タイトル『 Feelings Art Poster Print by Paul Desny, 28x20 >
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price：$28.99
Art.com
『
Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes.
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タイトル『 Fig Leaf Art Poster Print by Paul Desny, 12x12 >
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price：$12.99
Art.com
『
Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes.
』
タイトル『 Fig Leaf Art Poster Print by Paul Desny, 8x8 >
>
price：$6.99
Art.com
『
Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes.
Core2Duoノートレビュー 's review (Reconstruction) 『"The Marriage of Maria Braun" is an interesting movie that gives the audience a look at the other side of WWII in Europe. I'm not about to make any case for sympathy towards the German side in that war but people are people and the civilians and returning soldiers had an enormous challenge to rebuild their lives, their families, and their country. We get a sense of this by watching the post-war life of a woman who had married in the midst of an air raid and only had a day-long honeymoon. As she waited for her husband to come home from the war, she finds the need to make adjustments. The movie is about those adjustments and I don't think it would be fair to elaborate because I had no hint of what was to come next and that helped me appreciate the movie all the more. Let's just say that Maria Braun reminded me a lot of Scarlet O'Hara.
I thought that "The Marriage of Maria Braun" was a very good movie because of how well I felt it brought out its' message of survival and its' consequences. I was satisfied that I had gotten the director's intended message but then I saw this sequence between what seemed to be the proper end and the cast and credits. What was that all about? I milled it over and wondered whether or not the director, Rainer Fassbinder, was trying to make a statement about the division of Germany. I could understand how one character's success and materialism represents West Germany. It's alliance with the West was enriching but may have involved compromising aspects of it's self-respect. Another character's imprisonment represented the confinement and lack of freedom of East Germany. I wonder if the point was to suggest that, after such a long seperation, the potential reunion was going to be difficult. If the ending throws you off, don't worry, the previous two hours says enough.』
(Superb cult movie!) 『 This film consolidated in all the world to Rainer Werner Fassbinder. Even he had a huge number of avid viewers who knew about him by other titles. This picture became the First German Film really commercial all over the world. Hanna Schygulla shone as a real Super Nova with this complex , intelligent and crude tale.
Fassbinder interweaved a web which linked almost fifteen years of live story through the eyes of a loyal woman whom suddenly after she marries, his husband is requested to participate in the War. From that day she will wait for him, day after day until she decides to make a breakthrough with the life when the hunger and the misery slowly will surround her whole family.
The rest of the story runs for you. Magnificent script, an anthological ending who still is shocking. Indeed this was film of the famous Trilogy with Lola and Veronika Voss.
The sudden death of Fassbinder in 1982, left the German Cinema literally orphan and his place still keeps empty.
The marriage that only elapsed a day and all night long. 』
(The Marriage of Maria Braun) 『You have got to be kidding. This film is a waste of time unless you like to view softcore porn of the interracial flavor. Sure, she wants to be successful, but why is it important to show all the sick details? To get the"full emotional impact"? So you can really feel what she went through? The psuedo-intellectual (this review makes no claim at intellectual) arguments and reviews simply don't hold water. What is this film trying to say? It simply tries to show what one woman went through during and after the war in her attempts to become propsperous while"waiting for her love". What a load of crap. While"waiting for her love", whom she hears is dead, she engages in love affairs, in which she simply claims to have detatched emotion from...well...er...motion...Again, what a load of crap. She is simply trying to make herself look good, and trying to lose herself by giving in to every (so-called)"guilty pleasure"she can to avoid feeling or experiencing what is really going on around her. This movie is a waste of time, and I would place it in the same category as a Clint Eastwood film for its gratuitous and unnecessary"love"scenes.』
(Fassbinder's Best Film) 『Without a doubt this is Fassbinder's best film. Many of his others are too whacked or just have poor acting and plot, but with this one he was on target. This movie provides a shattering view of what it was like for a woman in post war Germany. Often we have seen movies that show what it was like in occupied europe during or after the war, but few movies have provided what the German civilian experience was like.
Fassbinder provides his usual chaotic and striking images, which can sometimes be a little odd and weird, but work well here. From the nutty marriage in the beginning to the final tragic end, this movie provides a tour-de-force of what the ruin and devastation of the war was like for Germany and its people.
Hanna Schygulla is an impressive and sexy actress! Her forward style combined with her good looks makes for a fascinating combination. She lights up every scene in this movie. There are some controversial moments in this film, which considering that it was done in the 1970s are pretty avant-garde. Interracial activities may be considered standard now in US movies, but 30 years ago this was very much a taboo subject. While this only comprises a small segment of the film, we can see that Fassbinder loved to deal with this kind of forbidden fruit.
There is probably a lot of German cinematic technique that I am glossing over, which a film student would go ape over. I see the movie as a social-historical epic and thus my perspective is different. On many different levels this movie has interest, but I think its portrayal of the human cost of the Second World War on the German pysche is the most revealing. Even though a people may survive a devastating conflict, the emotional scars can linger for generations. Germany is still not a complete country pyschologically today because of the legacy of Hitler and the war, even with recent unification. Hence what appears on the surface to be Germany's almost bizarre aversion toward any kind of war today, even if justified. Those who have seen holocaust films like "Schlinder's List" should compare this film to see the other side of the coin (If they can). It might certainly prove educational. You won't see this kind of movie being made in Hollywood, ever!』
(MASTERPIECE) 『An utterly shattering experience, unlike anything you have ever seen before. Fassbinder was a master of the cinematic medium, creating vibrant characters, brilliant dialogue and unforgettable images. Incredible in every way, with Hanna Schygulla in one of her best performances.If you truly love great cinema, you must see this film.』 『Hanna Schygulla was a true star in this remarkable, semi-allegorical drama by Rainer Werner Fassbinder about a woman whose new marriage soon becomes a long history of waiting for reunification with her husband as he goes off to war, gets lost on the Russian front, ends up in prison, and goes to America. Meanwhile, the phantom marriage suspends the title character in a destiny that leads to power and wealth while still anticipating his return. One of several cinematic metaphors by Fassbinder for the identity and experience of post-war Germany, this 1978 film looks more than ever like a masterpiece.--Tom Keogh』
Core2Duoノートレビュー 's review (It's only in that moment that I've lived...) 『Kjell Grede's "Good Evening, Mr. Wallenberg" is a noble but ultimately flawed effort. The story focuses on the efforts of Raoul Wallenberg to save Jews in Budapest during WWII's final days. Although he comes from one of Sweden's wealthiest families, there's nothing outstanding about Raoul. He's an ordinary guy with ordinary talents who hasn't done anything remarkable; as the film begins, he's an importer of luxury foods. But on a train trip, he happens to see Jewish corpses being tossed out of a death camp-bound freight car, and a father, who jumped out of the car to be with his dead son, shot and killed. This experience changes Raoul's life. As he tells the skeptical committee considering him for relief work, it's only in that moment that he feels he's ever actually lived.
Grede's film focuses on the very last days of Wallenberg's Hungarian mission: the exhausting scramble to bribe German and Hungarian officials, racing against the clock to try to save the Jewish ghetto, a dramatic standoff with a Hungarian fascist, despair alternating with hope, and finally Wallenberg's mysterious disappearance into the Soviet Union.
The best moments of the film are when Stellan Skarsgard (Wallenberg) and Katharina Thalberg (Marja) are on-screen. Thalberg is especially good as the Jewish woman whose children have been killed and who refuses to wear anything but a man's overcoat because, when the Germans come to kill her, she wants them to see her naked, as a real person rather than a statistic. Skarsgard, whose acting style is low-key anyway, plays Wallenberg with a subdued intensity that seems just right.
But ultimately, neither Skarsgard nor Thalberg can save the film. The writing tends at times to be melodramatic--ruining, for example, the final confrontation between Wallenberg and the Hungarian fascist. There's too little exposure of Wallenberg's interior, so his motives for risking life and limb to save Jews remain a bit cloudy (despite the "It's only in that moment that I've lived" scene).
Still, the film is worth seeing. It highlights the remarkable efforts of Wallenberg, and it underscores the fact--so easy to forget in our rather cynical age--that every life, no matter how "insignificant," is worth superhuman efforts to save.』
(foreign version of Schindler's List) 『Excellent story with graphic images that put you in Wallenberg's shoes. Incredible man. Incredible story. Must see film for Third Reich buffs.』
(A bit confusing...) 『This movie may be a bit confusing to someone (like me) who does not know the history of Raoul Wallenberg. However, the movie improves upon a second viewing.』
(Didn't Get it) 『Your asking me to review a movie I still have not received. When I get it, I can review it then.』
(Shindler's List is King!) 『Good Evening Mr. Wallenberg has a great premise, but horrible filmmaking. The special effects are cheesy - there's no blood when the people are shot, which is totally bogus. Also, the copy that I received (which is being sold as authentic) is a cheap reproduction of a VHS tape (so it appears). The sound is horrible. The image is pixelated, and it freezes when you try to rewind it. This movie sucks a big doo-doo man! Don't ever, ever, ever in your life compare it to the likes of Steven Spielberg's 'Shindler's List'.』 『The story of Raoul Wallenberg, one of the greatest unsung heroes of World War II who saved the lives of tens of thousands of Jews in the Budapest ghetto.』
Core2Duoノートレビュー 's review (Reconstruction) 『"The Marriage of Maria Braun" is an interesting movie that gives the audience a look at the other side of WWII in Europe. I'm not about to make any case for sympathy towards the German side in that war but people are people and the civilians and returning soldiers had an enormous challenge to rebuild their lives, their families, and their country. We get a sense of this by watching the post-war life of a woman who had married in the midst of an air raid and only had a day-long honeymoon. As she waited for her husband to come home from the war, she finds the need to make adjustments. The movie is about those adjustments and I don't think it would be fair to elaborate because I had no hint of what was to come next and that helped me appreciate the movie all the more. Let's just say that Maria Braun reminded me a lot of Scarlet O'Hara.
I thought that "The Marriage of Maria Braun" was a very good movie because of how well I felt it brought out its' message of survival and its' consequences. I was satisfied that I had gotten the director's intended message but then I saw this sequence between what seemed to be the proper end and the cast and credits. What was that all about? I milled it over and wondered whether or not the director, Rainer Fassbinder, was trying to make a statement about the division of Germany. I could understand how one character's success and materialism represents West Germany. It's alliance with the West was enriching but may have involved compromising aspects of it's self-respect. Another character's imprisonment represented the confinement and lack of freedom of East Germany. I wonder if the point was to suggest that, after such a long seperation, the potential reunion was going to be difficult. If the ending throws you off, don't worry, the previous two hours says enough.』
(Superb cult movie!) 『 This film consolidated in all the world to Rainer Werner Fassbinder. Even he had a huge number of avid viewers who knew about him by other titles. This picture became the First German Film really commercial all over the world. Hanna Schygulla shone as a real Super Nova with this complex , intelligent and crude tale.
Fassbinder interweaved a web which linked almost fifteen years of live story through the eyes of a loyal woman whom suddenly after she marries, his husband is requested to participate in the War. From that day she will wait for him, day after day until she decides to make a breakthrough with the life when the hunger and the misery slowly will surround her whole family.
The rest of the story runs for you. Magnificent script, an anthological ending who still is shocking. Indeed this was film of the famous Trilogy with Lola and Veronika Voss.
The sudden death of Fassbinder in 1982, left the German Cinema literally orphan and his place still keeps empty.
The marriage that only elapsed a day and all night long. 』
(The Marriage of Maria Braun) 『You have got to be kidding. This film is a waste of time unless you like to view softcore porn of the interracial flavor. Sure, she wants to be successful, but why is it important to show all the sick details? To get the"full emotional impact"? So you can really feel what she went through? The psuedo-intellectual (this review makes no claim at intellectual) arguments and reviews simply don't hold water. What is this film trying to say? It simply tries to show what one woman went through during and after the war in her attempts to become propsperous while"waiting for her love". What a load of crap. While"waiting for her love", whom she hears is dead, she engages in love affairs, in which she simply claims to have detatched emotion from...well...er...motion...Again, what a load of crap. She is simply trying to make herself look good, and trying to lose herself by giving in to every (so-called)"guilty pleasure"she can to avoid feeling or experiencing what is really going on around her. This movie is a waste of time, and I would place it in the same category as a Clint Eastwood film for its gratuitous and unnecessary"love"scenes.』
(Fassbinder's Best Film) 『Without a doubt this is Fassbinder's best film. Many of his others are too whacked or just have poor acting and plot, but with this one he was on target. This movie provides a shattering view of what it was like for a woman in post war Germany. Often we have seen movies that show what it was like in occupied europe during or after the war, but few movies have provided what the German civilian experience was like.
Fassbinder provides his usual chaotic and striking images, which can sometimes be a little odd and weird, but work well here. From the nutty marriage in the beginning to the final tragic end, this movie provides a tour-de-force of what the ruin and devastation of the war was like for Germany and its people.
Hanna Schygulla is an impressive and sexy actress! Her forward style combined with her good looks makes for a fascinating combination. She lights up every scene in this movie. There are some controversial moments in this film, which considering that it was done in the 1970s are pretty avant-garde. Interracial activities may be considered standard now in US movies, but 30 years ago this was very much a taboo subject. While this only comprises a small segment of the film, we can see that Fassbinder loved to deal with this kind of forbidden fruit.
There is probably a lot of German cinematic technique that I am glossing over, which a film student would go ape over. I see the movie as a social-historical epic and thus my perspective is different. On many different levels this movie has interest, but I think its portrayal of the human cost of the Second World War on the German pysche is the most revealing. Even though a people may survive a devastating conflict, the emotional scars can linger for generations. Germany is still not a complete country pyschologically today because of the legacy of Hitler and the war, even with recent unification. Hence what appears on the surface to be Germany's almost bizarre aversion toward any kind of war today, even if justified. Those who have seen holocaust films like "Schlinder's List" should compare this film to see the other side of the coin (If they can). It might certainly prove educational. You won't see this kind of movie being made in Hollywood, ever!』
(MASTERPIECE) 『An utterly shattering experience, unlike anything you have ever seen before. Fassbinder was a master of the cinematic medium, creating vibrant characters, brilliant dialogue and unforgettable images. Incredible in every way, with Hanna Schygulla in one of her best performances.If you truly love great cinema, you must see this film.』 『Hanna Schygulla was a true star in this remarkable, semi-allegorical drama by Rainer Werner Fassbinder about a woman whose new marriage soon becomes a long history of waiting for reunification with her husband as he goes off to war, gets lost on the Russian front, ends up in prison, and goes to America. Meanwhile, the phantom marriage suspends the title character in a destiny that leads to power and wealth while still anticipating his return. One of several cinematic metaphors by Fassbinder for the identity and experience of post-war Germany, this 1978 film looks more than ever like a masterpiece.--Tom Keogh』
Core2Duoノートレビュー 's review (Das Madchen Rosemarie) 『This movie is loosely based on a real life person Rosemarie Nitribitt. It's a really good German drama about a wild girl who uses her looks and manipulation to get ahead. There is some great acting here by Nina Hoss and Matthieu Carriere.』 『German actress Nina Hoss gives a commanding performance inA Girl Called Rosemarie, based on the true story of a modern-day courtesan. During West Germany's rise to economic recovery in the 1950s, Rosemarie Nittribit (Hoss) pulls out of orphaned destitution by selling herself, using her wits as much as her charms to slowly elevate her social status. She gets embroiled with a wealthy industrialist named Konrad Hartog (Heiner Lauterbach) whom she expects to marry--only to discover that he already has a fiancée. While coping with this blow to her plans, a French businessman trains her in good manners and upper-class fashion so that she can help him blackmail German businessmen; but Rosemarie never stops trying to win back Hartog, until utter abandonment leads her to seek revenge. Attention to detail and compelling performances make this movie an exemplary portrait of sex, power, and manipulation.--Bret Fetzer』
price：$8.98
Starz / Anchor Bay
Usually ships in 1 to 2 days Core2Duoノートレビュー 's review (Very nice collection, great price!) 『Great value for a few really great films and occasional lesser works from Wenders. Although labelled as "Vol. 2," this is really the one and only volume available. "Volume 1" was an old Anchor Bay set that only included three of the films that reappear here: FRIEND, LIGHTNING, and NOTEBOOK.
So, collectors: forget about the "Volume 2" moniker and enjoy this Wenders set!』
(The Wim Wenders Collection Vol 2) 『A fantastic collection from a master filmmaker, comprising some of his best known as well as his less well known works. Denis Hopper in An American Friend, the work of Ozu and his cinematographer in Tokyo Ga are particular stand outs.』 『An interesting gathering of fiction features and documentaries spanning nearly a quarter-century of filmmaking by one of the original giants of the German New Wave,The Wim Wenders Collection, Vol. 2has both the famous and obscure. From Wenders' early career comes 1972'sThe Scarlet Letter, which helped define the director's passion for the theme of the outsider in society. Senta Berger stars as Hester Prynne, the 17th century heroine of Nathaniel Hawthorne's proto-feminist novel. Lou Castel plays her tormented lover, Reverend Dimmesdale, and Hans Christian Blech is the husband who disappeared and underwent a transformation while in captivity. The mesmerizingThe Wrong Move(1974) was one of the films that brought Wenders international attention, and it's another adaptation: this time Goethe'sWilhelm Meister. Ruediger Vogeler, an icon in Wenders' first works, stars as Meister, a writer who takes a journey in a forest with several companions (among them Hanna Schygulla and Nastassja Kinski) and becomes the guest of a wealthy industrialist (Ivan Desny) with a dark secret. 1980'sLightning Over Wateris a loving and tragic tribute to American film director Nicholas Ray (Rebel Without a Cause), a major inspiration to Wenders and a physically fragile artist at the time of production.
Ray has a small part in the extraordinaryThe American Friend, a major success in Wenders career and a thriller based on Patricia Highsmith's novels about sociopath Tom Ripley. Dennis Hopper plays an isolated, deranged version of Ripley, seen here as an art dealer who sets up a dying restorer (Bruno Ganz) to commit a murder, then regrets his actions and becomes the innocent man's ally. The rest ofVol. 2is more of Wenders' fascinating documentaries, including the wonderfulTokyo-Ga, a moving and sporadically funny 1985 essay about contemporary Tokyo and how it measures up to the Tokyo portrayed in the masterpieces of the late filmmaker Yasujiro Ozu.Room 666(1984) is an unusual experiment in which several other world-class filmmakers consent to a spontaneous interview, one after the other, in a hotel room. Another experimental work,A Trick of Light(1996), concerns the Skladanowsky brothers, inventors of the Bioscope projector. Much of the film was shot using the film pioneers' own, 19th century equipment. Finally,Notebook on Cities and Clothes(1989) is an intriguing piece about Japanese fashion designer Yohji Yamamoto, whose design process is viewed in the context of the computer age and digital information. Special features include a filmed lecture by Nicholas Ray, and commentary by Wenders on each of the movies.--Tom Keogh』
『France released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Mono ), French ( Mono ), French ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: 2-DVD Set, Box Set, Cast/Crew Interview(s), Filmographies, Interactive Menu, Scene Access, Special Edition, SYNOPSIS: In 1888 the heir to the Habsburg Empire is forced into a suicide pact with his mistress.』
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