ghosts > 『 House on Haunted Hill > 『 House on Haunted Hill > 『 Ghost Ship (Widescreen Edition) > 『 Ghost Ship (Widescreen Edition) > 『 Jeepers Creepers > 『 Jeepers Creepers > 『 The Haunting > 『 The Haunting > 『 Jeepers Creepers 2 (Special Edition) >


>,Tony Shalhoub,Shannon Elizabeth,Embeth Davidtz,Matthew Lillard,Alec Roberts


 price：$9.19 
 Warner Home Video
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Core2Duoノートレビュー 's review
(Fun Movie that Should Have Been Much Better)
『Considering this is a remake of the William Castle "gimmick" b-movie, "Thirteen Ghosts" is more entertaining than it should be, but not a good as it could have been.

What I mean to say is that while I love the William Castle original film, Castle's version was more of a comedy with a nifty 3-D gimmick thrown in. The basic story of a family inheriting a haunted mansion was pure sitcom at best. And while there are some chills sprinkled through the original film, the humor is what I remember most about the film.

The remake does away with all of the humor and attempts to go for the jugular as a pure horror film. The basic storyline remains the same in that a family inherits a haunted house from a ghost hunting uncle. And like the original, 12 spirits inhabit the house...so who is the thirteenth ghost? You have to watch to find out.

Tony Shalhoub turns in a solid performance as Arthur Kriticos, the widower and family man who inherits the haunted home from his uncle. Shalhoub was only 1 year away from striking gold with his TV show "Monk" when this film came out, and I find it difficult watching "Thirteen Ghosts" now, and not thinking of the Monk character obsessing about fingerprints all over the glass house?!?! The rest of the cast is solid as well, with F. Murray Abraham chewing up scenes as the ghost hunting uncle and Matthew Lillard still hunting ghosts here in his pre-Shaggy days.

The special effects are pretty good, and the make-up for the various ghosts looks great. The glass house featured in the film is pretty inventive, and adds a nice touch of atmosphere. There are a few bumps and jumps that will jolt you out of your seat sprinkled throughout the film, but there is nothing in the movie that will stick with you past the end credits.

If you enjoyed the remake of "The House on Haunted Hill", then you will probably enjoy this film as well. If you are looking for a spooky ghost story along the lines of "The Changeling", you will probably be disappointed.
』

(THE DVD WAS SCRATCHED AND UNWATCHABLE)
『GRANTED I ONLY SPENT 4 DOLLARS, BUT, I SHOULD AT LEAST BE ABLE TO WATCH THE CRAPPY MOVIE I CHOSE. IF U HAVE A DVD THAT U CAN'T WATCH YOURSELF YOU SHOULDN'T SELL IT TO MAKE A FEW DOLLARS.』

(Unlucky '13')
『Ghost hunter Cyrus Kriticos (F.Murray Abraham) is on a mission to capture the souls of 13 ghosts so that he can unleash a hellish power on Earth. With the assistance of a psychic named Dennis (Matthew Lillard), Cyrus catches 12 souls before being killed on a hunt. Cyrus's nephew Arthur (Tony Shaloub) is a widower with two kids (Shannon Elizabeth plays the oldest) and a housekeeper (Rah Digga) to support. In financial trouble and in risk of being evicted from his apartment Arthur gets some much needed relief when a lawyer representing Cyrus's estate shows up at his door. He informs Arthur that he is the inheritor of his uncle's mansion. The mansion is a spectacular structure made out of glass that Arthur and his family are all too eager to move into. The only problem is that they also inherit the 12 souls that Cyrus captured. Dennis is also there looking for the money Cyrus owed him and together he and Arthur learn that there is a 13th ghost and only Arthur can catch him. This is the second Dark Castle (a film company created by Joel Silver and Robert Zemeckis that re-imagines the 50's and 60's horror films of director William Castle for modern audiences) film after 'House On Haunted Hill'. Both films start off very promising establishing a creepy vibe and the promise of genuine scares before tripping over complicated plot twists that cause the film to be boring and not frightening. This film starts off great beginning in an abandoned junkyard then moving to Arthur's claustrophobic apartment before finally settling in the mansion. There are some wonderfully ominous shots in the beginning but eventually overt gore wins out over any subtlety. The ghosts are definitely disturbing and horrific but they weren't utilized like they should have been. The explanation as to why Arthur is the only man capable of capturing the last ghost is a nice touch and at least provides one unexpected surprise. Shannon Elizabeth factors in the beginning but is absent during the middle act only to reappear in the film's final act. This lets Matthew Lillard, from 'Scream', steal the show. He sells every scene he's in with hyper energy and some good physical comedy. It's a disappointing horror film because it looks like it's going to be fun and scary but is actually little more than a standard gorefest.』

(Scary Movie)
『Special effects of the ghosts in this piece are truly quite frightening. Definitely not for children.』

(Thir13en Ghosts; One of The Best Remakes of The Millenium)
『A few years back, I watched THIR13EN GHOSTS on the USA channel. I thought it would be nothing special but now I love it. SCREAM's Matthew Lillard, AMERICAN PIE's Shannon Elizabeth, Alec Roberts, Rah Digga, F. Murray Abraham, Embeth Davidtz, JR Bourne and MONK's Tony Shalhoub star in the movie. F. Murray Abraham plays Uncle Cyrus Kriticos and gets killed hunting the 12th ghost. Tony Shalhoub, Shannon Elizabeth and Alec Roberts are the family moving into Cyrus's prison of ghosts. Matthew Lillard and Embeth Davidtz are ghost hunters. Matthew Lillard is trying to help the family get out of the house after discovering how dangerous the ghosts still are. I give this movie 5 out of 5 stars.』
『A family inherits an elegant steel-and-glass mansion from a deceased relative. The catch is that along with the house comes a slew of ghosts that can be seen only through special goggles.』
『Cool sets, gory make-up, and frantic energy are given high priority in this glossy remake of William Castle's 1960 haunted-house chiller. The original boasted its "Illusion-O" ghost-viewing gimmick, so this remake's producers--as they did with 1999'sThe House on Haunted Hill--up the ante on Castle's showmanship by spilling ample amounts of blood, guts, and ghoulish glory. The plot's essentially the same: An impoverished family inherits a luxurious haunted mansion, only this time it's an elaborate, maze-like mechanism of glass, gears, and Latin incantations--"designed by the devil and powered by the dead"--with a cellar full of tormented, undead souls. As the family (including Tony Shalhoub andAmerican Pie's Shannon Elizabeth) enlists the aid of a psychic (Screamalumnus Matthew Lillard) and a ghostbusting paranormal (Embeth Davidtz), this updated13 Ghostsgrows loud and ludicrous, trading shocks for yuks and nuance for nonsense. It's fun, to a point, after which it's just exhausting.--Jeff Shannon』
relatred Items
『 Thirteen Ghosts > 『 Thirteen Ghosts > 『 House on Haunted Hill > 『 House on Haunted Hill > 『 Ghost Ship (Widescreen Edition) > 『 Ghost Ship (Widescreen Edition) > 『 Jeepers Creepers > 『 Jeepers Creepers > 『 The Haunting > 『 The Haunting > I wanted to buy It↑

タイトル『 Ginger Snaps > 『 Ginger Snaps > 『 Ginger Snaps 2 - Unleashed > 『 Ginger Snaps 2 - Unleashed > 『 Ginger Snaps Back - The Beginning > 『 Ginger Snaps Back - The Beginning > 『 May > 『 May > 『 Darkwolf > 『 Darkwolf > 『 Bad Moon >


>,Peter Keleghan,Mimi Rogers,Emily Perkins,John Bourgeois,Katharine Isabelle


 price：$2.49 
 First Look Pictures
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Core2Duoノートレビュー 's review
(Love love love love....)
『This is my favorite horror film of all time. Everything about this movie kicks ass and Ginger is hottt...』

(this film has been rated: MEGA HELLA AWESOME!!!#1)
『One of the best werewolf movies out there and the sequal that followed was also awesome!i have not seen the third one yet, but anyway, I love this!!』

(INTERESTING!)
『I first saw this movie a few years ago on cable tv and I thought it was very interesting and easy to watch (somehow). It kept my interest that's for sure. I think it was the personality of the two main characters that made this movie easy to watch for me (if you take away the blood gore and puking scenes. Ew). It was because of the two main characters that I gave this movie five stars. Otherwise, I would give it three stars due to some of the cheesy moments in the movie. Anyhow, it's a good movie. Something fun to watch at a slumber party!

』

(Good Movie)
『This Movie is Great.I saw it a long time ago,and finally found somewhere to purchase it.I won't give anything away about the movie,but you should definetly purchase』

(Great, unique little horror movie)
『I really enjoyed this movie about teenage girls. A fresh spin on the werewolf genre. Great acting!』
『Movie DVD』
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『 Ginger Snaps > 『 Ginger Snaps > 『 Ginger Snaps 2 - Unleashed > 『 Ginger Snaps 2 - Unleashed > 『 Ginger Snaps Back - The Beginning > 『 Ginger Snaps Back - The Beginning > 『 May > 『 May > 『 Darkwolf > 『 Darkwolf > I wanted to buy It↑

タイトル『 Halloween 4 - The Return of Michael Myers (Divimax Edition) > 『 Halloween 4 - The Return of Michael Myers (Divimax Edition) > 『 Halloween 5 - The Revenge of Michael Myers (Divimax Edition) > 『 Halloween 5 - The Revenge of Michael Myers (Divimax Edition) > 『 Halloween II > 『 Halloween II > 『 Halloween - The Curse of Michael Myers > 『 Halloween - The Curse of Michael Myers > 『 Halloween - Resurrection > 『 Halloween - Resurrection > 『 Halloween H20 - Twenty Years Later (Dimension Collector's Series) >


>,Donald Pleasence,Ellie Cornell,Danielle Harris,George P. Wilbur,Michael Pataki


 price：$2.99 
 Starz / Anchor Bay
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Core2Duoノートレビュー 's review
(The Night HE Came Home...Again)
『It has been ten years since Michael Myers terrorized the people of Haddonfield. Michael was intent on killing his sister, Laurie Strode, but she survived, and Michael has ended up in a sanitarium. Now, ten years has passed, and Laurie and her husband have tragically died. However, there is someone left: Laurie's daughter Jamie (Danielle Harris). Michael has found out about her existence, and now he's come looking for her. However, Michael isn't the only one going to Haddonfield: Dr. Loomis (Donald Pleasence) has found out about Michael's escape, and he's determined not to let the events of a decade earlier repeat themselves.

Jamie has been put in foster care after the death of her parents. Jamie's foster sister Rachael (Ellie Cornell) has been given the job of taking care of her. Jamie is seen as an outcast by her fellow classmates, and she suffers from hallucinations. But, Jamie decides to go trick or treating with Rachael. Unfortunately, Michael is waiting for them. After single-handedly destroying the local police station, Michael is intent on finding Jamie. Will Michael succeed, or will Dr. Loomis manage to keep Jamie and Rachael safe?

I've been a fan of the "Halloween" series for many years, and this installment was very good. I was glad to see the series get back on track after the strange episode 3. I thought Danielle Harris did a very good job as Jamie, and it was good to see Donald Pleasence reprise his role as Dr. Loomis. Although this episode lacked some of Michael's signature knifings, the suspense was still palpable throughout.

I found this to be a very good addition to the "Halloween" series. Michael Myers has come back with a vengeance. Watch Halloween 4 and see the return of Michael Myers.』

(The night Halloween met B)
『In a luck break of events, Sid the Elf was able to catch Halloween 4 on tv one of the roughly 750 times AMC shows it during October. Great timing right there because it allows us to make Halloween 4 the final film in October Horrorgreatsuccess. This is very fitting because Sid loves the Halloween series, and 4 is a great way to close out Sid's personal horror film festival. And, really, who doesn't want to see another Loomis vs. Myers rematch? This has always been one of Sid's favorite secretly B horror flicks.

Halloween 4 is set 10 years to the day after the original classic. Myers has been in a coma for 10 years after Loomis and him were in that sweet fire at Ben Tramer Memorial Hospital in Haddonfield. Myers has been kept in a federal sanitarium but now he is being transfered back to his old stomping grounds, Smith's Grove. There is no logic, no reason behind this move which in Sid's eyes is great because it's so implausible that it set off the first B alarm of the film. During the transfer, the ambulance crew is discussing the comatose guy in the back and they mention that his sister, Laurie Strode, has died in a car accident and Laurie's daughter, Jamie please, is living with the Carruthers family in Haddonfield. Obviously, Myers wakes up upon hearing this, picks them off and heads to Haddonfield for a Halloween rampage. Standing in his way, however, is the legendary Dr. Sam Loomis along with new sherrif in town Ben Meeker. For this round, Loomis has some of the best fake burn scars ever, but he's still equiped with all his old speeches about Myers to convey that he's not a man, he's pure evil. Awesome.

Sid did the math here and figured out that Myers is 31 here, right in the heart of his prime. That must account for his possesing little girls to choose his clown costume from his rookie year and ice a family member and appear randomly to Jamie and Loomis. He was a tour de force in this one. He hit his peak, undoubedly, in the famous Hick Scene which just may be the best scene in horror film history and looms large in Sid the Elf lore. If you're a B fan, please get the DVD of this movie and watch the Hick scene in slo mo. If you don't crack up at least 5 times, well, Sid wouldn't believe you.』

(Unnecessary, Overrated, and Formulaic)
『Watch Video Here: http://www.amazon.com/review/R2SNFDSU1ZYFZIHalloween 4 - The Return of Michael Myers』

(Halloween 4)
『Very good movie. The Return of Michael Myers. We can never get too much of Michael Myers.』

(One of the best sequels in the Halloween franchise)
『The first film, John Carpenter's Halloween, is a classic horror film that inspired a decade of masked murderers stalking teen girls on holidays. Its sequel, Halloween II, upped the ante with more blood and more disposable characters. Halloween III: Season of the Witch tried turning the franchise into The Twilight Zone. But after its critical and commercial failure, it was realized that the the real draw to these movies was the borderline-supernatural masked killer Michael Myers.

Halloween 4: The Return of Michael Myers was the producers' "mia culpa" to those who were turned off by Halloween III, resurrecting Myers and making him even more unkillable, if that's possible. He seems to now posess superhuman strength on top of the supernatural ability to take any kind of physical punishment but never die, embedding his thumb in one man's forehead and crushing another man's skull with his bare hands. Looks like Michael has had in I.V. drip of roids while he was in that decade-long coma.

Also making his return to the franchise is Donald Pleasence's Sam Loomis, Michael's former psychiatrist and the Captain Ahab to Michael's Moby Dick. Though scarred and hobbled but somehow still alive after Halloween II's explosive finale, Loomis is still as relentless in hunting Michael as Michael is hunting his family, and Pleasence's perfomance anchors the movie, as Loomis once again tries to warn the quaint Midwestern town of Haddonfield, Illinois that Michael has returned to wreak havoc on Halloween night.

Since Jamie Lee Curtis' career had taken off considerably since she first played Laurie Strode in the first two films, she could not reprise her role. Laurie's absence is explained away briefly, having died in a car crash a year before the events of Halloween 4Her character was replaced by Laurie's orphaned daughter Jame Lloyd, played by the adorable Danielle Harris. Jamie finds herself being plagued by nightmares of her masked uncle whom she's never met before and ultimately becomes the target of Michael's rampage. Harris manages to prevent Jamie from becoming a shrill, annoying character you wish Michael would eviscerate, and you actually care about her well-being.

The supporting cast also do their best to keep this film from being another silly 80's slasher filled with disposable characters, something the series is incapable of avoiding with the follow-up Halloween 5: The Revenge of Michael Myers. In Halloween 4, there is a love triangle between Jamie's adopted sister Rachel (played by Ellie Cornell), her prospective boyfriend Brady (played by Sasha Jensen), and busty blonde tart Kelly Meeker (played by the ever-gorgeous Kathleen Kinmont). Kelly's the daughter of the town's new sheriff, Ben Meeker (Beau Starr), who serves as the disbelieving voice to Loomis' urging that Michael Myers has returned to Haddonfield, Illinois to kill his young niece.

Dwight Little directs the film quite deftly, adding a dark, foggy atmosphere that separates this film from the countless other identical slasher films out there. Alan Howarth's showtrack is a mix of ambient sounds and synth, occasionally pop-infused renditions of John Carpenter's simple yet classic orchestrations. Their work gives the movie a sense of dread and fear that many of its horror peers (and even its peers within the Halloween franchise) severely lack. And the film's zinger of a twist finale, leaves you wanting to know what happens next, but after watching Halloween 5, you'll wish you never found out.

In all, Halloween 4 is a return to form for the Halloween franchise and a worthy sequel, even without the original's main star. And the best part? No kung-fu Busta Rhymes!』
『TEN YEARS AGO, HE CHANGED THE FACE OF HALLOWEEN. TONIGHT, HE’S BACK. A decade ago, he butchered 16 people trying to get to his sister. He was shot and incinerated, but still the entity that Dr. Sam Loomis (the legendary Donald Pleasence) calls "Evil on two legs" would not die. Tonight, Michael Myers has come home again…to kill! This time, Michael returnsto Haddonfield for Jamie Lloyd (Danielle Harris of HALLOWEEN 5 and THE LAST BOY SCOUT) – the orphaned daughter of Laurie Strode – and her babysitter Rachel (Ellie Cornell of HALLOWEEN 5 and HOUSE OF THE DEAD). Can Loomis stop Michael before the unholy slaughter reaches his innocent young niece?Michael Pataki, Sasha Jenson and Kathleen Kinmont co-star in this smash sequel that marked the long-awaited return to the original storyline and remains infamous for its startling twist ending and graphic violence.』
『"You can't kill the bogeyman," the children insist to a terrorized Laurie Strode (Jamie Lee Curtis) in the originalHalloween. How right they are. Laurie is gone, but guess who's back inHalloween 4: The Return of Michael Myers? Acting as if the third entry never existed, this installment picks up 10 years after the original, with mad maniac Myers in a coma and moved to a new facility. But wouldn't you know it that as soon as a loose-lipped orderly lets slip that Myers has a surviving niece he springs back into action, leaving a bloody trail of corpses on the road to Haddonfield. Donald Pleasance returns as Dr. Loomis, scarred and crippled from his last encounter with Myers and seething with a fanatical zeal to stop the freak from repeating his previous rampage. Pleasance is the best thing about the film as an aging hero seemingly on the verge of madness who drags a bum leg in his manic rush to save little orphan Jamie (Danielle Harris), the 10-year-old waif terrorized by her homicidal uncle. Director Dwight Little has managed a generic if professional slasher picture, rife with improbabilities and dominated by a killer whose superhuman powers reach near-mystical dimensions, but he delivers the goods: shocks, stabs, and cold, cruel killings.--Sean Axmaker』
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『 Halloween 4 - The Return of Michael Myers (Divimax Edition) > 『 Halloween 4 - The Return of Michael Myers (Divimax Edition) > 『 Halloween 5 - The Revenge of Michael Myers (Divimax Edition) > 『 Halloween 5 - The Revenge of Michael Myers (Divimax Edition) > 『 Halloween II > 『 Halloween II > 『 Halloween - The Curse of Michael Myers > 『 Halloween - The Curse of Michael Myers > 『 Halloween - Resurrection > 『 Halloween - Resurrection > I wanted to buy It↑

タイトル『 Something Wicked This Way Comes > 『 Something Wicked This Way Comes > 『 The Watcher in the Woods > 『 The Watcher in the Woods > 『 The Lady in White > 『 The Lady in White > 『 Something Wicked This Way Comes > 『 Something Wicked This Way Comes > 『 Seven Faces of Dr. Lao > 『 Seven Faces of Dr. Lao > 『 The Illustrated Man >


>,Jason Robards,Jonathan Pryce,Diane Ladd,Royal Dano,Vidal Peterson


 price：$4.50 
 Walt Disney Video
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Core2Duoノートレビュー 's review
(One of the best of Disney's "dark" side)
『I saw this movie when it debuted in the 80s; it goes without saying that a LOT of time had passed since I saw it and I wanted to see if the chills still held up.

Bottom line: yes, they most certainly do. Jonathan Price as Mr. Dark is as fine a villain as has ever been envisioned. The carousel scene at the end is still one of the most chill-inducing I've seen in a PG movie. Perhaps the most haunting vision is the old teacher's dream of being the beauty she once was; she pays a hefty price for it, and I won't ruin it any more here; if you've never seen this though, the results are chilling. I cannot recall the actress' name. I just looked on IMDB, I believe it was Ellen Geer - and in the hands of anybody else, the scene would have felt phony; they found a real jewel, however, and she plays this scene brilliantly. The Dust Witch would also serve to scare me senseless as a younger man; she's still wickedly spooky 25 years later. Jason Robards seems a bit old to be the father, and he always did to me, but at the same time, he anchors this stellar cast and keeps the focus on the point of redemption that lies deep at the heart of the movie.

It doesn't hurt a thing that it's based on Bradury's novel of the same name, and when you've got fiction writing like that to draw from, it's really hard to screw the picture up. Definitely a five star for me.』

(Something wickedly wonderful)
『having worn our video tape to destruction it was good to find this fabuulous movie on DVD. It arrived quickly, securely packaged. The disc was superb - picture quality fantastic, sound great - like being back at the movies the day it was released. Can't recommend the sellers highly enough.』

(something wicked this way comes)
『a rather scary movie from disney which is a good adaption of ray bradbury's novel i like this dvd version of the book allan g beck from wellington nz.』

(Something Wicked This Way Comes (1983)-Five Star Horror from Disney!)
『Something Wicked This Way Comes (1983) was an unconditional five star horror film from Disney studios. This DVD provided two versions of the movie at 1.66:1 and 1.33:1 and was a good value except for the picture quality which was just so, so.

This movie was really great and depicted an old time traveling carnival having the ability to grant your deepest wish, but then totally taking away your ability to enjoy it, and then some. This is referred to as a price, but it is far darker than a simple cost for your wish.

Spoilers:

1) The once town beauty is now very old and wishes for her beauty again. She suddenly finds herself young and beautiful, but then goes blind while staring in the mirror. She then is taken by the Carnival, as are all their victims.

2) Mr. Crasetti, the town barber, wants nothing more than to see some beautiful elegant woman visit his town. The fortune teller ("Dust Witch") reads his mind and tells him that he would be "oh so happy" if he could see some elegant ladies and tells him they are waiting for him. Mr. Crasetti goes to the side show to see the harem girls dance, and winds up during his short lived session being converted into Madam Crasetti, the fat bearded lady (and from the sounds of his conversion, being castrated for good measure).

3) Ed, the town barman and amputee, wants only to be able to play football like he could when he was whole. He walks into the mirrored maze and is made a complete man only to be turned into a young boy.

4) Mr. Tetley wants nothing more than to win a game of chance which he does at one of the carnivals games. Then the Carnival gives him $1000 in winnings, free tickets for the Ferris wheel and a seat next to a very beautiful young woman who is the Dust Witch in disguise. He disappears into the bowels of the Carnival and all that is left of him is his cigar.

5) Tom Fury, the seller of lightning rods, who I believe to be a magical and powerful individual with some influence over lightning, doesn't seem to wish for anything but to supply people with his rods for their protection from a coming storm. Never missing a chance to punish a good deed, he is tortured by the carnival people with an electric chair in order to extract the time of arrival of an important storm. Only too human, his only short coming appears to be his being smitten by the beautiful Dust Witch, who he admires saying "More beautiful than Pocahontas".

I never read the book to know what the novel was about, but it is clear that the basic story is from the mind of the great Ray Bradbury. I don't like his attempts at science fiction, but concerning the human condition, feel he was the master. Note; do not buy for young children as this movie was an attempt by Disney Studios to make something darker and much more serious than Bambi.
』

(Something Wicked This Way Comes)
『One of Disneys most scary movies great cause disney usually dosen't make these kind of eree movies very often perfect to watch around Halloween.』
『One of Ray Bradbury's most popular and intriguing novels of good and evil comes to life in this spine-tingling motion picture. On a grim and gusty October day, two young boys encounter a distressed man who foretells of danger blowing their way. Soon after, the town is visited by a seductive stanger named Mr. Dark and his Pandemonium Carnival. Terrifying things begin to happen when the adventurous boys stumble onto the carnival's deadly and destructive secret! Beware: SOMETHING WICKED THIS WAY COMES ... and frightening surprises follow!』
『Ray Bradbury adapted his own novel forSomething Wicked This Way Comes, Jack Clayton's beautiful rendering of the turn-of-the-century fantasy of a mysterious carnival that literally blows into a small town to taunt and tempt the inhabitants. Jonathan Pryce (Brazil), the handsome but demonic proprietor of Dark's Pandemonium Carnival, preys upon the vanities, the delusions, and the regrets of the townspeople by granting their wishes at the expense of their souls. Jason Robards, as the meek librarian Charles Halloway, becomes his unlikely nemesis when his son Will, with his best friend Jim Nightshade (a deliciously dark name in its own right), discovers the secret of Dark's nightmarish carnival. When they become hunted by Dark's minions (including Pam Grier as the beautiful and mysterious Dust Witch), Halloway must confront his own fears and regrets to save the boys. Clayton captures the idyll of childhood in the fall with rich autumnal colors, his camera gliding along with the energetic boys as they tear through field and forests. The climax, however, gets lost in a cacophony of competing special effects, imaginatively visualized but never very terrifying, as if producer Disney resisted the uneasy undercurrent of the story. It's more dark fantasy than horror, a nightmarish adventure filtered through the memory of a man remembering his childhood in mythic terms.--Sean Axmaker』
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『 Something Wicked This Way Comes > 『 Something Wicked This Way Comes > 『 The Watcher in the Woods > 『 The Watcher in the Woods > 『 The Lady in White > 『 The Lady in White > 『 Something Wicked This Way Comes > 『 Something Wicked This Way Comes > 『 Seven Faces of Dr. Lao > 『 Seven Faces of Dr. Lao > I wanted to buy It↑

タイトル『 The Hills Run Red > 『 The Hills Run Red > 『 Children > 『 Children > 『 Wrong Turn 3: Left for Dead > 『 Wrong Turn 3: Left for Dead > 『 Trick 'r Treat > 『 Trick 'r Treat > 『 Farmhouse > 『 Farmhouse > 『 The Thaw >


>,Sophie Monk,Tad Hilgenbrink,William Sadler,Janet Montgomery,Alex Wyndham


 price：$5.99 
 Warner Home Video
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Core2Duoノートレビュー 's review
(What a Mess)
『The movie is a complete, hot, stinky mess, and yes the ending positioned the movie for a sequel.』

(LIFE IMITATING ART?)
『BACK IN THE 80S A MOVIE CALLED THE HILLS RUN RED BECAME A LEGEND BECAUSE THE CAST AND DIRECTOR VANISHED. AN OBSESSIVE HORROR BUFF IN 2009 WANTS TO FIND A PRINT OF THE MOVIE AND POSSIBLY WHAT HAPPENED. HE TRACKS DOWN THE DIRECTOR'S DAUGHTER WHO MANAGED TO SURVIVE THE EVENTS. AFTER FINDING HER AS A TRIPPED OUT STRIPPER, HE KIDNAPS HER TO DRY HER OUT AND THEN TAKES HER ALONG WITH HIS TWO-TIMING GIRLFRIEND AND BEST FRIEND TO THE PLACE WHERE THE MOVIE WAS FILMED...AND YOU CAN GUESS WHAT HAPPENS.
THE FILM DESERVES AN E FOR EFFORTS TO BE DIFFERENT, BUT ONCE IT KICKS IN GEAR, IT JUST GOES OVER THE TOP GIVING WILLIAM SADLER LICENSE TO CHEW UP THE SCENERY. LEAD SOPHIE MONK IS TERRIBLE AND THE MOVIE BECOMES JUST ANOTHER BLOODSOAKED TORTURE FLICK. ALSO WATCH THE END CREDITS...THE MOVIE'S FINAL TRICK IS STILL TO COME.』

(pretty cool flick)
『ill keep it simple, liked the gore, story was decent, and it held my interest. good late night slasher movie!』

(Better Than A Remake!)
『We've seen the whole "film within a film" concept done before and some, like John Carpenter's "Cigarette Burns," have been done better but The Hills Run Red has its own gory, sexy charm that really seems to be absent from slasher fare these days. It's by no means a perfect film, some of the acting is uneven and the characters are all unlikable, but it does deliver on thrills, chills and gruesome blood spills without resorting to black comedy or slapstick. It did occasionally walk the line between "deconstruction" and straightforward horror but, thankfully, it ended up sticking to the latter for the most part. We don't need to be told why horror doesn't always make sense, thanks.

As any good horror fan knows, a successful slasher film must make good on three things: a visually exciting killer, imaginative and messy kills and copious amounts of unnecessary and often times exploitative nudity. The Hills Run Red provides all of these with a little extra to spare; Babyface is one of the coolest slashers since Leslie Vernon, Victor Crowley and Chrome Skull and pop star Sophie Monk (Pearlblossom) scorches onscreen with an absolutely gorgeous body.

From The Dead Hate The Living! to The Hills Run Red? Dave Parker has indeed shown the horror community that with the right script and budget behind him he's got the stones to make some killer cinema, color me impressed. This almost makes up for his part in House of the Dead...almost.

If you're hankering for a direct-to-DVD horror film (from the WB no less!) with spine, The Hills Run Red is no classic but it does indeed satisfy. Rumor has it that this flick saw cuts to make an R-rating, if there were they weren't noticeable at all because this film was surprisingly adult in comparison to what we normally get. I'd love to of seen an uncut version of this film, or at the very least Dave Parker's vision of this film, sans studio limitations. We get what we get though and, in this case, what we received was something not altogether bad though truthfully a bit forgettable in the long run.』

(Far from perfect, but not without its merits.)
『This is a horror film filled to the brim with generic slasher cliches but centers around an interesting plot that should at the very least hold a horror fans' attention once through. The premise is an interesting one, a horror fan decides to track down a copy of a long forgotten film that was supposedly the scariest of all time and along the way he runs into some horrific problems of his own not to mention the rather large albeit somewhat foreseeable twist at the end. As interesting as this premise is, I can see why nobody decided to use it before because this film was a bit on the short side and still took it about as far as it could go. Acting is a mixed bag here, it's mostly bad with the exception of the director and his daughter, although the daughter was still highly inconsistent with only small moments of competence. I liked the respectful nods to the slasher and grindhosue genres of horror that are scattered throughout the film and the kills and gore and such look admittedly good for such a low budget title. All in all this film really isn't good in any sense of the word, but there's still something about it that I found to be enjoyable. Don't ask me why I liked this film, because all signs point to the fact that's it just another mediocre slasher, but there is something buried deep in there that gives it a feeling of its own and makes it a decent watch.』
『You heard the story. The one about the goriest, bloodiest splatter flick ever, the one made in the’80s but mysteriously lost. Flash forward to now: Young cinema buffs search for the secret location where the movie was shot, hoping to find the film. What they find is that the goriest, bloodiest splatter flick ever is more than a movie. It’s real. And it’s happening to them. The Hills Run Red with a whole new level of horror as the terrified interlopers confront a demented killer who covers his hacked-up face with a babydoll mask. Wait, Babyface is just a character from the movie, right? Wrong. He’s alive. He’s waiting. He’s thrilled to meet fans who will die – slowly, gruesomely, shockingly – for his art. Roll camera!』
『There was once a film so terrifying, so incredibly scary, that it only briefly played theaters and was immediately suppressed. And possibly destroyed. Never heard of it? That's because this urban-legend mystery exists in director Dave Parker'sThe Hills Run Red, a clever little number about a group of young cineastes on the trail of the aforementioned movie. Would-be filmmaker Tyler (Tad Hilgenbrinck) finds a stripper named Alexa (Sophie Monk), who just happens to be the daughter of the mysterious director of the legendary lost film; Tyler drags two other friends (Janet Montgomery, Alex Wyndham) into the woods to research the location shooting of that fabled project. Since these characters are all hip in a post-Screamway to the dangers of young people going off into the woods, there's plenty of self-conscious humor about horror-movie clichés. Sure enough, once they leave civilization, the inbred weirdos and secret hiding places and gothically bizarre torture implements begin to crop up. The movie gets points for being clever, and there's at least one great plot-shifting moment (it involves the wordfetch); but once the blood starts running, a familiar series of lacerations and punctures fills in for character development. Veteran character actor William Sadler runs a few variations on the classic bad guy, and Parker introduces a mask-wearing, knife-wielding killer who's clearly meant to join the ranks of Jason and Pinhead and other slasher icons. Call him… Babyface! In other words, not terrible for a direct-to-DVD offering from the Dark Castle company, but not great. The Babyface sequel can't be far off.--Robert Horton』
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>,Josh Hartnett,Melissa George,Danny Huston,Ben Foster,Mark Rendall


 price：$4.95 
 Sony Pictures
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Core2Duoノートレビュー 's review
(Think; Pitch Black - then think; on ice: but better still - don't think!)
『Picture this - a group of seals with a sprinkling of sea lions thrown in just to beef up the macho quotient of the group, is preyed upon in icy cold seas by a progressively larger group of ravenous killer whales and many of the smaller mammals are played with, butchered and devoured by the marauding killers amid a feast of blood, gore and very squishy special effects. But a few hardy little beasts, though clearly terrified out of their wits get it into their heads that they can survive and even beat their attackers because this is their territory - they know places to hide that are (relatively) safe where they think they might be able to wait out the `orrible orcas!

Well, a similar scenario is put before us in this numbingly boneheaded effort. How long can the cute little seals hold out against the overwhelmingly powerful, devastatingly voracious, heart-clenchingly vicious, highly evolved killing machines waiting to tear them apart, gobble them up and, in a few cases, rip off their heads before consuming them: a few minutes; a couple of hours at the most? No! A full 30 days! I don't know about anyone else but I find it tricky doing anything more complex than manipulating my keys to unlock my front door if the temperature drops one degree below zero for a few hours in broad daylight let alone trying to do it at 15 below in total darkness with a group of crazed super sensitive, super fast, super powerful vampires, who can see in the dark, nearby, trying to rip my head off. Yeh, all right - it's a movie but come on - credit the audience with a bit of intelligence! Okay, maybe not.

Oh, and the ending? Simply laughable!』

(A Decent Film not without Holes)
『I avoided this movie for a long time as the previews just made it look all-around cheesy. It was better than I thought it would be, though not fantastic.
I certainly would not call this "the best vampire movie ever" as many others have.
It's a pretty stereotypical horror movie really. It even follows your usual formula for who lives and dies. The character who wants to run off and leave someone else behind to die is the one who dies himself and then you have your run-of-the-mill hero who sacrifices himself along with your troubled, but reliable-when-it-matters leading man and tough, gun-wielding blonde leading lady. Just the same as almost every other movie of this type.

The flaws in this film are: Wouldn't people eventually ask questions when every year an entire Alaskan town is wiped out in winter by a blood-sucking "fire"? I am assuming that the vampires have to eat at least once every year, so this would keep happening over and over. And where do the vampires buy all their business suits and silver moonboots? And why are they speaking the Mayan language from Apocalypto? And (the most important question) Why, oh why! Don't they actually drink any of the blood? They rip people's throats open and get as much of the blood as possible on the top of their own heads and they spill as much as they can all over the ground, but not one drop seems to ever get inside their fish-like, gaping maws.

My final note: The high-pitched screaming noise they make at every turn = very annoying.

Overall the movie is a solid C, possibly even a C-. It's watchable, sure, but it's certainly not the best movie you're going to see this Halloween.』

(Real Vampires)
『One of the best vampire movies made (along with "Let the Right One In"). This is exactly how I would imagine vampires. Why would vampires mess around? They wouldn't. They would tear you apart and eat you. But at the same time, they can control their actions and plan things out.

This is also a cool portrayal of how a small group of vampires would survive...and get away with it...most of the time....』

(No integrity in the story or the acting.)
『Very truthfully, this movie had potential, but ended up sucking very hard.
I for one will point out if something doesn't make sense or if supposedly intelligent characters are repeatedly responding to impending doom and ungodly terror all DUI. I care about the set-up, whats at stake, the characters themselves (I always was facinated with the bad guys), and yes, the story. This is a mess and it's a shame. The premise rocks. It's so painfully obvious, how was this not already done years ago? You couldn't ask for a better setting. Dark, cold and isolated, as a previous reviewer pointed out. And I must say that some of the vamps looked eerie as hell. I couldn't rip my eyes away. Gorgeously evil, I mean really beautifully scary. A kind of deformed look with the eyes a bit too close together. Some of them looked normal like the boss vamp himself. Not so scary. But other than that it bit the dust. Just stupid as hell. Dumb moves by the heroes, vampires trying to be philisophical or just walking around hissing at each other (really annoying, the worst part of the whole deal). I wasted my money, watch it on t.v. Not kidding. Hit Amazon up for the graphic novels, much better. This adaption was a wasted effort. Sam Raimi strikes again.』

(I'll Take My Blood On The Rocks)
『You'd think that at least one vampire would wise up and take advantage of the fact that Alaska spends many a day in the dark. As far as I am aware, no such fate has befallen the great northern state. Based on the comic miniseries of the same name, "30 Days of Night" gives us a good look at what might happen if a vampire and a few of his undead friends would sink their fangs into the Land of the Midnight Sun.

The film opens with the small town of Barrow, Alaska preparing for its month-long dive into darkness (hence the thirty days of night). Most of the town's citizens are heading for sunnier locations, but a select few stay behind and stick it out. In this small group is the local sheriff, Eben (Josh Hartnett). While everyone is getting ready to leave, he's busy investigating a number of strange criminal acts (burning of cellular phones, slaughtering sled dogs, etc.). As he digs deeper into his investigation, he arrests a stranger (Ben Foster) who begins to wax prophetic about someone or something coming and that no one will survive.


Also staying behind (due to missing her flight) is Eben's estranged wife Stella (Melissa George). She assists Eben in arresting the stranger and goes with the pair to the sheriff's station where Eben's grandmother and brother are.

As soon as the sun goes down, chaos reigns supreme. Eben goes to check on the local telephone office and discovers a brutal murder/decapitation. Scared, he heads back to town and warns those that stayed behind to hide in their homes. As it gets darker, more and more people begin to die. Soon the streets are filled with blood and snow as a gang of vampires feast on the townsfolk.

A few survivors of the initial attack (including Eben and Stella) hole up in an attic and make plans to survive for the next month. The rest of the film shows the small group attempting to stay alive by using their knowledge of the town and the brutal snowfall to their advantage. Along the way, a few other survivors are picked apart by the vampire group which is headed up by Marlowe (Danny Huston).

As supplies become scarce and time begins to wear on them, the survivors take more and more chances in order to stay alive. This leads up to an eventual standoff with the vampires. Who lives? Who dies? Who finally gets to see the rising sun? Watch "30 Days of Night" and you'll find out.

The film's premise is great. It takes a legendary creature and puts in the one place that gives it seemingly every advantage over its victims. Isolated, cold, and in complete darkness, the average human would find it hard to survive with limited resources in such environs. Throw in a gaggle of bloodsucking immortals and you've really got problems.

The film's special effects are very good as well. They are bloody, gory, and very realistic. The makeup department also did a very good job.

Josh Hartnett's portrayal of Eben was very believable. Unlike the untouchable heroes in many films, he reacts to the initial vampire attacks with fear and confusion. I actually felt for his character as he tried to make sense of his situation. Melissa George is fairly convincing in her role as well. Mark Boone Junior nearly steals the show as Beau Brower, an unlikely hero in the film.

Unfortunately, Steve Niles and Stuart Beattie's story drags along at times and lacks a really convincing enemy. Despite being the leader of the vampire gang and seemingly full of wisdom, Marlowe just isn't that scary. There's never a moment in this film where I looked at Danny Huston's character and thought, "There's no way they can stop this guy." Whether it was Huston's performance or the direction of Huston by David Slade, I felt that the weak villain was the film's greatest downfall.

Despite this, I still recommend "30 Days of Night." While it isn't the best vampire film out there, it is much more loyal to its wicked origins than many of today's modern vampires. In a time where most bloodsuckers are busy courting teen girls or hanging out at Fangtasia, it's nice to see some truly evil vampires make their way out of the darkness.』
『Josh Harnett (Black Dahlia,Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives - at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse - and screams.』
『David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along withPirates of the Caribbean's Stuart Beattie andHard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker'sDracula, natch, but alsoSalem's Lot, Night of the Living Dead, and John Carpenter's version ofThe Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention.--Paul Gaita

Stills from30 Days of Night(click for larger image)

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>,Kevin McCarthy,Dana Wynter,Larry Gates,King Donovan,Carolyn Jones


 price：$3.49 
 Republic Pictures
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Core2Duoノートレビュー 's review
(Nightmarish noir/sf hybrid: the first version is still the best)
『This review is from my second viewing: I hadn't seen this classic for years, but here was the perfect opportunity, hard on the heels of THE INVASION, the most recent (4th) film version of Jack Finney's story from two years ago. I liked the new one more than most, and at some point I'll put up a review of it, but it doesn't hold a candle to Don Siegel's exciting thriller, the ultimate bleeding together of film noir and science fiction.

I won't go into huge detail about the plot; surely you know it, and if you don't you should see the movie before reading about it, especially in this case! So just some impressions: the 80 minutes of the running time fly by, but are enough to build a real sense of wrongness and unease, both at what is happening on the screen and at the safe, dull, suburban world these characters live in. The blandness of the pod people is JUST noticeable, much more subtle than in later versions; for the first half of the film, we really can't decide if something is actually happening, or if it's all a dream. The casting is excellent; the female characters don't have a lot to do, alas (certainly this is a pre-feminist vision of women in danger!) but Dana Wynter is certainly charming and easy on the eyes, and Kevin McCarthy really is perfect for the role of the competent, rational hero. The score by Carmen Dragon is entirely appropriate, exciting and keyed to the emotional pitch of the film without being too leading on its own. The vision of sprawling suburbia as a place of dullness - and ready conformity, with its Tiki-torches and swimming pools and secluded back yards - is a compelling one that would be revisited often in both science fiction and more dramatic stories in years to come.

And, as I mentioned above, this is almost as much noir as SF; the long alleys and shadowy, stark black and white photography, the characters on the run throughout, the ambiguous, still somewhat downbeat ending (even the studio addition doesn't ruin things as far as I'm concerned), the late betrayal of the hero by the one he trusted most....

Masterful, and my pick for the best science fiction film of the 1950s.』

(Catch your breath while you can, this one's a runaway train.)
『The DVD transfers are very good remasters with both wide screen and full screen versions included in the package. (Watch the wide screen version).

From the opening scene with Dr. Miles Bennell (Kevin McCarthy) screaming, "You've got to believe me, I'm not insane" to the horrifying conclusion, this film wastes not a single frame away from the pace that never stops.

Dr. Bennell is finding that his patients are behaving strangely, they keep telling him that a loved one is no longer that person. Bennell is trying to be just a country doctor rekindling a spark with his high school sweetie, Becky Driscol (Dana Wynter) but the oddities continue and at an alarming rate. Good friend, Jack Belicec (King Donovan) calls the Doctor to come over and see what's he's got. It's a partially formed human body which looks a lot like Jack. Jack wife, Teddy (Carolyn Jones of TV's Adams Family fame) is hysterical over the situation. Even Becky's father (Kenneth Patterson) seems changed and he's placed another strange body resembling Becky in the basement of their home. Then we see the cause; giant seed pods opening to expose the lifelike contents, all growing to look like someone close by. Pretty soon, the whole town is changed with only the good doctor and Becky left to flee for their lives.

The gripping script (Daniel Mainwaring) was taken from a magazine serial by Jack Finney. Director Don Siegel's vision is close to perfection and the ensemble cast is excellent.

This "B" movie is too good to keep its "B". This is an "A". You know it's good when Hollywood keeps remaking it. The special effects are kept simple so they are believable. This film works as well today as it did in 1956 and it's much better than the remakes with bigger name stars (like Nicole Kidman

'Invasion of the Body Snatchers' is a classic Sci Fi and a must have for anyone collecting or interested in this genre of film.

Highest recommendation for: Sci Fi fans, suspense and thriller fans, Dana Wynter fans and anyone who wants to take a roller coaster ride while watching a film. A little parental guidance for kids under 8 is probably required.』

(UNFORGETTABLE BABY-BOOMER SCI-FI/HORROR FLICK SIMPLY A CLASSIC!)
『INVASION OF THE BODY SNATCHERS [1956], probably Don Siegel's best film, is simply what great movie-making is supposed to be all about. This is an enduring classic that has held strong against the onslaught of the 'in-your-face' gore&viscera cinema that has inundated our senses since Gerorge Romero popped up out of Pittsburgh in 1968. INVASION scared the living daylights out of me as a kid and continues to eerily unsettle me as an adult. This story is about seed pods that "come from the sky" . Once placed in proximity to a person they seem to imbibe that person's phenotype--minus their experiences and emotions--while the person sleeps. The result is that the pod basically 'gives birth' to an exact duplicate of the sleeping beauty minus the moxie, the mirth, the mojo. The real human is extirpated and the emotionally barren replacement--basically an alien--takes over. The new product has no need for love or procreation--not a nice thing. To all you new- generation folk who revel in the carnage of the 'Chainsaw/Hills Have Eyes/Hostel'-type features: your in for a disappointment, but your also in for a lession on the vanishing art of great movie-making. The latter made possible by great direction [those shots!], cinematography [those shadows!], writing [those lines!], and , most importantly, great acting by ALL involved. Devoid of heads flying around or plasma being spilled everywhere, this is an evocative, black-and-white, baby-boomer classic that many of us grew up with. The stark b&w aspect to this movie adds to the strange sense of detachment, alienation and isolation it evokes. The movie begins with Carmen Dragon's sudden-onset sinister score and a look at some clouds that is downright eerie and other-worldly. Your're then taken to a small town that resembles Mayberry complete with town Doc and everybody knowing everybody--pretty earthbound. Then the fun begins. A 'misbehaving' little boy who doesn't feel mom is same old mom. A neice who feels her Uncle is not her Uncle. And everybody with a gripe about things changing come to Doc, played wonderfly by Kevin McCarthy. That look on Virginia Christine's face when she describes how her Uncle Ira is NOT Uncle Ira is unsettling. These are the details that make this film so memorable over the years--the looks, the innuendoes. How about Larry Gates as the 'alienated' town psychiatrist trying to provide a glib and cogent explanation for the "hysteria" going around. Gates, an excellent, scene-stealing character actor who was awesome in the classic greenhouse scene in IN THE HEAT OF THE NIGHT [1967], was a great pick for this flick. His eyes and countenance alone bespeak of pomposity, deceit , aloofness--perfect for a superior alien. His voice makes you sit up straight in your seat, and has a sort of sinister quality. How about the scene in the bar when, after bar-owner&wife fall asleep, a featureless body that looks like the bar-owner shows up on a pool table then disappears. And the creepy, unconcerned tubby cop who pokes his head through the cellar window to report that the body was found burning in a haystack miles away. Doc, who has his hands full with questions and complaints, gradually begins to understand that something not of this earth is infesting the countryside. The scene where he suspects his girlfriend's [Becky, played by Dana Wynter] dad of not being her real dad [he's been working odd late hours in his cellar lately] and he decides to go down into his cellar is plain scary. He's just looking for hidden pods but those shadows, those steps, those storage bins down there... And how about that 'conceiving' pod ,out in the backyard, bursting out in foam and crud to expulse Doc's replacement. Geez, it's time to hit the caffeine and get out of town. As Doc&Becky flee we bump into Sam Peckinpah and truckloads of pods which are now being systematically distributed to neighboring towns and valleys. Gotta get to the big city now and warn the rest of the world that there seems to be a small problem. The chase scene is harrowing with interesting and atmospheric runs up a rural staircase and hiding under floorboards. Just the pace of the aliens running up those stairs and the sound of their footsteps as they hit the floorboards conveyed such a disturbing and nefarious sense of group urgency and desperation. The now classic scene where Doc leaves Becky for a moment only to return to awaken her--a great face-to-face closeup of Becky's stoic, alienized countenance and Doc's aghast look--still hits paydirt. Amazing what you can do with a low or modest budget, superb "on" acting and the right moviemakers. Nice how the film is narrated by Doc in retrospect to a group of ER docs who think he's loony only to have his veracity supported when a guy reporting an accident describes a victim found under "..some of the strangest things..looked like seed pods". The look of relief on McCarthy's face as the movie ends is memorable. Noteworthy how, back then, this film appeared to reflect America's tacit fear of change, fear of the atomic era, concern over whether aliens do exist [flying saucer craze], ambivalence regarding the slander and demagoguery of McCarthyism, maybe even worry over the inevitability of desegregation in some parts of the country. Call it the mid-late 50's "5-S" fears of suburbia/sirens/saucers/subversion/deSegregation. Interesting how Doc's emotionally sterile and lifeless aliens are probably caricatures of modern industrialized big-city folk who have become desensitized [dehumanized?] by long work hours, long commutes, the rat race, technology and cyberlife. After all, an astute sociologist did once say: man made the city, now the city is remaking man [citation to follow].』

(Another Hardcore Classic!!!)
『I watched this for the first time a few days ago with my dad. If you've read my reviews before, you'd know that I love the look of horror films that take place in the 50's. The town is Santa Mira, the same town HALLOWEEN III takes place in. People are changing into emotionless things in the town by some pods from outer space! Can Dr. Miles Bennell and his girlfriend, Becky stop the pod people from taking over? If you love classics, you'll love INVASION OF THE BODY SNATCHERS!!!』

(No monsters? No robots? No giant bugs?)
『In the world of 1950's sci-fi Invasion of The Body Snatchers stands out mostly for its lack of special effects. There are some plasic seed pods, a few dummies that look like the stars, and some soap bubbles, but beyond that it's all about writing and acting. Most of which plays upon the atmosphere of the cold war and the xenophobia of outsides coming to get us. To one up this tension, it's when we're sleeping the transformation takes place--Shut your eyes for even a second and you're no longer you, your uncle is no longer your uncle, and the woman you love is a cold, emotionless stranger--one of them.
There's good reason why this movie has stood the test of time. While the cold war politics that spawned it may have faded into history, those same tensions have always and perhaps will always be a part of humanity. The "Them" may change, but our basic fears are a part of what makes us human.
On second thought, perhaps that should be bad reason this movie has stood the test of time, but which ever it may be, this film's power is in its simplicity and its basic knowledge of human nature.』
『Studio: Lions Gate Home Ent. Release Date: 08/16/2005 Run time: 80 minutes Director: Don Siegel』
『Something's wrong in the town of Santa Mira, California. At first, Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless imposters. But soon the evidence is overwhelming--Santa Mira has been invaded by alien "pods" that are capable of replicating humans and taking possession of their identities. It's up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Considered one of the best science fiction films of the 1950s and '60s, this classic paranoid thriller was widely interpreted as a criticism of the McCarthy era (that's Senator Joseph, not actor Kevin), which was characterized by anticommunist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version ofInvaders of the Body Snatchers(based on Jack Finney's serialized novelThe Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop. Look closely and you'll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader!--Jeff Shannon』
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タイトル『 Repulsion- Criterion Collection [Blu-ray] > 『 Repulsion- Criterion Collection [Blu-ray] > 『 Last Year at Marienbad (Criterion Collection) [Blu-ray] > 『 Last Year at Marienbad (Criterion Collection) [Blu-ray] > 『 The Seventh Seal (Criterion Collection) [Blu-ray] > 『 The Seventh Seal (Criterion Collection) [Blu-ray] > 『 Playtime- Criterion Collection [Blu-ray] > 『 Playtime- Criterion Collection [Blu-ray] > 『 Wages of Fear [Blu-ray] - Criterion Collection > 『 Wages of Fear [Blu-ray] - Criterion Collection > 『 For All Mankind- Criterion Collection [Blu-ray] >


>,Catherine Deneuve


 price：$19.96 
 Criterion
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Core2Duoノートレビュー 's review
(a shocking film)
『This review is for the Criterion Collection DVD edition of the film

Repulsion is a film directed by Roman Polanski and is his first English language film. It is about two sisters from Belgium who are living together in a London apartment. While one goes on vaction, the other decends into schizophrenia and madness. The film is a psychological thriller and was given an X rating in the UK upon its release. It is indeed dusturbing and I recommend it not be shown to children.

Unlike the previous Roman Polanski film released on DVD by the Criterion Collection, Knife in the Water, it is possible to pause this film, and to scan the film forwards and backwards.

The DVD includes a 2003 documentary on the film's production, a 1964 French documentary about the film's production, Audio commentary from 1994 with Roman Polanski and actress Catherine Deneuve, and two theatrical trailers.』

(Gripping, Riveting, Frightening, Hypnotic!)
『"Repulsion" is Roman Polanski's disturbing look at a woman (Catherine Deneuve) gradually going mad. Polanski takes us into the mind of Carol Ledoux, a French manicurist working in London. In the streets outside the beauty salon is a world where leering men send her into a panic. In bed each night, she waits, petrified, until her sister (Yvonne Furneaux) and her married lover come home to the apartment next door and engage in their their noisy nocturnal recreation.
When the lovers leave for a holiday in Italy, Carol descends into madness as her sexual repression triggers hallucinations that drive her to murder. Simple objects become dreaded portents, silence is broken by buzzing flies, dripping water, and a ticking clock. Soon, she imagines that someone is in the apartment to rape her. Polanski is adept at using the claustrophobic apartment as breeding ground for Carol's myriad escalating fears and visions. This is the kind of movie that makes you look over your shoulder and make sure the doors are locked.
Polanski would later go on to direct "The Tenant," a movie with a similar theme, and the hugely popular "Rosemary's Baby." "Repulsion" is an atypical horror film, since the terror is all in Carol's mind, and we are witnessing events through a frightened, paranoid woman's eyes. Ms. Deneuve is superb in a chilling role.
Bluray bonus extras include audio commentary featuring Polanski and Ms. Deneuve; the 2003 featurette "A British Horror Film," on the making of "Repulsion;" a 1964 French TV documentary filmed on the set of "Repulsion" showing Polanski and Deneuve at work; and original theatrical trailers. The new print is a high-definition digital transfer, approved by Polanski himself.』

(Newly Restored, director approved DVD)
『For the viewers that didn't like this film, if they were expecting a film like Psycho, this is not that film. In any case, this film was quite effective at depicting, a character on the edge of sanity, who is schizophrenic, and has paranoid delusions, which leads to violence and psychosis. The films, visual elements carries the story through expressive camerawork and lighting, and only uses sparse dialogue, to tell Carol's story. A different approach to a similar theme of mental illness, was the film A Beautiful Mind, by Ron Howard, which also deals with schizophrenia, and paranoid delusions, but is presented in such a way so that the viewers can identify with what the central character is going through, although, it's hard to tell, what's reality or fiction, and what is just a form of storytelling for the screen.』

(Dark and stylish horror)
『The Bottom Line:

Roman Polanski's impeccably shot horror film about a repressed women devolving into madness inside her apartment complex, Repulsion doesn't have the urgency that the director would bring to Rosemary's Baby three years later but it's a worthy film in its own right, delivering chills on a fairly regular basis and featuring a dementedly good performance by Denueve in the lead; if you like horror that doesn't involve a masked serial killer than pop this one into your DVD player of choice.

3/4』

(Just imagine...)
『...being in the audience of a theater that was showing this for the first time back in the 1960s. The slow decay of the star is even unnerving in this day and age and I'm sure it was a shock back then. It was an enjoyable movie and was pretty disturbing, but thanks to all the desensitization of the modern age, it will probably lose some of its scarier parts due to the fact that it's just not "that scary" nowadays. The star really made it seem like to the viewer that you were truly watching someone unravel. The Criterion version has a nice crisp transfer in B&W and it is great! Recommended!!』
『Roman Polanski followed up his international breakthrough,Knife in the Water,with this controversial, chilling tale of psychosis, starring Catherine Deneuve as Carole, a fragile, frigid young beauty cracking up over the course of a terrifying weekend. Left alone by her vacationing sister in their London flat, Carole is haunted by specters real and imagined, and her insanity grows to a violent pitch. Thanks to its unforgettable attention to disturbing detail and Polanski’s unparalleled adeptness at turning claustrophobic space into an emotional minefield, Repulsion remains one of cinema’s most shocking psychological thrillers.

SPECIAL EDITION FEATURES:

• New, restored high-definition digital transfer with uncompressed monaural soundtrack

• Audio commentary featuring director Roman Polanski and actress Catherine Deneuve

•A British Horror Film(2003), a documentary on the making of Repulsion, featuring interviews with Polanski, producer Gene Gutowski, and cinematographer Gil Taylor

• A 1964 television documentary filmed on the set ofRepulsion, featuring rare footage of Polanski and Deneuve at work

• Theatrical trailer

• PLUS: A booklet featuring an essay by film scholar and curator Bill Horrigan



Stills fromRepulsion(Click for larger image)

タイトル『 The 'Burbs > 『 The 'Burbs > 『 The Great Outdoors > 『 The Great Outdoors > 『 The Money Pit > 『 The Money Pit > 『 Joe Versus the Volcano > 『 Joe Versus the Volcano > 『 Funny Farm > 『 Funny Farm > 『 Dragnet >


>,Tom Hanks,Bruce Dern,Carrie Fisher,Corey Feldman,Rick Ducommun


 price：$4.99 
 Universal Studios
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Core2Duoノートレビュー 's review
(all time favorite)
『I love this movie. I watch it probably too much but I still laugh every time. Every character is hilarious an every scene.』

(Happy in Miami)
『This is an oldy, but a goody. Very funny and great acting. I would highly recommend it. Great service from Amazon.』

(The Trouble with Suburbia)
『Would you like to know what your neighbors really do in their spare time? Well, The Burbs may not be completely truthful, but it is hilarious to watch. Here's a dark comedy that pokes fun at suburbia and the people who live in it. It may not be laugh-out-loud funny, but it's funny nonetheless. The acting ensemble is first-rate: Hanks, Fisher, Ducommun, Dern, and Feldman played their parts perfectly. The silly horror gimmicks never get tiring after repeated viewings. This is one of director Joe Dante's better films, and it really is worth watching.』

(The Burbs)
『The tape was like new, exactly as described and came within a few days of order placement. It was for my sister-in-law who is in a nursing home with a brain tumor. All she has to look forward to every day is watching a movie on her VCR. The Burbs is her favorite movie. It makes us feel good to see her laugh. Thank you!』

(Excelent DVD)
『I always liked the movie and on a whim I thought maybe its on Amazon and of coarse it was and with choices of used or new so I ordered a used copy which was excellent got it in two days very satisfied with Amazon and seller』
『A suburbanite cancels his vacation trip to help keep watch on his creepy new neighbor. When a grouchy neighbor disappears the watch group descends on the suspect house.
Genre:Feature Film-Comedy
Rating:PG
Release Date:3-JUN-2003
Media Type:DVD』
『Ray Peterson (Tom Hanks) would like nothing better than to spend a quiet week's vacation in his suburban home, drinking beer and watching TV. But, spurred on by his two friends' spinning of boyish paranoid fantasies about their reclusive neighbors, the Klopeks, the usually down-to-earth Ray begins to suspect his idyllic neighborhood has been invaded by an evil force, to the point where he and his friends become psychotically nosey. You see where this is going, and you see it from a mile off. Only the general surface-thin plot is somewhat offset by director Joe Dante's fine sense of the absurd, and a host of engagingly played neighbor-types, namely Rick Ducommun as Ray's best friend who's always proposing bad ideas, and Bruce Dern as a sometimes wild-eyed ex-vet who'd love some action. Dante and crew seem to have a knack for keeping these broad characterizations light enough that you don't mind their superficiality. But the best jokes in this unprepossessing film come from composer Jerry Goldsmith's score; Bruce Dern's presence, for instance, is announced by the theme fromPatton, and the boys' first approach to the Klopeks' for a meet-and-greet is buttressed by classic strains from Sergio Leone spaghetti Westerns. Kudos to the Klopeks, for their evil ways are ably embodied by Henry Gibson, Courtney Gains, and Brother Theodore. In particular, any suburb that finds it's inhabited by the likes of Brother Theodore is in dire need of new zoning laws. But Carrie Fisher's role as Ray's amiably long-suffering wife is thankless, and she deserves better.--Jim Gay』




』
『Roman Polanski was still a newcomer to the world of cinema when he unleashed this unforgettable exercise in skin-crawling terror.Repulsionwas the Polish director's first film in English, but that hardly mattered: much of the movie is as wordless (and as weird) as the silentNosferatu. The young Catherine Deneuve plays a Belgian girl stranded in '60s London, a shy beauty with no social skills. When her sister leaves their shared flat, Deneuve goes gradually, quietly, completely mad. Her world becomes Polanski's paintbox, as the devilish director distorts reality via a series of surrealistic touches (grasping hands that protrude from elastic walls) and out-and-out murderous horror. Very few films cast the kind of eerie spell that this 1965 classic achieves, and it clearly points the way toward Polanski'sRosemary's Baby. As with most of the director's work, what is unsettling is not the overt violence, but the terrifying sense of emptiness and isolation, and the boiling unease inside one's own mind.--Robert Horton』







Beyond30 Days of Night

On Blu-ray
Audio CD
Hardcover Book

』
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タイトル『 Stephen King's Storm of the Century > 『 Stephen King's Storm of the Century > 『 Rose Red > 『 Rose Red > 『 The Tommyknockers > 『 The Tommyknockers > 『 Stephen King's It > 『 Stephen King's It > 『 Stephen King's Desperation > 『 Stephen King's Desperation > 『 Stephen King Gift Set (The Langoliers / The Stand / Golden Years) >


>,Tim Daly,Colm Feore,Debrah Farentino,Casey Siemaszko,Jeffrey DeMunn


 price：$3.99 
 Lions Gate
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Core2Duoノートレビュー 's review
(Stephen King's Storm of the Century)
『ThankYou for your prompt service! The item purchased was received within a few days and it was just as it was described in the ad.』

(A couple problems with this movie)
『The first problem I had with this movie was,,, Of all those church folks not one of them knew my Lord well enough to simply say, "Satan, I rebuke you in the name of Jesus Christ."

Accepting that there was not a single real Christian in the bunch I also know that Satan is an eternal being and the thought of him needing to train a replacement is stupid.

Other than that it was a great movie.
The final scene so far from the island when he sees his son turn and give him that look was priceless.

Stupid and illogical but this is a movie,,, priceless.』

(He Knows Your Darkest Secrets)
『The island of Little Tall appears to be the idyllic fishing community whose citizens are moral and upright. However, on the eve of a disastrous Winter storm, an evil, omnipresent creature visits the townspeople. He knows their darkest secrets and exposes them for what they truly are: hypocrites. Calling himself Andre Linoge, he uses his supernatural powers to isolate the island from the rest of the world and force its citizens to commit suicide one by one. All the while he continues to make one cryptic demand: "Give me what I want and I'll go away." Constable Michael Anderson rushes to find out what this creature wants before the entire community vanishes forever as did the Roanoke Colony in 1590.

"Storm of the Century" is my favorite Stephen King miniseries. The small, isolated island is the perfect setting for claustrophobic terror. Two-hundred people are trapped and at the mercy of a diabolical creature whose origin is never fully understood. Is Andre Linoge a demon or an alien?

With his strong, chiseled face, Colm Feore ("Chronicles of Riddick") gives an excellent performance as Andre Linoge. Tim Daly ("Private Practice" television series) is wonderful as the likeable Michael Anderson. Debrah Farentino is perfect as his stubborn wife, Molly, who opposes him. The entire cast, including many extras, was well chosen and made me feel as if they were an actual community of fishermen.

Perhaps the citizens of Little Tall represent mankind in general. After all, don't we all have dark secrets we don't want revealed? This miniseries is very provocative. How would we react in a similar situation? Would we give the creature whatever he wanted so that he would go away? I would hope that I would side with Michael Anderson. Yes, Andre Linoge is a creature that is more powerful than a man, but he is also less than a god as he clearly stated. Therefore, he can be defeated. Also, where is the people's faith that the God of all creation can help them? When facing a moral crisis, humans sometimes disregard their values. I have learned that choosing to do right can sometimes be very difficult.

"Storm of the Century" is highly recommended for all Stephen King fans. It is a superb example of modern gothic horror. Andre Linoge is not the only one who knows how to exploit our fears. So does Stephen King who's been doing it for more than thirty years.
』

(NOBODY CAN ENTERTAIN LIKE STEPHEN KING CAN ! This movie is no exception.)
『This 256 minute PG-13 film ranks on my list of person favorites by Stephen King, right under `The Stand'.

Stephen King has a great gift for thinking of entertainment that is absolutely terrific. In this movie a small town gets a winter storm of a different type. One they'll never forget, or talk about in the future.

This is a must see movie! The story line is solid and easy to follow. The cast of actors fits this film perfectly.

I can't think of a better way to express my feelings about the work of Stephen King, other than sharing with you a article I wrote about Stephen King that is all over the internet, including the personal website of a nationwide radio celebrity.

Here it is.

Compliments To Stephen King

Being a very serious movie collector, I watch numerous movies in my free time. I've noticed not all writers have the same touch for the industry. Not saying of coarse some are better than others, but rather ... they differ greatly in the types of product they come up with. I am a huge fan of Stephen King films. This is evident by the presence of a Stephen King chapter in my website. Am I the kind of fan that wants to follow the man around and know everything about him, ... No, of course not. I do show a great respect for the enjoyable product he is capable of producing when it comes to the film industry. His work in my opinion is by no means a waste of money in any way, shape or form. The man has the mind for providing us with entertainment that will keep us coming back for more.

I own numerous Stephen King films on DVD, ... I'm not disappointed at all with any of them. Night Flier, Thinner, Langoliers, Carrie, It, Sleepwalkers and of coarse two of my biggest favorites Storm, Of The Century, and The Stand just to name a few. There are a lot of films out there by Stephen King, and then there are a lot of films out there that were inspired by the work of Stephen King.

I have noticed a couple of things with Stephen King films. He uniquely signs many of them by showing up in the film playing a small acting roll. Think about this for a minute. In Sleepwalkers he has a momentary roll that comes up as the caretaker. The langoliers he shows up in a momentary roll as a businessman at a conference table. In The Stand he plays a small part as the man driving the brown Ford Bronco. I can't think of any other way to describe this but `pure genius'.

Another thing I noticed is the fact that it is very hard to find bloopers or mistakes in his films. I haven't found any.

I'll use some other films as a example of what I'm talking about (without mentioning titles of course).

A western film which I'm sure most of America has seen, ... in a scene showing the bust shot of two cowboys outdoors talking to each other, ... way off in the distance you can see the top two thirds of a eighteen wheeler crossing the background. The whole thing lasted about two seconds, but never the less it shows up. The first time I saw this, I thought it was hilarious.

A vintage movie using a blimp to try and kill a stadium full of people. In the scene where they steal the blimp from the crew on the air field, ... as the blimp is lifting off, look at it's flat windshield, ... it gives a very clear reflection of the entire filming crew and all the equipment, cameras, and cables laying all over the place.

A famous comedy trucker movie with a eighteen wheeler and a sports car being chased by a cop. In the scene where the sports car is speeding through front yards and knocking off mailboxes, ... as the female actor is looking out the rear window of the car, you can see the shadows of studio equipment shining through to the floor of the sports car. This particular film is full of stuff like this.

Stephen King films, ... it is hard to look for flaws like this. This could only mean that Stephen King has a eye for great detail, that won't be compromised. He is very good at what he does.

Stephen Kings Cujo actually comes very close to something that could happen in reality. This work shows that something like this is believable and possible. That's what kept me glued to the television as I watched this DVD. This film brings out a level of horror that is very gripping because it does come so close to reality. As with all of his work, a great pleasure to sit down and enjoy it.

Earlier I mentioned that The Stand was one of my bigger favorites from Stephen King. The reason for this is the theme and story of the movie is in perfect taste for the entertainment of a person such as myself. A outstanding cast of actors, great background music and perfect stage sets.

I couldn't think of a better cast of actors to star in this film. Each character seemed to be a perfect professional fit for the actor playing that roll. It worked out really well and produced a film that gets high praises from me, and I'm sure many others.

Complete Cast:

Gary Sinise - Stu Redman
Jamey Sheridan - Randall Flagg
Ruby Dee - Mother Abigail Freemantle
Miguel Ferrer - Lloyd Henreid
Matt Frewer - Trashcan Man
Shawnee Smith - Julie Lawry
Joe Bob Briggs - Deputy Joe Bob Brentwood
Molly Ringwald - Frannie Goldsmith
Laura San Giacomo - Nadine Cross
Ossie Davis - Judge Richard Farris
Rob Lowe - Nick Andros
Bill Fagerbakke - Tom Cullen
Adam Storke - Larry Underwood

All star in this 1994, 366 minute film directed by Mick Garris.

The DVD includes commentary by Mick Garris, is digitally mastered and contains information on the cast and crew.

Reporter Joseph Toth
Washington Micro Bank BBS
』

(Storm a-coming)
『Storm/Century is a good King story, benefitting from having the time to actually tell the story. Both lead actors, especially Feore, are great, but the ending is a real bummer.』
『The terrifying tale of a town beseiged by evil. The inhabitants of a picturesque sleepy little town on a small island off the coast of main find themselves completely cut off from the rest of the world when they are hit by the worst storm of the century. Studio: Lions Gate Home Ent. Release Date: 03/22/2005 Starring: Tim Daly Colm Feore Run time: 248 minutes Rating: Pg13 Director: Craig R. Baxley』
『"Give me what I want and I'll go away," demands the black-eyed, stocking-capped stranger Linoge (Colm Feore), who appears in a quiet island community on the verge of the worst storm in decades and brutally bludgeons an old lady to death. Tim Daly, the town sheriff and voice of reason and moral strength, locks up the quiet madman, but the deaths pile up as Linoge acts them out from his cell like a murderous mime pulling psychic strings. Stephen King, whose original teleplay is his best work for the screen sinceThe Stand, transforms the sleepy burg into a Peyton Place of guilty secrets and criminal activity ripped from under a blanket of small town normality while the white-out of the snowstorm completely cuts them off from civilization. Director Craig R. Baxley nicely maintains an icy tension while the waiting game goes on, perhaps a little too long, before Linoge finally reveals "what he wants" and the drama turns into a struggle for man's soul in miniature. The more ambitious special effects and set pieces sometimes disappoint but are more than made up for in King's knack for turning the mundane into the macabre (the children's song "I'm a Little Teapot" has never sounded more sinister) and a few brilliantly realized sequences, the best of which occurs when townspeople are literally yanked out of existence while watching the storm.Storm of the Centuryis one of the most successful translations of King's brand of horror to the screen.--Sean Axmaker』
relatred Items
『 Stephen King's Storm of the Century > 『 Stephen King's Storm of the Century > 『 Rose Red > 『 Rose Red > 『 The Tommyknockers > 『 The Tommyknockers > 『 Stephen King's It > 『 Stephen King's It > 『 Stephen King's Desperation > 『 Stephen King's Desperation > I wanted to buy It↑

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