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< Global Divas: Filipino Gay Men in the Diaspora (Perverse Modernities) > < Consuming Citizenship: Children of Asian Immigrant Entrepreneurs (Asian America) > < Impossible Desires: Queer Diasporas and South Asian Public Cultures (Perverse Modernities) > < What's Love Got to Do with It?: Transnational Desires and Sex Tourism in the Dominican Republic (Latin America Otherwise) > < The History of Sexuality: An Introduction > < Queer Migrations: Sexuality, U.S. Citizenship, and Border Crossings > Martin F. Manalansan IV




 price: 220
 Duke University Press
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customer 's review
(Great, Informative Book)

(Manila Must Be Burning!)
I basically agree with Jeffrey's review but wanted to add/debate a few of his points.

To add: if you're someone who reads other works about queers, whether white queers and/or queers of color, this book presents a different take on ideas many of us have been exposed to a lot by examining the gay Filipino male diaspora. One major example is the idea of the effeminate gay Asian male and interracial relationships with white males, which also brings to mind the popular discourse (in some circles) about the prevalence of (and why) Asian female/white male relationships. The author discusses a lot of centralities to gay Filipino male identity, such as religion and family, and backs up his points with quotes from his interviews with gay Filipino males, i.e. "informants." These informants often reframe the "why" of Asian/white male interracial relationships away from the typical response of white oppression/control and self-hatred towards the suggestion that many Asians may simply be, in a sense, using white males' status (primarily financially) to get what they want/need, thus presenting the image of the Asian as the one who actually has some control. This is not to say there isn't any real love in these relationships, as one informant basically makes clear.

Another "why" framed in a new light is the possibility that many gay Asian males embrace and even self-label themselves in feminine terms as opposed to Asian male femininity being a negative that is always imposed on Asian males by racist/sexist/etc whites, regardless of sexual orientation, as some Asian writers such as David Eng seem to suggest. Other incredibly interesting ideas presented in this book are that many Filipinos don't feel accepted/connected with other Asians and even reject being labeled "Asian," and the notion that "coming out" is a white American ideal that is shunned in the Philippines. The book also demonstrates that many of these men do not come to the US looking to assimilate or, if they do, assimilation for these men is essentially impossible, not so much because whites won't allow them to but more because of unbreakable ties to their homeland. Many of these ideas are very similar to ones you'll find in works by other non-Asian queer of color writers, especially the idea of blatant outness being more of a white norm.

However, the major task of the work seems to be demonstrating the ways in which gay Filipino males who immigrate to the US/NYC integrate various/divergent aspects of their identities (race, class, sexuality, gender, nationality)/homeland with aspects of their new home, creating spaces for themselves where they don't fit in (i.e. the white gay community, despite many white gay males' affinity for [feminine and darker/yellow] gay Asian males) and creating the identity and freedom that they, in a sense, have always longed for. I completely agree with Jeffrey's point about NYC/CA, and I've noticed that a lot of queer writers mainly seem to discuss major areas.

To debate: I don't read this book to have a lot of academic jargon; actually quite the contrary. I have found most--if not, every other--queer studies books that I've read to be more difficult to understand because of academic jargon and/or native language that was not always translated. Given that experience, I was pleasantly surprised with this book. I must admit, I'm not a Filipino immigrant (I'm also black, like Jeffrey), and I'm a lawyer. I'm not from a queer studies background and have only read such books for courses in school, and I found them very frustrating (including Anzaldua, Moraga and Eng)--with the exception of this book. The author is a fantastic, very clear writer and is far from being overly-academic, and he consistently translates everything from Tagalog and Swardspeak to English. What is most problematic about the way he writes probably is the fact that he throws so many non-English terms at the reader, but that, of course, wouldn't necessarily be a problem for Filipino readers.

Final debate--there are certainly racist ideas presented in the book, but I think Jeffrey gives the impression that these ideas come from the author himself when they really don't. He simply conveys what many Filipinos think about Latinos and, particularly, blacks--many of these thoughts coming from what his informants had to say. I take the discussions of race as presenting a double-view of all the races+Latinos in the US, i.e. these Filipino informants have problems with everybody here but there is also some level of embrace of everyone, as well. With whites, it's the rejection from the gay community and the US in general (immigration services, police, etc) vs. primary relationships being interracial with whites; with Asians, not feeling like they belong with other Asians vs forming groups/organizations with some of them; with blacks and Latinos, placing blacks and Latinos below them on the social hierarchy vs feeling like they identify more with black and Latino drag queens/shows/spaces as well as some even identifying more with Latinos than Asians, period. If anything, the informants acknowledge the value of whiteness over color in their homeland and how that has affected them/their decisions about dating/friendship (as well as how this affects their views of Filipino immigrants from a different class station than theirs), but also say that being in the US allows them to forge relationships with people they never would have back home. Indeed, some of the informants were dating Latino or black men.

Other than that, I also highly recommend this book. It is an easy, engaging read, and demonstrates that not everyone fits into the white American discourse/ideals of what being queer is, queer community and what all queers do or should do.

This book starts of with the author and another gay Pilipino man going up to a bakla and asking, "Why so sad, sister?" Miss Thing responds back, "My beauty can't stand the drama in this gay club!" SNAP! [They didn't really snap but this whole book will put you in a diva!, swishy mood, so I added some flourish.]

Now if some camp like that doesn't convince you to read this book, then I don't know what will. Seriously, many have noted that homosexuality is the love that dare not speak its name, Pilipinos are the forgotten Asians in America, and the subaltern has no voice. Thus, by creating a book where gay, immigrant, femmy, Pilipino men are the center, Manalansan has valiantly filled a tragic void. This book says much about gay men of color and gay immigrants. It shows how many gays have other issues on top of homophobia to battle. This was a critical intersectional text.

In this book, the author places a minority within a minority within a minority at the center. His main point is that non-Western same-gender-loving immigrants are not some homosexual primitives waiting for white, Western gays to liberate them. The subjects here are active agents in their lives. They balance multiple cultures and influences. They oftentimes look at this country and its mainstream gay community and find it lacking. This book is quite empowering.

Manalansan covers multiple topics here, including how gay male Pilipinos juggle Pacific and Western constructions of homosexuality, an argot called swardspeak, the difficulties that these men face in New York City, everyday struggles besides homophobia, bakla beauty pageants, and bakla anti-AIDS activism. The author does an excellent job in inviting the reader into the gay Pilipino immigrant's world. I thought the chapter on AIDS was the best; activists from all kinds of ethnic backgrounds should find it useful. The author ends many chapters with a review of the literature that I found somewhat awkward and at times overly opinionated, however. Like many academic books, this is just an amassing of the author's individual articles (and a celebration of his tenure?), but readers who haven't been exposed to extensive Manalansan writings will find this whole book especially refreshing.

Quotes from interview subjects are first cited in Taglish (Tagalog mixed with English phrases) and then translated into complete English. Even without being a comparative literature or cognitive science major, I found this code-switchi fascinating. Moraga and Anzaldua have already demonstrated how they practice Spanglish as U.S. Latinas. This is the first time I've seen gay men's and Asians' use of this intriguing practice. Manalansan discusses swardspeak, a gay Pilipino slang. So the Brits are not the only ones with their Picadilly parlary. Along with the Latino practice of picardia as detailed in Fernandez-Alemany's book, this is another example of gay men of color having their own catchy phrases and in-words.

To the book's credit, I think straight Pilipinos and non-Pilipino, gay immigrants will find this book useful as well. Still, this book is filled with academic jargon and I don't any gay, Pilipino immigrant without an extensive background in gay studies and cultural critcism would understand it. As a black gay man, I found this book very depressing. Any time brothers are mentioned it is to put them down in nasty, racist fashions. After this book, absolutely no one can say it's blacks' fault that people-of-color unity is so fragile. Further, given that Manalansan teaches in the Midwest, I'm surprised that Midwestern gay Pilipinos are not brought up here. They exist after all! To only mention those members in New York and California re-establishes that ideas that diversity only exists on the Coasts.

Still, I loved this book. Do peep it!
A vivid ethnography of the global and transnational dimensions of gay identity as lived by Filipino immigrants in New York City,Global Divaschallenges beliefs about the progressive development of a gay world and the eventual assimilation of all queer folks into gay modernity. Insisting that gay identity is not teleological but fraught with fissures, Martin Manalansan IV describes how Filipino gay immigrants, like many queers of color, are creating alternative paths to queer modernity and citizenship. He makes a compelling argument for the significance of diaspora and immigration as sites for investigating the complexities of gender, race, and sexuality.

Manalansan locates diasporic, transnational, and global dimensions of gay and other queer identities within a framework of quotidian struggles ranging from everyday domesticity to public engagements with racialized and gendered images to life-threatening situations involving AIDS. He reveals the gritty, mundane, and often contradictory deeds and utterances of Filipino gay men as key elements of queer globalization and transnationalism. Through careful and sensitive analysis of these men’s lives and rituals, he demonstrates that transnational gay identity is not merely a consumable product or lifestyle, but rather a pivotal element in the multiple, shifting relationships that queer immigrants of color mobilize as they confront the tribulations of a changing world.

Rerations
< Global Divas: Filipino Gay Men in the Diaspora (Perverse Modernities) > < Consuming Citizenship: Children of Asian Immigrant Entrepreneurs (Asian America) > < Impossible Desires: Queer Diasporas and South Asian Public Cultures (Perverse Modernities) > < What's Love Got to Do with It?: Transnational Desires and Sex Tourism in the Dominican Republic (Latin America Otherwise) > < The History of Sexuality: An Introduction > freaks



< Just Too Good to Be True > < One in a Million > < Pleasure > < True to the Game III > < Something on the Side > < Who's Loving You > E. Lynn Harris




 price: 1018
 Random House Audio(2008-07-15)
 Usually ships in 24 hours

customer 's review
(Just Not That Good)

(Just to weird to be true)

(Enjoyable)

(I'm a fan, but I was disappointed)

(Good Book)
I have been a huge fan of Harris since his first novel. I've attended readings and book signings and always buy his books the day they come out. His are books that I will devour because of his characters and plot developments. Sadly, Just Too Good to be True does not measure up to his earlier efforts.

I heard Harris on Wendy Williams' show and he explained how some of his Arkansas students helped him write the dialogue for his characters. Perhaps that's why much of the dialogue was simply not believable. Worse than the dialogue, though, is that the characters in this book seem particularly one-dimentional. They do things that are simply not realistic and it's difficult to develop a real relationship with them.

I'll continue to read Harris, but after this book I won't be standing in line to have him autograph the next one.

I eagerly purchased this book looking forward to another page turner from Mr. Harris, what I got instead was a book full of people who need psychiatric help. Camryn's obsession with her son's celibacy, to the point where she was lying to herself was just sick and weird also her son's need to pretend that he was perfect was also weird. WAAAYYY to wrapped up in each other's lives to be healthy. Mothers like that raise sons who are incapable of having relationships with anyone else without having Mommy call the shots. Ugh, I can't even finish it, I just put it down. I'll try the next one, but I'm done with this one.
This was my first E. Lynn Harris book and I can honestly say I enjoyed it. I didn't know what to expect given what I heard his last novels were about but this book had drama, love and real issues that people face in their everyday lives. I recommend people to pick this up!
I am a big fan of E. Lynn Harris and have read all of his books. I ordered this latest offering the minute it was available and eagerly anticipated its arrival.

As usual, the plot was engaging and beautifully executed. My disappointment partly came from the fact that the central male character was not gay or bi or even on the DL. I love Harris' work for the intricate plot he weaves with his central gay male characters, their struggles with inner demons and their eventual acceptance of their sexuality and pairing off with another equally hot black man.

I enjoy books of all genres, but if I wanted to read a book about a straight football player I could choose from a plethora of other titles. But I love nothing more than to indulge in books filled with characters I can identify with on the level of sexuality.

I enjoy E. Lynn Harris' work because it deepens my knowledge of African American society (I am a white Australian dude) and helps me understand the struggles therein. Reading Harris' books, I am always surprised by the level of prejudice and discrimination against African Americans by other African Americans and wonder if perhaps, like members of our own gay 'community', they are their own worst enemies. If we can't unconditionally love and accept those who are like us, then how can we ever expect it from those that are different?

My disappointment further came from the fact that I was disgusted by the character of Carmyn's description of her boyfriend as 'an hourly worker' and 'an underachiever' because he worked in a takeaway food outlet. Even though I do not pull an 'hourly rate' and do well for myself I found that whole way of thinking utterly offensive and derogatory. It is snobbery and prejudice and tainted my whole experience of the novel.

Overall, it was a necessary read because of my love for Harris' other books, but again, if I want to read a novel where the pivotal characters are totally straight I can choose from millions of other titles. If all of our beloved authors of gay literature decided to start making their main characters straight then where would we be?

Overall this was a good book. I highly recommended it to several of my friends that had given up on E. Lynn Harris. Since it was not all about gay men, the storyline was actually interesting and exciting. Although by the end, it was predictable...

There were too many unanswered questions. Like what was Delmar's actual on the side gig? Was he G4P??? Why did Maybelline have a heart at the end? Was it really necessary to throw Basil in the book? I mean can he not write a book that is Basil free?

I did stop to wonder if this happens for real in college football. Wouldn't it just be easier to pay off the current girlfriend, instead of the condo, the fake parents, fake transcripts? Oh well I don't follow football all that much, so I was not too impressed with the extra game day details...

Harris serves up a treat that will capture and enchant audiences everywhere—a big, bold, and irresistible novel about football, family, and secrets.

Brady Bledsoe and his mother, Carmyn, have a strong relationship. A single mother, faithful churchgoer, and the owner of several successful Atlanta beauty salons, Carmyn has devoted herself to her son and his dream of becoming a professional football player. Brady has always followed her lead, including becoming a member of the church’s "Celibacy Circle." Now in his senior year at college, the smart, and very handsome, Brady is a lead contender for the Heisman Trophy and a spot in the NFL.

As sports agents hover around Brady, Barrett, a beautiful and charming cheerleader, sets her mind on tempting the celibate Brady and getting a piece of his multimillion-dollar future—but is that all she wants from him, and is she acting alone?

Carmyn is determined to protect her son. She’s also determined to protect the secret she’s kept from Brady his whole life. As things heat up on campus and Carmyn and Brady’s idyllic relationship starts to crumble, mother and son begin to wonder about the other—are you just too good to be true?

A sweeping novel about mothers and sons, football and beauty shops, secrets and lies, JUST TOO GOOD TO BE TRUE has all the ingredients that have made E. Lynn Harris a bestselling author: family, friendship, faith, and love.


Rerations
< Just Too Good to Be True > < One in a Million > < Pleasure > < True to the Game III > < Something on the Side > freaks


< The Man Who Fell in Love with the Moon: A Novel > < Now Is the Hour > < In the City of Shy Hunters > < Faraway Places (Hawthorne Rediscovery) > < Michael Tolliver Lives: A Novel > < The Persian Boy > Tom Spanbauer




 price: 280
 Grove Press
 Usually ships in 24 hours

customer 's review
(Tantric Lunacy&Tracking Identity)

("Keep your promises, Keep clean, Keep going")

(Must Read)

(A sheer delight!)

(A New Voice)
WHEN I HEAR ABOUT A BOOK from three or four different sources within a short time span, I generally surrender to the Universe, obtain a copy and push it onto the "on-deck circle" of my reading list--cutting ahead of dozens of other books, which are no doubt outraged at the brash line-jumper. Such was the case with Tom Spanbauer's The Man Who Fell in Love with the Moon and the queue-hopping proved well justified by the quality of this novel.

Studded with stories, oozing with style and rife with sagacity and humor (from wry smiles to sorry-I-woke-you-up-in-the-middle-of-the-night-honey belly-laughs) this book announces itself as a masterpiece from the first page and doesn't relent until the last.

The narrator, Shed, a half Native American/half white youth, is raised within the confines of a whorehouse in the old West town of Excellent, Idaho at the turn of the twentieth century. Ida Richilieu, the brothel's madam, takes the boy in after his mother is murdered and houses him Out-in-the-Shed (thus, his name), where he also takes on male customers wanting a little bit of his innocence and a whole lot of his "endowment."

Shed does have a real name, Duivichi-un-Dua, and when he comes of age he sets off to find its Shoshone meaning, to learn more of his mother and her people, and discover the identity of his father. By and by, through twists and turns, Shed does uncover these truths about himself, and along the way meets Dellwood Barker, the green-eyed eponymous moon-lover who possesses esoteric knowledge of lunar effects on humanity. Dellwood is also well-versed in tantric sexual techniques, which he employs with both men and women.

The fluid sexuality of some of Spanbauer's main characters, and their (and his authorial) sensibilities engender in me a warm feeling of literary and personal affinity with Mr. Spanbauer. We share concerns and his methods for parsing them often mirror my own, though there are profound differences as well.

The Man Who Fell in Love with the Moon climbed into my Top Ten Novels list as easily as a frightened child enters its parents' bed. (See my Top Ten List below). I'm loath to explicate too much of the marvelous plot of this novel, as I am of a mind that water tastes best at the source. Go to this book with an open mind and heart, and be prepared for sadness and splendor, and one helluva joyous, bumpy ride. See also Sanity's Bane

My Top Ten Novels of All Time (or at least the ones I've managed to read so far, in a loosely attempted ranking system--you shouldn't hold me to any of this I could change my mind in an hour or two).

1. The Tin Drum, Günter Grass
2. Midnight's Children, Salman Rushdie
3. Sometimes a Great Notion, Ken Kesey
4. Geek Love, Katherine Dunn
5. Invisible Man, Ralph Ellison
6. Crime and Punishment, Fyodor Dostoyevsky
7. The Man Who Fell in Love with the Moon, Tom Spanbauer
8. On the Road, Jack Kerouac
9. Dhalgren, Samuel R. Delaney
10. Cat's Cradle, Kurt Vonnegut, Jr.
If you like these books, you may also enjoy Sanity's Bane

I have to start by saying "Wow!" I think I actually read EVERY word in this book. I didn't want to let anything get past me.

This is the most memorable work I've read in my 31 years. The characters were vivid and deep, and their feelings - I felt I was looking into the heart of humanity. The characters - especially Shed - were open and descriptive of their feelings and intentions; and those feelings seemed true and real to me.

I could find myself in so many of the characters. In Shed, I empathized with his need to resolve his great mystery - even though he didn't know what the mystery was. In Delwood, I saw echoes of the kindness and generosity I aim to give and receive in my own life. In Ida, I understood the need to maintain consistency in an effort to succeed (or to soothe - which is it?), and the fight for what's "fair".

Mr. Spanbauer has gone far beyond a piece of entertainment, and has created a piece of literature. Moon ... deserves to be savored, contemplated, discussed and analyzed. It's been a while since a piece has motivated me to do any creative writing; Moon did that for me. You'd better believe that if I had the opportunity, I'd be right there at Mr. Spanbauer's kitchen table where he has mentored people like Chuck Palahniuk.

I won't attempt to go into plot summaries and themes - just buy the book and read it.

If you are Native American, African American, or GLBT you must read this book. Following the lives and tribulations of a [...] child raised in a whorehouse we get exposed to the turn of the century old west in Excellent, Idaho. A fascinating read that will question and make you reflect on everyone of your core values.
The young narrator, Shed is a bisexual half Indian boy who lives Out-In-The-Shed (hence his name) of a whorehouse owned by Ida Richilieu in Excellent, a very small town in Idaho at the beginning of the twentieth century. Out in the shed he is much in demand as he provides relief for many male customers while he earns his keep doing chores for Ida. There are many uncertainties about Shed's origins and parents, se he sets off to find his true self, and his real name. On his way he meets Dellwood Barker and makes eventually contact with some Indians; he thinks he finds some answers, but there is more to come. When Shed returns to Excellent all goes well for a time back at Ida Richilieu's Indian Head Hotel, with Ida, Shed, Dellwood and Alma Hatch forming their own unique family, strength against the troublesome Mormons who are taking over the town, until disaster strikes and everything falls apart.

There are plenty of interesting and idiosyncratic characters populating the tale, and the colourful story moves from drama to tragedy, from harrowing events to very tender moments, all with plenty of humour. However the real pleasure is to be found in the narration itself, Shed's way of expressing himself is delightful: "what my ears heard was me yelling the loudest I'd heard my mouth yell . . .", "I just let my feet and legs go . . .they took me out into the clearing . . ." are typical of Shed's logical thinking, and his endearing way of expressing himself.

It is a very beautiful story, and very moving. Shed is an appealing character who loved those close to him, and especially Dellwood, the only man he ever truly loved. It is a story about prejudice and dreams, about survival against adversity. The final pages are particularly heart rending as everything about Shed's life disintegrates; yet there is also hope and a future.

The narrator, Shed, comes through as an intriguing, new story-telling voice. The reader is treated to a group of unique characters who oppose the bigotry of thinkers on the religious right. Fascinating stuff.


Set against the harsh reality of an unforgiving landscape and culture, The Man Who Fell in Love with the Moon provides a vision of the Old West unlike anything seen before. The narrator, Shed, is one of the most memorable characters in contemporary fiction: a half-Indian bisexual boy who lives and works at the Indian Head Hotel in the tiny town of Excellent, Idaho. It's the turn of the century, and the hotel carries on a prosperous business as the town's brothel. The eccentric characters working in the hotel provide Shed with a surrogate family, yet he finds in himself a growing need to learn the meaning of his Indian name, Duivichi-un-Dua, given to him by his mother, who was murdered when he was twelve. Setting off alone across the haunting plains, Shed goes in search of an identity among his true people, encountering a rich pageant of extraordinary characters along the way. Although he learns a great deal about the mysteries and traditions of his Indian heritage, it is not until Shed returns to Excellent and witnesses a series of brutal tragedies that he attains the wisdom that infuses this exceptional and captivating book.

Rerations
< The Man Who Fell in Love with the Moon: A Novel > < Now Is the Hour > < In the City of Shy Hunters > < Faraway Places (Hawthorne Rediscovery) > < Michael Tolliver Lives: A Novel > freaks


< Living Two Lives: Married to a Man and In Love with a Woman > < Lesbian Epiphanies: Women Coming Out in Later Life > < And Then I Met This Woman: Previously Married Women's Journeys into Lesbian Relationships > < From Wedded Wife to Lesbian Life: Stories of Transformation > < Married Women Who Love Women, Second Edition > < How To Be A Happy Lesbian: A Coming Out Guide > Joanne Fleisher




 price: 510
 Alyson Books
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customer 's review
(AMAZING!)

(Understanding the Situation)

(Married to a Man And in Love With a Woman)

(A realistic and beneficial guide to women)

(***** Love is a Four-Letter Word That We Can't Live Without *****)
After wading through a few books on Amazon on the subject, I settled on this one because it was the only one I found to be helpful for my situation. Boy was it! I recently came out to my husband of 8 years and this book really helped to validate so many of my feelings. The women's narratives helped me to realize that I wasn't alone and that everything I've been feeling is common to my situation. The author doesn't advocate any particular approach, but rather helps you to explore the avenues and decisions YOU want to pursue and does it WITHOUT JUDGMENT.

If you are thinking of coming out to your husband (or recently have, like myself), this book is HIGHLY recommended. My husband is reading it next :)

Women who feel like they're alone in this situation will find guidance and assurance that they are not alone.

Great book. Very insightful.

The author approaches the subject matter in a sensitive and proactive manner. The book provides a lot of supportive information for women that may feel they are all alone or the only one that has or is going through this process. The author really addresses the stages and situations that are part of the process providing mulitple scenarios, suggestions, and rationale without judgment. An excellent book for all parties going through this life transition.
As a psychotherapist, I can say that the topic of this book is timely and a most welcome addition to the literature on it. For despite the untold depth of despair that our sexual-orientation causes in ourselves, partners, family, friends, and society-at-large, we have not seen anything yet, as we say, nor do we see the upside to this revolution. In fact, the primary task for each of us is to STOP the blame-game; this is a no-fault biological upgrade downloading into our genetic programming. That is, it is as organic, natural as mom, apple pie, and Chevrolet. For my own research, and visions, into the future reveals an increase in gay and lesbian relationships that will far exceed those of the heterosexual community. So, first and foremost, let's drop the guilt-trip and the judgments of each other's role in the self-healing cycle of Mother Earth. In short, as a "straight" male, married to a straight female for the past 37-years, parents to 3 adult children, 8 grandchildren, we are a dying breed, and I for one am glad of it! For our confusion is linked to the origins of mankind in the Garden of Eden, the role the twisted-pair DNA "serpent" had in bringing us the knowledge of co-creation initially. Yet our blind-spot still does lie in the role we play as members of the oppostie sex. Sex has to do with "power," raw energy that we use to attract and repel people around us. Up until now, it has been mismanaged badly with tragic consequences. However, because we are at the critical phase of our spiritual evolution where we are to "make the two one again," as it states in the Gospel of Thomas, there is hope, finally. Specifically, as I've learned from my myriad interviews with men and women having a near-death experience over the past 15-years, the future human being will be androgynous. Indeed, what we are witnessing today is the maturation of our species into self-empowered shamans by using the sexual life-force energy wisely to rebalance civilization in the process. In blunt terms, we are restoring the natural order to the planet where the "magnetic" feminine rules the roost, so to speak, from the boardroom to the bedroom. So the more we can help everybody seek and find their "soul mate" the closer we come to peace on Earth. Thank God that finally we can perhaps begin to heal our toxic planet from its near fatal overdose of testosterone poisoning!

Dr. John Jay Harper is author of Tranceformers: Shamans of the 21st Century

From 1967 to 1979 Joanne Fleisher led a happy life in the suburbs, a mother of two and the wife of a successful lawyer. Then she fell in love with a female friend and everything changed. Her experiences, as well as those of the women who write to her advice column Ask Joanne (www.lavendervisions.com), inspired her to writeLiving Two Lives, a guide for women grappling with the difficult process of coming out while being married to a man. Now a licensed clinical social worker, Fleisher has conducted married women's support groups, weekend conferences, individual therapy sessions, and national and international phone consultations for women in this situation. She now brings her wealth of insight to this guide to help married women navigate the stages of coming out: initial feelings of same-sex attraction, telling husbands and children, managing a roller coaster of emotions (grief at the end of a marriage, confusion and anger at the loss of heterosexual privilege, guilt, anxiety, depression), developing a support system, executing the awkward phases of dating, and, finally, moving into a new chapter of life. In addition,Living Two Livesprovides resources on organizations for married women, suggested reading, and helpful websites. Married women are a huge but invisible part of the lesbian population, often falling between the cracks of available resources. This book is a welcome tool to guide them out of isolation and into rich, rewarding lives.

Joanne Fleisheris a lifelong resident of Philadelphia. She is a graduate of Simmons College and of the Bryn Mawr Graduate School of Social Work and Social Research. She and her partner of 25 years co-parented her daughters with her ex-husband, and she recently became a grandmother.


Rerations
< Living Two Lives: Married to a Man and In Love with a Woman > < Lesbian Epiphanies: Women Coming Out in Later Life > < And Then I Met This Woman: Previously Married Women's Journeys into Lesbian Relationships > < From Wedded Wife to Lesbian Life: Stories of Transformation > < Married Women Who Love Women, Second Edition > freaks


< Tweaked: A Crystal Meth Memoir > < Leaving Dirty Jersey: A Crystal Meth Memoir > < Tweak: Growing Up on Methamphetamines > < Beautiful Boy: A Father's Journey Through His Son's Addiction > < Overcoming Crystal Meth Addiction: An Essential Guide to Getting Clean > < Broken > Patrick Moore




 price: 480
 Kensington
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customer 's review
(Didn't meet my expectations)

(Fascinating in Ways I Didn't Expect)

("Tweaked")

(Well-written, engaging, educational, but not much about meth addiction)

(An X-Rated account of life as a promiscuous gay drug user)
I had high hopes when I purchased this book. I guess that's why I try to eliminate expectations when beginning a book. I didn't think the quality was high and was not very engaged by the story. It described sex addiction much better than Meth Addiction. Unfortunately, I wouldn't recommend the book if you are looking for inspiration. Perhaps if I finished the book it may have been better, but it didn't even keep my interest enough to do that. There are two many books to read and I don't have time for those that are not giving me insight or understanding into the nature of life and the Universe.
As someone who has heard a lot about crystal meth but who has no experience with it, I turned to this book to develop an understanding of why crystal meth has affected gay men and influenced HIV transmission as much as it has. I did learn a lot from this book, though I thought I would learn more about how crystal meth affects the body and mind, how it clouds and mind and encourages unsafe sex, and there was not as much of that in this book. Though there were many scenes showing the damaging effects of crystal, and Moore did not seem to hold back in any way describing the negatives of his life on crystal. This is a good book worth the time.
This is an excellent book. I thoroughly enjoyed it, as I have some knowledge of this addiction and found it to be true to form.
I enjoyed this book---it certainly kept me turning pages throughout, and I finished it almost in one sitting. However, I would agree with some of the other reviewers in that the book seems to be more about Moore's sex addiction than his meth addiction. The book chronicles Moore's sexual escapades in 1980s New York and 1990s Los Angeles; it seems Moore just used meth and a host of other drugs to lubricate his sexual excesses. The only section of the book that exposes meth's dark underbelly is when he goes out to visit a "cooker" who lives in the California desert and cooks the drug in a trailer. I think a more apt title for the book would be "SCREWED" rather than TWEAKED due to its highly sexual content, but this book is worth a read nonetheless, especially if the ins and outs of pre-gentrification New York's sexual underground of the 80s and early 90s interests you.
"Biker's Coffee, Chicken Feed, Crank, Glass, Go-Fast, Ice, Stove Top, Trash and Yellow Barn," that is, Crystal Meth, is what I expected this book to be about. But Tweaked is more about the details of Patrick Moore's seemingly infinite gay unprotected sexual exploits while using a variety of drugs than it is about meth addiction, although it's probably hard to separate the two. The writing itself is excellent, but Gay Sex on Drugs might have been a more appropriate title, and its X-Rated theme will be interesting to few mainstream readers.

The details about meth, meth-use and meth-users, few and far between, are by far the most interesting parts. Unfortunately, the struggles of a sober gay man, the relationship between a man and his grandma, and details about an unimaginable variety of different drugs, did not hold my attention. I kept waiting for the parts about meth. It would be more appropriate divided up as a series of articles in a magazine for gay men. If you are an average Jane like me, you'll skip this one in favor of a future, (hopefully mainstream) novel. Although admittedly full of lies and half-truths, James Frey's R-Rated quirkily-written but fast-paced account of alcohol abuse and recovery, A Million Little Pieces, is a better choice.

Rerations
< Tweaked: A Crystal Meth Memoir > < Leaving Dirty Jersey: A Crystal Meth Memoir > < Tweak: Growing Up on Methamphetamines > < Beautiful Boy: A Father's Journey Through His Son's Addiction > < Overcoming Crystal Meth Addiction: An Essential Guide to Getting Clean > freaks


< Falling > < The Tin Star > < Without Reservations > < Willow Bend > < Couplings > < Bareback > M. L. Rhodes




 price: 1600
 Amber Quill Press, LLC(2007-01-26)
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customer 's review
(I liked it!!)

(I really enjoyed it except...)

(Falling)

(Not My Favorite Book Ever)

(Definitely fun!)
This was an interesting novel, not the fact that it was about a gay couple, but because of the magic and all kinds of things like that. It was an interesting read and I liked it. I'll have 2 check out more novels by this author in the future, and I do recommend this book. Although it was my 1st by her I enjoyed it.
This was the first book I have read from this author and I really liked it. The only problem I had with it was the rapidness of the depth of the relationship of Chris and Alex. I felt that part jumped way too fast. For me it takes more than a week to know that someone is for you ....forever.
Do you believe in ghosts?



That's the question that Diana Christmas has been asking herself lately. It all started the night her grandfather, Sparky Christmas, died. On her way home from the hospital, Diana knew her mind was playing a trick on her when she saw a man sitting in the back of her car through the rearview mirror. Of course, no one was there. Yet, when Diana arrived home, she saw the same man in her bedroom and he introduced himself as Alex. Diana thought she was losing her mind due to the stress from the dying of her beloved grandfather. Not to mention inheriting the family's century old home - the Christmas House which Sparky was in the process of turning into a bed and breakfast before he died. Nevertheless, Alex continues to appear causing havoc on her libido. Diana tries to ignore him by dating a man she once went to school with; but somehow, Alex still manages to creep into her heart and soul. Can things possibly get any worse for Diana?



Christmas Spirit is a touching, fun-loving story that captured my heart right from the start and held me tightly intrigued until the very end. I was persistently turning from one page to the next eager to see what would happen as this wonderful story unfold. I found Diana to be an independent, yet vulnerable woman who was trying to hold onto her sanity by trying to form a relationship with a `live man", instead of living in a fantasy world with a ghost which led to her being taken advantage of on many occasions. On the flip side, Alex had great charisma. He was sexy as hell, witty and strong-willed. The storyline was very satisfying and exciting with a great deal of surprising drama going on. Both the main and secondary characters were great. Christmas Spirit had more of an old-fashion romantic flavor to it than erotic, so the faint of heart readers will definitely enjoy this book!

Sabella
Reviewed for Joyfully Reviewed

A novel that struggles to make any of it's main characters believable. There's a lot of effort towards this, but it all falls flat once the inevitable relationship between the two leads starts to develop.
Hot young British cop who is secretly the director of the Bureau of Dark Magic Affairs teams up with hot young American cop to investigate a series of supernatural murders.

Note: The short review is to save you time. If you'd like the long version, please visit ObsidianBookshelf.com

As the leader of an elite British group that hu