Core2Duoノートレビュー 's review (Disco Trash) 『I must say I was mildly disappointed by this remix of such a classic tune (In my mind altered opinion). Sigue Sigue Sputnik have had their hour (Possible 50 minutes worth to be exact. Which could have been better spent in therapy) However, they were the band of the moment and did exactly what the Sex Pistols did a number of years before, but some how they were catchy and techno and dancey and completely rude and so we liked them...For this remix they seem to have just slowed it down and made the sound even more emptier than it was already. After a few minutes of this the more familier tune kicks in. If you want to get this, do, but if you have the original get your fishnets out and groove on down.』 『German single for new wave act led by Tony James (Gener ation X) who had their biggest hit with 'Love Missile F1-11'. Tracks 'Love Missile F1-1' (Westbam Remix Short Version, Westbam Remix and Westbam Remix Dub Version). 2000 release. Slimline jewel case.』
price：$13.98
Rhino / Ada
Usually ships in 24 hours Core2Duoノートレビュー 's review (Great selections, bad sound reproduction) 『The selections in this compilation are a must for serious Freestyle fans. The songs range in years from '86-'88. There are a couple of downsides to this CD though. Some of the selections have been edited. The two selections I notice the most since I have them on 12" single are "January/February" by Tina B., the song is faded off at the end very quickly, and "Out of Control" by Corina has the beginning piano solo edited. The other note with all of the "Freestyle:Greatest Beats" CDs is that they have been mastered from 12" singles like SPG Music's "Freestyle's Greatest Hits" vols 1-4. SPG didn't edit the songs on their tracks like this one. Surface noise, ticks and distortion are evident on some tracks. Other than that, the fact that most of these selections have been out-of-print, even back in the '80s, and offering some obscure tracks, make it a good tribute to the music that "earthquaked" the clubs in the mid-late '80s.』
(Great selections!) 『The selections in this compilation are a must for serious Freestyle fans. The songs range in years from '86-'88. Most of these selections have been out-of-print since the '80s. This CD offers some obscure tracks&some memorable hits which makes it a great tribute to the music that "earthquaked" the clubs in the mid-late '80s.』
(TERRIFIC CD) 『Is the best you can have besides all 1 to 10 volumes I wish that they could make some more by the record lable Tommy Boy.』
(TERRIFIC CD) 『Is the best you can have besides all 1 to 10 volumes i wish that they could make some more by the record lable Tommy Boy.』
price：$0.99
Ato Records
Usually ships in 24 hours Core2Duoノートレビュー 's review (Very good.) 『This is really good album from one of the only bands around today making good, consistent, original and worthwhile music. I feel that this album is better than Vol. 1 because it feels more like a Gov't Mule album to me. Vol. 1 seemed like the Mule was catering too much to their guest bass players and didn't hold onto what makes them the Mule. Vol. 2 is more consistent with what I hold to be Mule-music, the guest bass players cater more to the Mule than vice-versa. With the exception of Greasy Granny's Gopher Gravy which is very obviously Les Claypool (but still a good song for Claypool fans) every song is an example of why I listen to Gov't Mule. There are some great covers on this album as well, Catfish Blues, What is Hip?, and Hammer and Nails. This is must have for any Mule fan and a great starting point for any one who enjoys music that is worth listening to.』
(Piece of good music!) 『Studio version of known pieces. Very good collection of blues/rock music. Perfect studio work, perfect sound. Must be a part of CD collection:)』
(deep) 『I enjoyed Deep end vol 1, also. Warren I thought was great just because of his awesome name, but he has a distinct voice and great guitar playing. I love hearing him sit in with other bands also. He brings so much to the table when he is playing.』
(In Tribute) 『It is phenomenal that Gov't Mule recorded TWO tribute albums to their departed bassist Allen Woody (1955-2000), continuing with the theme of recording killer music with a rotating cast of legendary bassists.
The first such effort, The Deep End - Volume 1, was an absolutely phenomenal album, possibly the strongest effort from Mule to date, and a stunning tribute to their fallen comrade. So would the second live up?
Well, simply, it doesn't quite do so, but not for lack of trying. My first exposure to Gov't Mule was the opener, "Trying Not to Fall," a great track that has a nice groove to it. Needless to say, it caught my attention, I dove head first into Mule, and I haven't looked back. But, it's not even close to the best that Mule have done. "Time to Confess" is a great track, but the guest work of Les Claypool on "Greasy Granny's Gopher Gravy," though enjoyable, seems very out of place. Claypools playing and vocals take it from a guest spot to something much more akin to his own work, solo or with Primus.
A cover of Tower of Power's "What is Hip?" quickly sets things right, as does Mule original "World of Confusion," both quality tracks that fill out the middle of the album quite well. "Slow Happy Boys," the beautiful "Lay of the Sunflower," and "Catfish Blues" all help to fill out a quality back end.』
(A little too varied for my tastes, but still recommended!) 『Gov't Mule is one of my favorite bands out there right now. I love their whole catalog except for the Mighty High release (I just don't really like reggae). This album, while still good, is a little too experimental for me. That is not surprising, of course, given that there are so many guest stars. One or two of the songs get a little weird and dissonant. But overall, an enjoyable listen. Recommended!』 『This second and final installment of the band's ambitious tribute to their late bass player, Allen Woody, concludes what they began with 2001'sVol. 1--namely, to record each track with a different bass player while retaining a cohesive feel to each album. The two are indeed bookends; this second release is by no means comprised of leftover tracks. Rather, so many of Woody's favorite players wanted to be involved that it led to the recording of enough material to fill two full-length CDs. As onVol. 1, the guest list includes notable players from different genres, such as Les Claypool (Primus), Billy Cox (Jimi Hendrix), Phil Lesh (Grateful Dead), Tony Levin (Peter Gabriel, King Crimson), Meshell N'degeocello, Jason Newsted (ex-Metallica), and Chris Squire (Yes), among others. The intent was to have each guest incorporate their own style into their selected track, while retaining the identifiable sound of the band, and again they have succeeded, especially on the Squire track, "Sun Dance." A notable exception is "Greasy Granny's Gopher Gravy, Pt. 1" which is pretty much transformed into a Primus song by Claypool's distinctive bass and vocal. It's still a worthwhile song, but more enjoyable if you're a fan of his band. Three covers out of 13 tracks--Tower of Power's "What Is Hip?," the more obscure "Hammer and Nails," and the traditional "Catfish Blues"--fit in smoothly alongside new originals such as "World of Confusion" and "Slow, Happy Boys."--Kim Hughes』
price：$20.98
Bis
Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your credit card will not be charged until we ship the item. Core2Duoノートレビュー 's review (Music for Recorder Ensemble from the 16th to the 20th Centuries) 『First, some further information about the contents of this CD. The pieces by Heinichen, Alessandro Scarlatti and Telemann are standard-style baroque works for one or more recorders and strings. The solo part is played by Clas Pehrsson on diverse historical recorder types, assisted by his Musica Dolce recorder ensemble and the Drottningholm Baroque Ensemble. The Browning by Woodcock is from the 16th century, the pieces by Byrd and Scheidt are from the early 17th century, all played by Musica Dolce. The two concertos by Boismortier were, in fact, written for transverse flutes and are here played in a transcription for alto and tenor recorders. Peter Warlock's Capriol Suite, finally, was written in the 1920's for string orchestra and is here played in Stanley Taylor's transcription for recorder ensemble. Although this is a modern piece, it begins with several renaissance-style dances and, in the end, it is only the last movement, entitled "Mattachins", which sounds more modern.
As usual, BIS document the CD extremely well, and the booklet informs the listener that the recording sessions took place between 1974 and 1976 at Wik Castle in Sweden. Of course, these are analogue recordings, and if you listen closely, you will hear a little distortion at one or two points. Also, there is some "pre-echoing" from the tapes to be heard between tracks.
Having said all that, I should add that Clas Pehrsson and his team do a wonderful job of presenting this highly unusual material. Thank God that BIS keep most of their old recordings on the market - this one is worth its weight in gold, both for the music and for its documentary value as a testimony to the beginnings of the Early Music Movement in Sweden.』 タイトル『 Virtuosi in Concert II >
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price：$19.98
Berlin Classics
Usually ships in 3 to 5 days タイトル『 Love Missile F1-11 - 'Spanish' Orange Obi >
The scallop of large satisfactory ! northern countries and - [ of how much ] botan shrimp are ! tightly.
getting to know the technique of motorbike expensive sale -- Ta -- if -- -
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