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< Best Classics 100 Volume 1 > < 100 Best Film Classics > < Best Classics 100 Volume 2 > < Best Relaxing Classics 100 > < 100 Best Opera Classics > < 100 Best Piano Classics >






 price:$6.37 
 Angel Records(2006-08-29)
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1.Solomon, oratorio, HWV 67: The Arrival of the Queen of Sheba 2.Violin Concerto, for violin, strings 3.& 4.continuo in E major ('La Primavera,' The Four Seasons; 'Il cimento' No. 1), Op.8/1, RV 269: I. 5.Toccata and Fugue, for organ in D minor, BWV 565 (BC J37): Toccata 6.Horn Concerto No. 4 in E flat major, K. 495: III. Rondo (Allegro vivace) 7.Symphony No. 5 in C minor ('Fate'), Op. 67: I. Allegro con brio 8.1812 -- Festival Overture, for orchestra in E flat major, Op. 49: Conclusion 9.Symphony No. 9 in D minor ('Choral'), Op. 125: Ode to Joy 10.Piano Concerto in A minor, Op. 16: I. Allegro molto moderato (opening) 11.Karelia Suite, for orchestra, Op. 11: No. 3. Alla marcia 12.The Planets, suite for orchestra 13.& 14.female chorus, Op. 32, H. 125: Jupiter, the Bringer of Jollity (conclusion) 15.Piano Concerto No. 1 in B flat minor, Op. 23: I. Allegro non troppo e molto maestoso 16.Finlandia, tone poem for orchestra, Op. 26 17.Aida, opera: Gloria All'Egitto (Triumphal Scene 18.& 19.Grand March) 20.Romeo and Juliet, ballet in 4 acts, Op. 64: Montagues and Capulets (Dance of the Knights) 21.Radetzky-Marsch, for orchestra, Op. 228 22.Pomp and Circumstance March No. 1, for orchestra in D major, Op. 39/1: Land of Hope and Glory (conclusion) 23.Piano Concerto No. 3 in D minor, Op. 30: I. Allegro ma non tanto (opening) 24.Symphony No. 3 in C minor ('Organ'), Op. 78: Maestoso - Allegro (conclusion) 25.Orchestral Suite No. 3 in D major, BWV 1068: Air on the G string 26.Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Dance of the Blessed Spirits 27.Canon in D major, instrumental arrangement 28.Clarinet Concerto in A major, K. 622: II. Adagio 29.Goldberg Variations, for keyboard (Clavier- 30.Übung IV), BWV 988 (BC L9): Aria 31.Adagio, for violin, strings 32.& 33.organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni): Extract 34.Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: I. Adagio sostenuto (extract) 35.Concerto for flute, harp 36.& 37.orchestra in C major, K. 299 (K. 297c): II. Andantino (extract) 38.Violin Concerto in E minor, Op. 64: II. Andante (extract) 39.Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: II. Andante 40.Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5): II. Largo (opening) 41.Violin Concerto No. 1 in G minor, Op. 26: II. Adagio (opening) 42.Enigma Variations, for orchestra, Op. 36: Nimrod 43.Concierto de Aranjuez, for guitar 44.& 45.orchestra: II. Adagio (opening) 46.The Lark Ascending, romance for violin 47.& 48.orchestra: (conclusion) 49.Symphony No. 5 in C sharp minor: IV. Adagietto (conclusion) 50.Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano 51.& 52.orchestra in A minor, Op. 43: Variation 18 53.Les P 54.êcheurs de perles, opera in 3 acts: Au Fond du Temple Saint (Temple Duet) 55.Rusalka, opera, B. 203 (Op. 114): Song to the Moon 56.Lakm 57.é, opera: Dôme Épais (Flower Duet) 58.Carmen, opera: La Fleur que tu m'Avais Jet 59.ée 60.Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Che Far 61.ò Senza Euridice? 62.Norma, opera: Casta diva 63.La boh 64.ème, opera: Che Gelida Manina 65.Gianni Schicchi, opera: O Mio Babbino Caro 66.Ba 67.ïlèro, folksong for voice 68.& 69.orchestra (Chants d'Auvergne, Series 1, No. 2) 70.Madama Butterfly (Madame Butterfly), opera: Vogliatemi Bene 71.Nabucco, opera (Nabucodonosor): Va, Pensiero (Chorus of Hebrew Slaves) 72.Die lustige Witwe (The Merry Widow), operetta: Es Libt' Eine Vilja 73.Serse (Xerxes), opera, HWV 40: Ombra mai fu 74.Ellens Gesang III ('Ave Maria'), song for voice 75.& 76.piano, D. 839 (Op. 52/6) 77.Cantique de No 78.ël for voice 79.& 80.orchestra ('Minuit, Chr 81.étiens,' 'O Holy Night') 82.Turandot, opera: Nessun Dorma 83.Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Overture 84.Jesu bleibet meine Freude, transcription for piano (after J.S. Bach, BWV 147) 85.Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: I. Allegro (extract) 86.The Prince of Denmark's March (Trumpet Voluntary) for brass, winds 87.& 88.percussion (or keyboard or trumpet 89.& 90.organ) in D major 91.Mors et vita, trilogy of oratorios for soloists, chorus 92.& 93.orchestra: Judex 94.La scala di seta (The Silken Ladder), opera: Overture 95.Air (Sarabande) in E major, HWV 425 96.Nutcracker, ballet, Op. 71: Waltz of the Flowers 97.Lieutenant Kij 98.é, film score and suite for orchestra, Op. 60: Troika 99.Fantasia on Greensleeves, for harp, flute 100.& 101.strings (arranged by R. Greaves; from the opera 'Sir John In Love') 102.Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 103.The Swan Lake, ballet, Op. 20: Act II. No. 10 104.The Deer Hunter, film score: Cavatina 105.Piano Concerto No. 1 in E minor, Op. 11, CT. 47: II. Romance (Larghetto) (opening) 106.Titanic, film score: My Heart Will Go On 107.Time to Say Goodbye (Con te partir 108.ò), song 109.An der sch 110.önen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314): [Excerpt] 111.Cavalleria rusticana, opera (melodramma) in 1 act: Intermezzo 112.Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto (opening) 113.Peer Gynt, incidental music, Op. 23: Morning 114.The Gadfly, film score, Op. 97: Romance 115.Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 116.Scheherazade, symphonic suite for orchestra, Op. 35: The Story of the Kalender Prince (opening) 117.Tha 118.ïs, opera in 3 acts: Méditation 119.Prince Igor, opera (completed by Rimsky-Korsakov 120.& 121.Glazunov): Polovtsian Dances (beginning) 122.Spartacus, ballet: Adagio of Spartacus and Phrygia (extract) 123.Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions): (excerpt) 124.Symphony No. 7 in A major, Op. 92: II. Allegretto (extract) 125.Concerto for 2 violins, strings 126.& 127.continuo in D minor ('Double'), BWV 1043: II. Largo ma non tanto 128.Schindler's List, film score: Theme 129.Nutcracker, ballet, Op. 71: Dance of the Reed Flutes 130.Symphony No. 6 in F major ('Pastoral'), Op. 68: V. Allegretto (Shepherd's Hymn after the Storm) 131.Symphony No. 6 in F major ('Pastoral'), Op. 68: V. Allegretto (Shepherd's Hymn after the Storm) 132.Zadok the Priest, coronation anthem No. 1 for chorus 133.& 134.orchestra, HWV 258 
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< Very Best Of Neil Diamond > < Ultimate Hits: Rock And Roll Never Forgets > < Ultimate Manilow > < Dreams > < John Denver - Definitive All-Time Greatest Hits > < 21 Number Ones >





,Neil Diamond
 price:$1.98 
 Sony Legacy(2011-12-06)
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1.Forever In Blue Jeans (Album Version) 2.Beautiful Noise 3.Love On The Rocks (Album Version) 4.Cherry Cherry (2011 Remastered Mono) 5.I am...I said 6.Sweet Caroline 7.Cracklin' Rosie 8.Play Me 9.I'm A Believer (2011 Remastered Mono) 10.Girl, You'll Be A Woman Soon (2011 Remastered Mono) 11.Holly, Holy 12.Solitary Man (2011 Remastered Mono) 13.Song Sung Blue 14.You Don't Bring Me Flowers (Album Version) 15.Hello Again (Album Version) 16.Red, Red Wine (Album Version) 17.If You Know What I Mean (Album Version) 18.Brother Love's Travelling Salvation Show 19.Pretty Amazing Grace (Album Version) 20.Kentucky Woman (2011 Remastered Mono) 21.Shilo (2011 Remastered Mono) 22.America (Album Version) 23.Hell Yeah (Album Version) 

Track Notes from Neil Diamond: 1. Forever In Blue Jeans— “Forever in Blue Jeans” was inspired by guitarist Richard Bennett’s wonderful opening guitar lick which he first played for me while we were out on the road. That guitar lick was so seductive that the melody I started singing over his guitar practically wrote itself. When we returned to L.A. we were anxious to get into the studio and put the finished (we thought) song on tape. After running through it with my band a few times, we all realized that we needed to add another musical section to make the record really work. We called a 15 minute break, right in the middle of the recordingsession, while Richard and I sat down at the piano and hashed out a brand new section with a lyric of its own (“Maybe tonight...” ). This new, unplanned section (instantly orchestrated by arranger Tom Hensley) would become one of my favorite parts of the record. Necessity really did prove to bethe mother of invention on this wonderful Bob Gaudio production. 2. Beautiful Noise — I remember Garth Hudson of The Band sitting at his huge self built pipe organ and playing the solo of this record at the Beautiful Noise session. What he played completely floored us as he filled the musical track with an amazing sound that helped keep the record alive and interesting. Thank you Garth. 3. Love On The Rocks — “Love on the Rocks” was performed live for the cameras on the set of The Jazz Singer movie. This is something that’s hardly ever done in movies as they prefer to have the singer lip-sync the vocals of a pre-recorded track. All the songs in The Jazz Singer were done live because I’m terrible at lip-syncing. 4. Cherry, Cherry — Ellie Greenwich, Jeff Barry, Artie Butler and I made a fun little demo of “Cherry, Cherry” to use as a guide for an upcoming recording session of the song. We never could top that unpretentious, good feeling demo at the full session, so they ended up releasing the demo. It went top five in America and marked the true beginning of my career in music. 5. I Am…I Said — “I Am...I Said” took four months of writing day and night to complete. When the song was finally finished, a great Lee Holdridge string and horn chart was written and recorded. An immaculate Tom Catalano production completed this musical journey. It was nominated for a Grammy and still gives me chills when I perform it. 6. Sweet Caroline — “Sweet Caroline”was written in a Memphis hotel room the night before it was recorded. The next day I walked the song over to American Sound Studio and played it through for producer Tommy Cogbill and the studio house band (Reggie Young on guitar, Mike Leech on bass, Bobby Emmons on the Hammond B-3 organ, Bobby Woods on acoustic piano and Gene Chrisman on drums). This little group created the basic track of one of my biggest and most durable hits ever. Co-producer Tom Catalano then brought in arranger Charlie Calello who wrote the unforgettable string and horn charts (bah-bah-bah) which were recorded later inNew York City. This record was an unexpected gift from the Gods of music. One that made us all look so good, so good, so good! 7. Cracklin’ Rosie — While chatting with a Canadian fan one day I was told the story of an Indian tribe on a reservation in Canada which had a deficit in the number ofwomen. This meant that those unfortunate single men would buy an inexpensive bottle of wine called Crackling Rosé to keep them company on Saturday nights. This wine would become their date for the evening and they called her Cracklin’ Rosie. That was all the story I needed to hear to write this song. It ended up being my first #1 record as an artist. For a recording artist there is no bigger thrill. 8. Play Me — We discovered during its recording session that “Play Me” didn’t feel quite right in the 4⁄4 time signature that I had written it in. Guitarist Richard Bennett came up with the solution by playing his guitar picking lick in 3⁄4 time. This new time signature made all the difference in the world as the song settled into its own natural feel. I thanked Richard for pointing me in the right direction by giving him my beloved Everly Brothers acoustic guitar on the spot.He returned it to me years later knowing how much I missed it. That guitar now resides at the Grammy museum in Los Angeles. 9. I’m A Believer — I don’t remember too much about writing or recording “I’m a Believer.” At the time it was just another one of the songs I had written for my second album on Bang Records. I do remember though, the Monkees recording it and taking it to #1 on the charts and it becoming the biggest selling single of the year. It’s hard to forget stuff like that. 10. Girl, You’ll Be A Woman Soon — This was my love song to all the screaming teeny-boppersat my early shows. 11. Holly Holy — Tommy Cogbill produced the basic tracks of “Holly Holy” in Memphis with the super-hot American Sound Studio house band. When co-producer Tom Catalano and I hand carried the boxes of recording tape through the Memphis airport to L.A. the next day, we held them like they were newborn babies because we both felt there was a miracle on those tracks. When we got back to L.A., Tom brought in arranger Lee Holdridge who was inspired enough by the tracks to write the most magnificent string and choral parts. When engineer Armin Steiner played it back all together, we knew we had somehow captured lightning in a bottle. This was a once in a lifetime recording experience for me. 12. Solitary Man — “Solitary Man” was a first for me in many ways. My first chart record as an artist, my first recorded performance with great professional musicians, the verybest engineers, and two producers at the top of their game, Jeff Barry and Ellie Greenwich. These elements together made my first important musical introduction to the public one that I was thrilled to put my name on. 13. Song Sung Blue — I wish I could remember who played that electric piano riff on the opening of this record. I still love it. Also, it was my second #1 record as an artist. 14. You Don’t Bring Me Flowers — This song was written at the request of television producer Norman Lear. He wanted it used as a theme song for a new “male-female role reversal” TV sitcom calledAll That Glitters (why else would a guy be singing about not getting flowers?). Marilyn and Alan Bergman and I wrote the lyric first and then I went off to set it to music. It didn’t take long, the lyric was written to be sung. The song itself begged to be a duet and eventually my friend Barbra Streisand heard it and agreed. My third #1 single was shared with my favorite girl singer. What fun! 15. Hello Again — Alan Lindgren and I wrote this song at drummer Dennis St. John’s beach pad in a smoky haze of good fellowship. 16. Red, Red Wine — “Red, Red Wine” was recorded for Bang Records in 1967. Soon afterwards, I left the Bang Records label. After I left, the people at Bang began to release everything I had ever recorded while I was with them, whether it was complete or not. They decided to throw in some violins to the very understated track I did for “Red, Red Wine” andthen released it. I didn’t like their version very much but I swallowed it and moved on. Years later the group UB40 released the song in a terrific reggae version. The fact that UB40’s record went to #1 on the charts helped soothe my hurt pride. #1 records have a way of making all the hurt go away. 17. If You Know What I Mean — This is one of my favorite songs from the BeautifulNoise album. Robbie Robertson did a masterful job of producing this entire album. 18. Brother Love’s Traveling Salvation Show — This very unique record (produced by Tommy Cogbill and Chips Moman) was anotherMemphis creation (circa 1969). Bobby Woods on piano and Mike Leech on bass led me and the band to the promised land with this track. “Brother Love” was a very odd single (you couldn’t dance to it because of all the tempo changes) but it caught on nonetheless. Almost immediately, it became oneof my favorite songs to perform live and remains my show closer after more than forty years. Now that’s what I call longevity! 19. Pretty Amazing Grace — “Pretty Amazing Grace” is one of the offspring of my two Rick Rubin produced albums, 12 Songs and Home Before Dark. I familiarized the band in the studio with it by having us practice the instrumental guitar section that can be heard about three quarters of the way through. Once we got that part down, the rest of the tune just fell into place. Of course it takes great musicians to make things just “fall into place.” I was lucky to have them and a great producer on those sessions. 20. Kentucky Woman — I wrote “Kentucky Woman” in an old limo that I had just purchased from a funeral home to carry me through a touring version of Dick Clark’s Where the Action Is T.V. show. It was my very first tour and I didn’t know exactly what to expect so I prepared myself to do a lot of writing in transit. My keyboard player Max Sandler drove that ’57 Cadillac limo as I sat in the roomy back seat cradling my guitar and writing songs throughout that entire thirty-two city, twenty-eight day tour. This song was started as weapproached our play date in Paducah, Kentucky. 21. Shilo — “Shilo” set a higher lyrical standard for me than anything I had written before on Bang Records because it had a little story to tell. I wanted this record out as a single and Bang Records did not. They offered to release it if I werewilling to re-sign with them for another two years. I refused, believing that I had earned the right to choose my own single after all the success we’d had. I finally left Bang and my producers Jeff Barry and Ellie Greenwich over this song. I don’t regret it and I guess it turned out okay in theend but I’ll always miss the excitement of those Bang Years. 22. America — For me, the song “America” provided the heart and soul of The Jazz Singer film. The satisfaction I felt from popularizing that song made the reviews I got as an actor sting a little less. 23. Hell Yeah — This self-revelation poured out of me as the last of the thirty songs I had written for contention in my 12 Songs album. “Hell Yeah” is an affirmation of a lifetime spent devoted to music and my attempt to find a personally satisfying life for myself beyond the music. I have that life now but it was a much harder job than I thought possible. Still, well worth all the years and all the tears. I wish I could personally thank the hundreds of musicians, arrangers, and engineers who, along with the producers, spent long days and nights in studios around the country to make these recordings vibrate and thrill. As a songwriter I can only humbly bow down and thank them all from the depths of my heart for giving wings to my dreams. —Neil Diamond
Rerations
< Very Best Of Neil Diamond > < Ultimate Hits: Rock And Roll Never Forgets > < Ultimate Manilow > < Dreams > < John Denver - Definitive All-Time Greatest Hits > Advetized RSSfreaks


< The Best of Anita Baker > < Rapture > < Luther Vandross: Greatest Hits > < The Best of Sade > < Ultimate O'Jays > < Ultimate Toni Braxton >





,Anita Baker
 price:$8.36 
 Atlantic(2002-06-18)
 Usually ships in 24 hours

1.Angel (single version) 2.You're the Best Thing Yet 3.No More Tears 4.Sweet Love 5.Caught Up in the Rapture (single version) 6.You Bring Me Joy 7.Same Ole Love (365 Days a Year) 8.No One in the World 9.Ain't No Need to Worry (single version--the Winans, featuring Anita Baker) 10.Giving You the Best That I Got (single version) 11.Good Love 12.Just Because (single version) 13.Lead Me Into Love (single version) 14.Fairy Tales (edit) 15.Talk to Me (single version) 16.Body and Soul (radio edit) 17.I Apologize (single version) 18.It's Been You (single version) 

No Description Available.
Genre:Soul/R&B
Media Format:Compact Disk
Rating:
Release Date:18-JUN-2002

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< Crazy for You > < Vampire Weekend > < King Of The Beach > < Cults > < Only in Dreams > < XX >





,Best Coast
 price:$9.99 
 Mexican Summer(2010-07-27)
 Usually ships in 24 hours

1.Boyfriend 2.Crazy For You 3.The End 4.Goodbye 5.Summer Mood 6.Our Deal 7.I Want To 8.When the Sun Don't Shine 9.Bratty B 10.Honey 11.Happy 12.Each and Everyday 13.When I'm With You 

Hazy, dreamy and genre-defining, this collection of songs proves that the incredible amount of blog and press hype for Best Coast is more than warrented. "Crazy For You" makes a strong case for the ultimate summer record and record of the year.
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< Crazy for You > < Vampire Weekend > < King Of The Beach > < Cults > < Only in Dreams > Advetized RSSfreaks


< Sinatra: Best of the Best > < Nothing But The Best > < Classic Sinatra > < Duets II > < The Very Best Of Nat King Cole > < Dino: The Essential Dean Martin >





,Frank Sinatra
 price:$7.34 
 Capitol(2011-11-15)
 Usually ships in 24 hours

1.I've Got The World On A String 2.My Funny Valentine 3.Young At Heart 4.In The Wee Small Hours Of The Morning 5.Love And Marriage 6.You Make Me Feel So Young 7.I've Got You Under My Skin 8.The Lady Is A Tramp 9.Witchcraft 10.All The Way 11.Come Fly With Me 12.Angel Eyes 13.Nice `N' Easy 14.Night And Day 15.The Way You Look Tonight 16.My Kind Of Town 17.Fly Me To The Moon (In Other Words) 18.It Was A Very Good Year 19.Strangers In The Night 20.Summer Wind 21.That's Life 22.My Way 23.Theme From New York, New York 

Sinatra's biggest hits from Capitol Records and Reprise Records together on one record for the first time ever.
Rerations
< Sinatra: Best of the Best > < Nothing But The Best > < Classic Sinatra > < Duets II > < The Very Best Of Nat King Cole > Advetized RSSfreaks


< Frank Sinatra: Best of The Best > < The Very Best Of The Rat Pack > < Dino: The Essential Dean Martin > < The Complete Reprise Studio Recordings > < Frank Sinatra: Concert Collection > < A Jolly Christmas from Frank Sinatra >





,Frank Sinatra
 price:$9.37 
 Capitol(2011-11-15)
 Usually ships in 24 hours

1.I've Got The World On A String 2.My Funny Valentine 3.Young At Heart 4.In The Wee Small Hours Of The Morning 5.Love And Marriage 6.You Make Me Feel So Young 7.I've Got You Under My Skin 8.The Lady Is A Tramp 9.Witchcraft 10.All The Way 11.Come Fly With Me 12.Angel Eyes 13.Nice `N' Easy 14.Night And Day 15.The Way You Look Tonight 16.My Kind Of Town 17.Fly Me To The Moon (In Other Words) 18.It Was A Very Good Year 19.Strangers In The Night 20.Summer Wind 21.That's Life 22.My Way 23.Theme From New York, New York 24.Introduction/You Make Me Feel So Young [Sinatra '57 - In Concert] 25.It Happened In Monterey [Sinatra '57 - In Concert] 26.At Long Last Love [Sinatra '57 - In Concert] 27.I Get A Kick Out Of You [Sinatra '57 - In Concert] 28.Just One Of Those Things [Sinatra '57 - In Concert] 29.A Foggy Day [Sinatra '57 - In Concert] 30.The Lady Is A Tramp [Sinatra '57 - In Concert] 31.They Can't Take That Away From Me [Sinatra '57 - In Concert] 32.I Won't Dance [Sinatra '57 - In Concert] 33.Sinatra Dialogue [Sinatra '57 - In Concert] 34.When Your Lover Has Gone [Sinatra '57 - In Concert] 35.Violets For Your Furs [Sinatra '57 - In Concert] 36.My Funny Valentine [Sinatra '57 - In Concert] 37.Glad To Be Unhappy [Sinatra '57 - In Concert] 38.One For My Baby [Sinatra '57 - In Concert] 39.The Tender Trap [Sinatra '57 - In Concert] 40.Hey Jealous Lover [Sinatra '57 - In Concert] 41.I've Got You Under My Skin [Sinatra '57 - In Concert] 42.Oh! Look At Me Now [Sinatra '57 - In Concert] 

Sinatra's classic hits from Capitol Records and Reprise Records together on one record for the first time ever. 2CD set is packaged in a lift top box and contains 5 collectible postcards of classic Sinatra images. CD 1 contains the biggest hits from Frank Sinatra's career. CD2 contains the long out of print Live In '57 performance recorded in Seattle, Washington.
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< Frank Sinatra: Best of The Best > < The Very Best Of The Rat Pack > < Dino: The Essential Dean Martin > < The Complete Reprise Studio Recordings > < Frank Sinatra: Concert Collection > Advetized RSSfreaks


< The Best of Bread > < America - The Complete Greatest Hits > < Jim Croce Photographs&Memories: His Greatest Hits > < Seals&Crofts - Greatest Hits > < Complete Hit Singles > < Very Best of Dan Fogelberg >





,Bread
 price:$9.10 
 Elektra / Wea(2001-06-19)
 Usually ships in 24 hours

1.Make It with You 2.Everything I Own 3.Diary 4.Baby I'm-a Want You 5.It Don't Matter to Me 6.If 7.Mother Freedom 8.Down on My Knees 9.Too Much Love 10.Let Your Love Go 11.Look What You've Done 12.Truckin' 13.The Guitar Man [*] 14.Aubrey [*] 15.The Last Time [*] 16.Sweet Surrender [*] 17.He's a Good Lad [*] 18.Daughter [*] 19.Friends and Lovers [*] 20.Lost Without Your Love [*] 

No Description Available.
Genre:Popular Music
Media Format:Compact Disk
Rating:
Release Date:19-JUN-2001

If they are to believed, David Gates and the other members of Bread never intended to become the enduring icons of a subgenre they virtually invented: soft rock. Indeed, scattered throughout this expanded edition of a perennial bestselling catalog album are tuneful evidence of their original intent, as one band mate said, "to make the '60s last a little longer." But it's the familiar, largely Gates-penned and -sung hit singles that remain the band's legacy, from "Make It with You" through the reunited band's last hurrah, "Lost Without Your Love." Though they've become oft-mocked clichés, these are singles informed with a rare, often complex melodic sense, delivered with a deceptively breezy tone by one of pop's purest tenors. Gates and Bread clearly colored artists as diverse as '80s MOR icon Christopher Cross and nouveau singer-songwriter David Mead.--Jerry McCulley
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< The Best of Bread > < America - The Complete Greatest Hits > < Jim Croce Photographs&Memories: His Greatest Hits > < Seals&Crofts - Greatest Hits > < Complete Hit Singles > Advetized RSSfreaks


< The Very Best Of Fleetwood Mac (2CD) > < Rumours > < Crystal Visions - The Very Best of Stevie Nicks > < Eagles : The Very Best Of (2CD) > < Essential Heart > < Elton John - Greatest Hits 1970-2002 >





,Fleetwood Mac
 price:$8.10 
 WEA/Reprise(2002-10-15)
 Usually ships in 24 hours

1.Monday Morning 2.Dreams 3.You Make Loving Fun 4.Go Your Own Way 5.Rhiannon 6.Say You Love Me 7.I'm So Afraid 8.Silver Springs 9.Over My Head 10.Never Going Back Again 11.Sara 12.Love In Store 13.Tusk 14.Landslide 15.Songbird 16.Big Love (Live, 1997) 17.Storms 18.The Chain 19.Don't Stop 20.What Makes You Think You're The One 21.Gypsy 22.Second Hand News 23.Little Lies 24.Think About Me 25.Go Insane (Live, 1997) 26.Gold Dust Woman 27.Hold Me 28.Seven Wonders 29.World Turning 30.Everywhere 31.Sisters Of The Moon 32.Family Man 33.As Long As You Follow 34.No Questions Asked 35.Skies The Limit 36.Paper Doll 

The Very Best Of Fleetwood Mac packs 2 CDs with 36 hit singles and popular album tracks spanning 1975-1997. Features the #1 'Dreams' plus the classic hits 'Over My Head,' 'Rhiannon,' 'Go Your Own Way,' 'Don't Stop,' 'You Make Loving Fun,' 'Tusk,' 'Sara,' 'Hold Me,' 'Little Lies,' the live 'Go Insane' from The Dance and 'Silver Springs' currently out of print, and much more. The CD is also enhanced with exclusive footage of Fleetwood Mac making their new 2003 album - their first studio album in 15 years! Plus the vaults - rare live performances, interviews, music videos and more. Only available on this CD. Slipcase. Reprise. 2002.
Spanning 22 years, this double-disc, 36-track compilation chronicles the initially unlikely and ultimately triumphant conflation of a failing, veteran English neo-blues band (Mick Fleetwood and the McVies) with a pair of mercurial American also-rans (the baroque folk-rock genius Lindsey Buckingham and crypto-songbird Stevie Nicks). The creative alchemy was immediate, as 15 epochal tracks ("Dreams," "Say You Love Me," "The Chain," "Don't Stop") fromFleetwood MacandRumourshere attest. They could have arguably repeated that mega-successful formula for a decade, but chose a more musically expansive tack, represented "Sara," Think About Me" and the other core tracks drawn from the ambitiousTusk. While the band's megahit luster faded as the solo careers of Buckingham and Nicks took flight in the '80s, their power was still apparent in the dusky-bright pop of Christine McVie's "Hold Me" and "Little Lies." Sequenced with compelling listening rather than chronology in mind, this set also includes the strongest of the Mac's latter-day recordings (Nicks's "Paper Doll," "Silver Springs," and "No Questions Asked"; McVie's "As Long As You Follow"), as well the Lindsey Buckingham showcases "Go Insane" and "Big Love" from '97'sThe Dance.--Jerry McCulley
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< At His Best >





,Eric Burdon
 price:$0.99 
 Fuel 2000(2012-02-21)
 Not yet released

2012 release from the former Animals vocalist. At His Best contains a selection of 18 highlights from the Animals' recordings for MGM through his solo Capitol Recordings. Hailing Newcastle upon Tyne during 1962 and 1963 when Eric Burdon joined the Alan Price Rhythm and Blues Combo, they were dubbed `animals' because of their wild stage act and the name stuck. The Animals' moderate success in their hometown and a connection with Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964, in time to be grouped with the British Invasion. Burdon's howling vocals and the dramatic arrangements of the material created arguably one of the finest bands of that period. Scoring over 15 chart hits with the Animals, before hitting again as a solo artist and with War. This expanded edition of his greatest hits, clearly shows Mr. Burdon is in the Rock `N' Roll Hall of Fame.

Condition: Used - Very Good
< Eagles : The Very Best Of (2CD) > < Elton John - Greatest Hits 1970-2002 > < Greatest Hits > < The Very Best Of Fleetwood Mac (2CD) > < Very Best Of > < America - The Complete Greatest Hits >





,Eagles
 price:$5.80 
 Elektra / Wea(2003-10-21)
 Usually ships in 24 hours

1.Take It Easy 2.Witchy Woman 3.Peaceful Easy Feeling 4.Desperado 5.Tequila Sunrise 6.Doolin-Dalton 7.Already Gone 8.The Best Of My Love 9.James Dean 10.Ol' '55 11.Midnight Flyer 12.On The Border 13.Lyin' Eyes 14.One Of These Nights 15.Take It To The Limit 16.After The Thrill Is Gone 17.Hotel California 18.Life In The Fast Lane 19.Wasted Time 20.Victim Of Love 21.The Last Resort 22.New Kid In Town 23.Please Come Home For Christmas 24.Heartache Tonight 25.The Sad Cafe 26.I Can't Tell You Why 27.The Long Run 28.In The City 29.Those Shoes 30.Seven Bridges Road (Live) 31.Love Will Keep Us Alive 32.Get Over It 33.Hole In The World 

"Take It Easy" with this two-disc career-spanning collection of 33 remastered Eagles classics. Tracks include "Witchy Woman," "Peaceful Easy Feeling," "Desperado," "Tequila Sunrise," "Already Gone," "The Best of My Love," "Ol 55," "Lyin' Eyes," "One Of These Nights," "Hotel California," and "Life In the Fast Lane."
No Track Information Available
Media Type:CD
Artist:EAGLES
Title:VERY BEST OF THE EAGLES
Street Release Date:10/21/2003
Domestic
Genre:ROCK/POP

This packed double-disc is the slim option for fans who find the Eagles' vaunted greatest hits sets too little and the boxed set too hefty. Hit singles large and medium are here, often ("One of These Nights," "Hotel California") still sounding definitive and even tough. Large helpings of favorite album cuts are also included, along with a taster from a promised 2004 Eagles studio reunion. Unfortunately, "Hole in the World," Don Henley's response to September 11, feels just as empty and entitled as "Get Over It," the band's previous state-of-the-union message (from which the newer song represents a philosophical 180-degree turn). But for those seeking an overview of this Southern California juggernaut's successes, as well as telling comments from band members--mostly Henley and Frey--in a well-designed booklet,Very Bestwill more than do.--Rickey Wright
Rerations
< Eagles : The Very Best Of (2CD) > < Elton John - Greatest Hits 1970-2002 > < Greatest Hits > < The Very Best Of Fleetwood Mac (2CD) > < Very Best Of > Advetized RSSfreaks

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