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タイトル『 Invasion of the Body Snatchers > 『 Invasion of the Body Snatchers > 『 The Thing from Another World > 『 The Thing from Another World > 『 It Came From Outer Space > 『 It Came From Outer Space > 『 Invasion of the Body Snatchers (Collector's Edition) > 『 Invasion of the Body Snatchers (Collector's Edition) > 『 Invaders from Mars (Special Edition) > 『 Invaders from Mars (Special Edition) > 『 The War of the Worlds (Special Collector's Edition) >


>,Kevin McCarthy,Dana Wynter,Larry Gates,King Donovan,Carolyn Jones


 price:$0.49 
 Republic Pictures
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Core2Duoノートレビュー 's review
(Left Wingers Always Get This Film Wrong!)
『This is a great horror/suspense film, but by now you already know that, whether you've viewed it yet or not. (And if you haven't, you should.) What prompts me to weigh in with a review is that I still can't for the life of me understand why left-wingers to this day continue to trot out their by now very tired and worn out critique that Invasion of the Body Snatchers was an allegory of the so-called "Red Scare" hysteria and "paranoia" of the 1950s Cold War era. Nonsense!

Memo to left-wingers, memo to left-wingers: In the film, Dr. Bennell's story about alien seed pods taking over humanity was TRUE, not a product of any overblown hysteria or paranoia on Dr. Bennell's part. And so, when left-wingers insist on reading into the film some kind of symbolism alluding to Americans' fears of a Soviet invasion during the 1950s, they only serve to discredit their own theory. Because after all, if the film's alien seed pod threat was real, then so was the Soviet threat. Hence, the left-wing critique is thereby thoroughly demolished via a self-inflicted wound.

Instead of reading politics into the film, it is better to grasp the film's real message for what it is (as rather explicitly stated in the film itself), namely, a warning against growing alienated, cold, and calloused, letting our humanity slip away, little by little, one human life at a time. And as Becky Driscoll herself says to Miles, "I don't want to live in a world without beauty or love. I'd rather die." Humanity and love are the themes of this film, not politics.』


(Nightmarish noir/sf hybrid: the first version is still the best)
『This review is from my second viewing: I hadn't seen this classic for years, but here was the perfect opportunity, hard on the heels of THE INVASION, the most recent (4th) film version of Jack Finney's story from two years ago. I liked the new one more than most, and at some point I'll put up a review of it, but it doesn't hold a candle to Don Siegel's exciting thriller, the ultimate bleeding together of film noir and science fiction.

I won't go into huge detail about the plot; surely you know it, and if you don't you should see the movie before reading about it, especially in this case! So just some impressions: the 80 minutes of the running time fly by, but are enough to build a real sense of wrongness and unease, both at what is happening on the screen and at the safe, dull, suburban world these characters live in. The blandness of the pod people is JUST noticeable, much more subtle than in later versions; for the first half of the film, we really can't decide if something is actually happening, or if it's all a dream. The casting is excellent; the female characters don't have a lot to do, alas (certainly this is a pre-feminist vision of women in danger!) but Dana Wynter is certainly charming and easy on the eyes, and Kevin McCarthy really is perfect for the role of the competent, rational hero. The score by Carmen Dragon is entirely appropriate, exciting and keyed to the emotional pitch of the film without being too leading on its own. The vision of sprawling suburbia as a place of dullness - and ready conformity, with its Tiki-torches and swimming pools and secluded back yards - is a compelling one that would be revisited often in both science fiction and more dramatic stories in years to come.

And, as I mentioned above, this is almost as much noir as SF; the long alleys and shadowy, stark black and white photography, the characters on the run throughout, the ambiguous, still somewhat downbeat ending (even the studio addition doesn't ruin things as far as I'm concerned), the late betrayal of the hero by the one he trusted most....

Masterful, and my pick for the best science fiction film of the 1950s.』


(Catch your breath while you can, this one's a runaway train.)
『The DVD transfers are very good remasters with both wide screen and full screen versions included in the package. (Watch the wide screen version).

From the opening scene with Dr. Miles Bennell (Kevin McCarthy) screaming, "You've got to believe me, I'm not insane" to the horrifying conclusion, this film wastes not a single frame away from the pace that never stops.

Dr. Bennell is finding that his patients are behaving strangely, they keep telling him that a loved one is no longer that person. Bennell is trying to be just a country doctor rekindling a spark with his high school sweetie, Becky Driscol (Dana Wynter) but the oddities continue and at an alarming rate. Good friend, Jack Belicec (King Donovan) calls the Doctor to come over and see what's he's got. It's a partially formed human body which looks a lot like Jack. Jack wife, Teddy (Carolyn Jones of TV's Adams Family fame) is hysterical over the situation. Even Becky's father (Kenneth Patterson) seems changed and he's placed another strange body resembling Becky in the basement of their home. Then we see the cause; giant seed pods opening to expose the lifelike contents, all growing to look like someone close by. Pretty soon, the whole town is changed with only the good doctor and Becky left to flee for their lives.

The gripping script (Daniel Mainwaring) was taken from a magazine serial by Jack Finney. Director Don Siegel's vision is close to perfection and the ensemble cast is excellent.

This "B" movie is too good to keep its "B". This is an "A". You know it's good when Hollywood keeps remaking it. The special effects are kept simple so they are believable. This film works as well today as it did in 1956 and it's much better than the remakes with bigger name stars (like Nicole Kidman

'Invasion of the Body Snatchers' is a classic Sci Fi and a must have for anyone collecting or interested in this genre of film.

Highest recommendation for: Sci Fi fans, suspense and thriller fans, Dana Wynter fans and anyone who wants to take a roller coaster ride while watching a film. A little parental guidance for kids under 8 is probably required.』


(UNFORGETTABLE BABY-BOOMER SCI-FI/HORROR FLICK SIMPLY A CLASSIC!)
『INVASION OF THE BODY SNATCHERS [1956], probably Don Siegel's best film, is simply what great movie-making is supposed to be all about. This is an enduring classic that has held strong against the onslaught of the 'in-your-face' gore&viscera cinema that has inundated our senses since Gerorge Romero popped up out of Pittsburgh in 1968. INVASION scared the living daylights out of me as a kid and continues to eerily unsettle me as an adult. This story is about seed pods that "come from the sky" . Once placed in proximity to a person they seem to imbibe that person's phenotype--minus their experiences and emotions--while the person sleeps. The result is that the pod basically 'gives birth' to an exact duplicate of the sleeping beauty minus the moxie, the mirth, the mojo. The real human is extirpated and the emotionally barren replacement--basically an alien--takes over. The new product has no need for love or procreation--not a nice thing. To all you new- generation folk who revel in the carnage of the 'Chainsaw/Hills Have Eyes/Hostel'-type features: your in for a disappointment, but your also in for a lession on the vanishing art of great movie-making. The latter made possible by great direction [those shots!], cinematography [those shadows!], writing [those lines!], and , most importantly, great acting by ALL involved. Devoid of heads flying around or plasma being spilled everywhere, this is an evocative, black-and-white, baby-boomer classic that many of us grew up with. The stark b&w aspect to this movie adds to the strange sense of detachment, alienation and isolation it evokes. The movie begins with Carmen Dragon's sudden-onset sinister score and a look at some clouds that is downright eerie and other-worldly. Your're then taken to a small town that resembles Mayberry complete with town Doc and everybody knowing everybody--pretty earthbound. Then the fun begins. A 'misbehaving' little boy who doesn't feel mom is same old mom. A neice who feels her Uncle is not her Uncle. And everybody with a gripe about things changing come to Doc, played wonderfly by Kevin McCarthy. That look on Virginia Christine's face when she describes how her Uncle Ira is NOT Uncle Ira is unsettling. These are the details that make this film so memorable over the years--the looks, the innuendoes. How about Larry Gates as the 'alienated' town psychiatrist trying to provide a glib and cogent explanation for the "hysteria" going around. Gates, an excellent, scene-stealing character actor who was awesome in the classic greenhouse scene in IN THE HEAT OF THE NIGHT [1967], was a great pick for this flick. His eyes and countenance alone bespeak of pomposity, deceit , aloofness--perfect for a superior alien. His voice makes you sit up straight in your seat, and has a sort of sinister quality. How about the scene in the bar when, after bar-owner&wife fall asleep, a featureless body that looks like the bar-owner shows up on a pool table then disappears. And the creepy, unconcerned tubby cop who pokes his head through the cellar window to report that the body was found burning in a haystack miles away. Doc, who has his hands full with questions and complaints, gradually begins to understand that something not of this earth is infesting the countryside. The scene where he suspects his girlfriend's [Becky, played by Dana Wynter] dad of not being her real dad [he's been working odd late hours in his cellar lately] and he decides to go down into his cellar is plain scary. He's just looking for hidden pods but those shadows, those steps, those storage bins down there... And how about that 'conceiving' pod ,out in the backyard, bursting out in foam and crud to expulse Doc's replacement. Geez, it's time to hit the caffeine and get out of town. As Doc&Becky flee we bump into Sam Peckinpah and truckloads of pods which are now being systematically distributed to neighboring towns and valleys. Gotta get to the big city now and warn the rest of the world that there seems to be a small problem. The chase scene is harrowing with interesting and atmospheric runs up a rural staircase and hiding under floorboards. Just the pace of the aliens running up those stairs and the sound of their footsteps as they hit the floorboards conveyed such a disturbing and nefarious sense of group urgency and desperation. The now classic scene where Doc leaves Becky for a moment only to return to awaken her--a great face-to-face closeup of Becky's stoic, alienized countenance and Doc's aghast look--still hits paydirt. Amazing what you can do with a low or modest budget, superb "on" acting and the right moviemakers. Nice how the film is narrated by Doc in retrospect to a group of ER docs who think he's loony only to have his veracity supported when a guy reporting an accident describes a victim found under "..some of the strangest things..looked like seed pods". The look of relief on McCarthy's face as the movie ends is memorable. Noteworthy how, back then, this film appeared to reflect America's tacit fear of change, fear of the atomic era, concern over whether aliens do exist [flying saucer craze], ambivalence regarding the slander and demagoguery of McCarthyism, maybe even worry over the inevitability of desegregation in some parts of the country. Call it the mid-late 50's "5-S" fears of suburbia/sirens/saucers/subversion/deSegregation. Interesting how Doc's emotionally sterile and lifeless aliens are probably caricatures of modern industrialized big-city folk who have become desensitized [dehumanized?] by long work hours, long commutes, the rat race, technology and cyberlife. After all, an astute sociologist did once say: man made the city, now the city is remaking man [citation to follow].』

(Another Hardcore Classic!!!)
『I watched this for the first time a few days ago with my dad. If you've read my reviews before, you'd know that I love the look of horror films that take place in the 50's. The town is Santa Mira, the same town HALLOWEEN III takes place in. People are changing into emotionless things in the town by some pods from outer space! Can Dr. Miles Bennell and his girlfriend, Becky stop the pod people from taking over? If you love classics, you'll love INVASION OF THE BODY SNATCHERS!!!』
『Studio: Lions Gate Home Ent. Release Date: 08/16/2005 Run time: 80 minutes Director: Don Siegel』
『Something's wrong in the town of Santa Mira, California. At first, Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless imposters. But soon the evidence is overwhelming--Santa Mira has been invaded by alien "pods" that are capable of replicating humans and taking possession of their identities. It's up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Considered one of the best science fiction films of the 1950s and '60s, this classic paranoid thriller was widely interpreted as a criticism of the McCarthy era (that's Senator Joseph, not actor Kevin), which was characterized by anticommunist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version ofInvaders of the Body Snatchers(based on Jack Finney's serialized novelThe Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop. Look closely and you'll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader!--Jeff Shannon
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『 Invasion of the Body Snatchers > 『 Invasion of the Body Snatchers > 『 The Thing from Another World > 『 The Thing from Another World > 『 It Came From Outer Space > 『 It Came From Outer Space > 『 Invasion of the Body Snatchers (Collector's Edition) > 『 Invasion of the Body Snatchers (Collector's Edition) > 『 Invaders from Mars (Special Edition) > 『 Invaders from Mars (Special Edition) > I wanted to buy It↑


タイトル『 The Mummy Collector's Set (The Mummy (1999)/ The Mummy Returns/ The Scorpion King) > 『 The Mummy Collector's Set (The Mummy (1999)/ The Mummy Returns/ The Scorpion King) > 『 The Scorpion King 2: Rise of a Warrior (Widescreen) > 『 The Scorpion King 2: Rise of a Warrior (Widescreen) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III) > 『 Jurassic Park Adventure Pack (Jurassic Park/ The Lost World: Jurassic Park/ Jurassic Park III) > 『 Lara Croft - Tomb Raider / Lara Croft - Tomb Raider, The Cradle of Life > 『 Lara Croft - Tomb Raider / Lara Croft - Tomb Raider, The Cradle of Life > 『 Lara Croft - Tomb Raider (Special Collector's Edition) >


>,Brendon Fraser,Arnold Vosloo,The Rock


 price:$19.98 
 Universal Studios
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Core2Duoノートレビュー 's review
(I am Pleased with Amazon.com)
『Everything I have ever reieved from Amazon.com, has been exactly what I expected, and in the condition that I was told. very Pleased! Thank You Amazon for saving me money!!』

(Mummy Movies, Nuff Said!)
『I don't know about you, but I LOVE the Mummy movies. If you haven't seen them, you really need to check them out. Nuff said.』

(Mummy Collector's Set)
『The product is just what I wanted. Although the dvd's were in shrink wrap, the cover box looked used. Overall I'm pleased because I had no plan to keep the covering.』

(Great collection...)
『If you liked the original movie releases, add these to your library. Why pay for Blu-Ray when your Blu-Ray player "upconverts" everything to 1080P anyway? Unless you really need the 'special features'...』

(Mummy Collection)
『Disc's were nice w/ no scratches :) delivery was fast, Movies are great. Thank You』
『CONTAINS: THE MUMMY (1999), THE MUMMY RETURNS, THE SCORPION KING』
The Mummy
If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version ofThe Mummyis spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by.

The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun,The Mummyranks as one of choicest flicks of 1999.--Jenny Brown

The Mummy Returns
Proving that bigger is rarely better,The Mummy Returnsserves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we findThe Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath).

John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return fromThe Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens,The Mummy Returnsis best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself.--Jeff Shannon

The Scorpion King
There's nothing original inThe Scorpion King, but this derivative action franchise gets off to a rousing start by cleverly stealing from a lot of better movies. Capitalizing on his brief cameo inThe Mummy Returns, Dwayne Johnson (a.k.a. World Wrestling Federation star the Rock) stars as Mathayus, an Akkadian assassin in the age preceding Egyptian pharaohs, who vows to avenge his brother's murder by an undefeated warlord (Steven Brand) prophesied to become the desert-ruling Scorpion King. Their battle for supremacy comprises most of the film's brisk 95-minute running time, punctuated by comic relief from Mathayus's obligatory sidekick (Grant Heslov), romance with a beautiful sorceress (Kelly Hu), and alliance with a massive Nubian (Michael Clarke Duncan) on the eve of their climactic showdown. There's no rhyme or reason to the film's depiction of ancient civilization (the costuming is particularly ludicrous), but the Rock demonstrates adequate action-star potential, and director Chuck Russell (The Mask) wraps it all in a slick, professional package.--Jeff Shannon

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タイトル『 Devil's Advocate > 『 Devil's Advocate > 『 ...And Justice For All > 『 ...And Justice For All > 『 Carlito's Way > 『 Carlito's Way > 『 Sea of Love (Collector's Edition) > 『 Sea of Love (Collector's Edition) > 『 Seven (Single Disc Edition) > 『 Seven (Single Disc Edition) > 『 Insomnia (Widescreen Edition) >


>,Keanu Reeves,Al Pacino,Charlize Theron,Jeffrey Jones,Judith Ivey


 price:$2.48 
 Warner Home Video
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Core2Duoノートレビュー 's review
(Paradise Lost)
『This is probably one of the best movies ever made in regard to the main theme of `Paradise Lost'. Al Pacino suits the devil's role just perfect, similarly as Keanu Reeves suits the role of the devil's advocate. I could not imagine any other actors playing the above roles more accurately or more perfectly. Both Pacino and Reeves played superbly throughout the entire film despite their adverse characters. Reeves aptly perform as a young ambitious and ego maniac lawyer who is determined to win every single case at any cost. But Kevin, the lawyer, is a very interesting character, for he is evolving spiritually during the film until he is fatally torn between divine justice and diabolical power. In this respect the devil remains a flat character in comparison, for he is the absolute evil, he never changes, and he never will, whereas the child of Eve, the human, the mortal, the lawyer Kevin, is continuously swaying between the two ancient adverse realms. Yet, the devil took the worst of his advocate and pushed him to the limit by raping his wife, driving her to madness until she kills herself. It should be mentioned that the longer Kevin works for the devil, the clearer it becomes to the viewer that Kevin is not evil, but a good soul who is trapped between the two arch polarities of good and evil. As a viewer one begins to develop sympathy for the hero who was once harsh, arrogant, and a slick repugnant lawyer, because he is human like us, and he is suffering, and his conscience gets heavier and heavier all the time. We take his side because the devil is against him; the devil is his real enemy, thus, our enemy; the enemy of mankind. We want Kevin to do the right thing and change for the better, and he does, even though it is too late. But the viewer does not know, neither Kevin, what his final decision will be. It is a tricky ordeal which confounds even the purest moralists of mankind. Will justice prevail at the end? Will Kevin rebel against the devil who rebelled against God? Paradoxically, Kevin lost everything when he did not dare to rebel against the devil, but when he finally decided that he had enough of the devil, thereupon he rebelled against him; Kevin has won his old life back, and received a second chance to find happiness. It was admirable to watch him losing his career on purpose for the sake of justice and for the sake of the life of a young girl. How many lawyers would do it today? It should be mentioned that despite all of his weakness, Kevin enjoys what we all enjoy as humans, and that is the right of free will. The final test rests upon the issue of free will, and here Kevin wins the case for the good of mankind. After he lost everything, including his lovely wife he came to realize the brutal outcome of his prior selfish ambitions. The psychopathic killer he acquitted in the start of his career just murdered another young girl. How far he will go to win a case rests entirely upon his own conscience. Indeed, it is a moral issue which occupies the moralists of any contemporary rational society. When I watched this film I couldn't help thinking about the role of greedy arrogant lawyers and about the consequences of their vile intentions. It is an exceptional superb film, intriguing until the very end. Nevertheless, the viewer can only rely on the individual resistance against the devil, for we learned from the end that the devil could be lurking on every corner. Vanity is one of his favorites; he claimed and winked, just to make the viewer feel bad, and to remind us that the devil will always be there, somewhere, to test us, and to drive us to madness, because of our weakness. Nevertheless, he told Kevin that it is all a setup, a kind of choreography even, and that it is up to us to make the choice of how to live our lives. There is no rest in life from the devil, or from his temptations, but there is a way to overcome the devil, through resistance and through rebellion against the devil's methods and ways. Vanity may seem trifle, but it is not. I hope Kevin did not allow glory or any exceeding heroism to destroy his life again. Now, I loved this film incredibly much, and I have watched it countless of times. I really wanted to give it five stars, but there was one thing, one flaw, that really made me drop one star off the rating. It was not the wonderful script; it was not the extraordinary acting; it was not the intriguing special affects. It was not the supernatural scenes. It was the name of the devil. Why would any one wish to tarnish the name of the author of `Paradise Lost'? I do not believe this meant to suggest that the viewers in their masses were ignorant, despite the fact that most viewers had never heard of John Milton. Moreover, I did not fail to understand the irony, for the devil is a mocker, and he would surely enjoy misusing, abusing, and tarnishing the good name of John Milton by manifesting as a human. Suppose it was intended by the script writers to render irony, for their defense it could have been acceptable, but not by those who really appreciate `Paradise Lost' or the structure of the film. Firstly, calling the devil John Milton has created a paradox between the reality of the film and our own reality. Was it a fiction film or was it not? I doubt it was intended that the viewer will ask the above question and become confused. Secondly, and that is a matter of judgment, I found it cheap and unprofessional on one hand to call the devil John Milton, and on the other hand I found it unethical, indecent, and disrespectful. If the script writers wish to blame it on the devil, let them do so, but I think it was vanity which made them make this film imperfect. Otherwise, it was one of the best films ever made and I recommend it warmly to everyone who is fascinated by the story of `Paradise Lost'.』

(the devil's advocate)
『I'm a big Al Pacino and Keanu Reeves fan, so this movie hit the spot. Great service and great product.』

(Devil's Advocate)
『Al Pacino is fantastic as always and his end speech near the altar talking about God is superb. Keanu Reeves also delivered one of the best performances. This movie is sexy and provocative. Excellent.』

("Paging Beelzebub, Paging a Mister Beelzebub")
『I thought George Reeves was dead. Besides, didn't he play Superman, not the Devil? And -- What's that? George Reeves isn't in the movie? It's *Keanu* Reeves?

... Oh.

Okay, but what's with Charlize Theron, the Devil doesn't chat her up? The Devil doesn't ask her to stand on a mirror? The Devil doesn't order out and ask her to play hide the salami? What kind of a loser of a Devil is this?

What? There's nothing in Aristotle's theory of dramatics that says Charlize Theron has to get hit on by the Devil?

... Oh, okay.

But, but -- but what about Al Pacino, what's his part in this story? Oh, *he's* the devil! What, because he was in The Godfather? Because he's Italian? (Prejudice! Prejudice!) And I suppose Charlize Theron never dated Italians, is that it?!

What's this fellow "Keanu" supposed to be anyway, Hawaiian? What was he Actor of the Year in Oahu? Send him back to his little grass shack. I bet he never met Don Ho. Did he ever say Hi-ho to Don Ho? Do they let Italians into Hawaii? What's the Devil's position on that? And why wasn't Charlize Theron wearing a hula skirt in this flicker? I'm not clear.

Anyway, the Devil's not such a bad guy. He was a pretty popular dude up to the 14th century. That's when he made a big mistake and hired a really awful publicist -- Gina Bellapartes. A dead ringer for Charlize Theron. Italian, a great body, but she couldn't type a lick. Which, the licking part, the Devil got to later on.

That woman sent Beelezebub's career into a tailspin. Hey! Maybe that's why they got Al Pacion to play the Devil! *His* career is in a tailspin, no? -- He's never been to Hawaii. -- George Reeves is still dead. -- And God is in his heaven.

By gosh, by golly, it all makes sense now!



(MUST SEE!!!!)
『One of my favorite films!!! Al Pacino at his best!!! If you're a fan of Al, you are definitely going to like him in this flick.

This movie is basically about the struggle between good and evil played out in the legal world amongst attorneys. Who wins.... Watch it to find out!!!:)

GREAT MOVIE!!!!』

『Hotshot attorney accepts tempting offer from an elite New York law firm only to find himself fighting for his soul.
Genre:Suspense
Rating:R
Release Date:7-SEP-2004
Media Type:DVD』

『Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it inThe Witches of Eastwick; Robert De Niro did it inAngel Heart(as Louis Cyphre--get it?). InThe Devil's AdvocateAl Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money. Think of the story as a twist on John Grisham'sThe Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. The film was directed by Taylor Hackford (Against All Odds,Dolores Claiborne), who provides alternate-track commentary for the movie itself, plus a dozen deleted scenes. Also note: due to a settlement with artist Frederick Hart over the movie's use of a sculpture resembling hisEx Nihiloin Washington's National Cathedral, future releases of the film will be altered.--Jim Emerson
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『 Devil's Advocate > 『 Devil's Advocate > 『 ...And Justice For All > 『 ...And Justice For All > 『 Carlito's Way > 『 Carlito's Way > 『 Sea of Love (Collector's Edition) > 『 Sea of Love (Collector's Edition) > 『 Seven (Single Disc Edition) > 『 Seven (Single Disc Edition) > I wanted to buy It↑
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『 Dead Snow [Blu-ray] > 『 Dead Snow [Blu-ray] > 『 The Crazies [Blu-ray] > 『 The Crazies [Blu-ray] > 『 Black Dynamite [Blu-ray] > 『 Black Dynamite [Blu-ray] > 『 Cabin Fever 2: Spring Fever > 『 Cabin Fever 2: Spring Fever > 『 The House of the Devil [Blu-ray] > 『 The House of the Devil [Blu-ray] > I wanted to buy It↑


タイトル『 The Mist > 『 The Mist > 『 1408 (Widescreen Edition) > 『 1408 (Widescreen Edition) > 『 Cloverfield > 『 Cloverfield > 『 30 Days of Night > 『 30 Days of Night > 『 Mirrors > 『 Mirrors > 『 The Mist (Previously Published as a Novella in 'Skeleton Crew') >


>,William Sadler,Chris Owen,Andre Braugher,Nathan Gamble,Toby Jones


 price:$2.46 
 Genius Products (TVN)
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Core2Duoノートレビュー 's review
(Excellent adaptation from the Novel by Stephen King)
『I won't get into too many details here, the adaptation is good and I was pleased with the film in total. It is very claustrophobic ala "Night of the Living Dead" replacing the farm house by a supermarket, full on glass in the front. Mist manages the suspense and the tension that increases to final climax at the end. I really recommend Mist for all completists of good SCI-FI genre and Stephen King adaptations. Acting is superb and visual effects are decent. The plot is what keeps you there wanting for more, and the final twist is unexpected. Go buy it and own it now.』

(Stay out of the mist....)
『That's right! When the mist rolls in--any mist--you better stay indoors and hide in the closet because you don't know what's out there! When a military experiment goes horribly wrong, some of the residents of a small, Maine town are trapped in a supermarket and ultimately have to defend themselves from monstrous creatures or die. Yet one by one they do die until one man takes his small son and four other people into his SUV and makes a wild attempt to flee. As a writer and a habitual viewer of the macabre I preferred Stephen King's ending in his novella but like the movie ending or not you will be glued to the edge of your seat at the suspense, the horror and the excellent special effects. The Winds of Hell』

(Excellent)
『Just wanted to cast my 5-star vote for this excellent movie. I'm no conossoiur, but I enjoyed it thoroughly; my mouth was agape several times from pure shock at the story twists.

Stephen King has definitely overcome his problem with crappy endings (I'm thinking mainly of the giant spider in "It") - The Mist has probably the best (surprise) ending I've seen, which pushes "Birdy" (Matthew Modine, Nicholas Cage) out of the #1 spot for "best endings in a movie" of all time. ;)

Also note: I watched the DVD over a month after I bought it...and it froze up repeatedly throughout the movie. The return period had elapsed, so I had to keep it. A year later (same DVD player) I watched it and was pleased and shocked that I had no issues. Glad I never fired off that angry letter to the manufacturer.』


(One of Stephen King's better adaptations)
『I loved this movie! After his yawner "Rose Red", I wasn't expecting much and was pleasantly surprised. Marcia Gay Hayden did a great job playing the crazy christian nutter. Politics, giant insects, tribalism, and the dangers of religion... It's all in this movie!』

(Hell on earth)
『This movie is THE BEST horror movie i've seen yet, the descent and silent hill, two of the best i've seen, dont even come close. Just imagine hell on earth, where things get so bad that the "supposed and only" way out was stirring down the barrel of a revolver. It reminds and teaches a lesson that no matter how "hellish" life may be, we should fight for it. If you're a horror/suspense/thriller movie fan, DO NOT MISS THIS.』
『A mysterious mist, thick with blood-thirsty creatures, descends on a small town, where a group of people holes up in a grocery store to fight for their lives.』
『Writer-director Frank Darabont, who showcased the softer side of Stephen King in his film adaptations ofThe Shawshank RedemptionandThe Green Mile, turns to darker material forThe Mist, his latest King adaptation about a group of ordinary townspeople trapped in a supermarket by a mysterious fogbank. Thomas Jane is top-billed as a Maine illustrator who attempts to calm the frightened shoppers, but his job is cut out for him from the get-go, first by the discovery of malevolent creatures lurking in the mist, and then by the mad mutterings of Mrs. Carmody (Marcia Gay Harden), a local eccentric who calls for Old Testament-style sacrifices to appease the supernatural forces. Darabont delivers monster movie thrills and understated social commentary with equal skill, and he's well supported by his cast (which includes Andre Braugher, Toby Jones, William Sadler and Jeffrey DeMunn) and the vivid special effects by KNB EFX, which effectively mix CGI with models and stop-motion animation (the terrific monsters were designed by legendary comic book artist Bernie Wrightson). And for those curious about how the novella's downbeat ending has translated to film, suffice it to say that Darabont's conclusion is at once different and more unsettling than King's.--Paul Gaita
relatred Items
『 The Mist > 『 The Mist > 『 1408 (Widescreen Edition) > 『 1408 (Widescreen Edition) > 『 Cloverfield > 『 Cloverfield > 『 30 Days of Night > 『 30 Days of Night > 『 Mirrors > 『 Mirrors > I wanted to buy It↑


タイトル『 The X-Files - The Complete Eighth Season (Slim Set) > 『 The X-Files - The Complete Eighth Season (Slim Set) > 『 The X-Files - The Complete Ninth Season (Slim Set) > 『 The X-Files - The Complete Ninth Season (Slim Set) > 『 The X-Files - The Complete Seventh Season (Slim Set) > 『 The X-Files - The Complete Seventh Season (Slim Set) > 『 The X-Files - The Complete Sixth Season (Slim Set) > 『 The X-Files - The Complete Sixth Season (Slim Set) > 『 The X-Files - The Complete Fifth Season (Slim Set) > 『 The X-Files - The Complete Fifth Season (Slim Set) > 『 The X-Files - The Complete Fourth Season (Slim Set) >


>,David Duchovny,Gillian Anderson,Robert Patrick,Mitch Pileggi,Wayne Alexander


 price:$10.49 
 20th Century Fox Home Entertainment
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Core2Duoノートレビュー 's review
(Not as good as the others, but not too bad.)
『I will make this review short and sweet. Season 8 is the first season where David Duchovny isn't a main character in the show. This makes season 8, in my mind, not the same as seasons 1 - 7. However, season 8 isn't as bad as I thought it was going to be. Mulder returns for the last half of the season and it's really not that bad. John Dogget is a great character and the show works well with and without Mulder for the most part. I prefer episodes with Mulder though because I love the chemistry between Anderson and Duchovny.

If you're an X-Files fan you will enjoy season 8.』


(Never buy from Amazon)
『never buy from Amazon. I sent this back and only got a fraction of what I paid for it. I am not a happy customer』

(What Happened?!?!?!?!)
『I have been watching all seasons on DVD and enjoying them thoroughly. Season 8, however, is not very good in comparison to the prior seasons. Very disappointing.
The only thing that was worse than Season 8, was season 9. Holy canollies! Rubish... seriously.
If you are dying to see either Season 8 or 9, do youself a favor and just read a synopsis of what happened on-line. If you watch these two seasons, you will never get those hours of your life back...
I would, however, recommend seasons 1-7. Those were very enjoyable and quite creative.


(This is just as good as 1-7)
『Ok obviously some will disagree but I loved this season. The opening two episodes were phenomenal and really kept my attention. Mulder is still a part of this season and his absence for the first half is not an issue. He appears sporadically in flash backs in these episodes as well during the first half. What I thought was really cool in this season was the fact that (SPOILER COMING UP) it is revealed that Mulder had an advanced lesion on his temporal lobe, which any advocate of neurobiology knows can cause one to have ESP experiences, whether there are legitimate is an issue for academic debate. Overall I enjoyed this season a whole lot and the picture is in great quality. THIS IS A MUST BUY FOR ANY FAN OF THE X-FILES.』

(Ended up better than I thought)
『I like others here are truly devoted to the X-files. When this season started out I had a hard time with Robert Patrick, not because I don't like him but he isn't Mulder. The character's attitude was almost too much and too opposite to take in the beginning but he did come around and in fact showed why he was picked for this job and how good the writers were. I liked how the writers move in agent Reyes with Doggett and I agree if they wanted to go maybe a couple or so more years they could have done it even without the Scully character. That doesn't mean Scully wasn't great but in fact that the new actors were holding their own. After Mulder comes back and then you have Mulder, Scully, Reyes, Doggett and of course A.D. Skinner you can really see how good those actors were in this series and how well cast they were. But after watching 8 out of 9 seasons in succession one funny thing that I related to was that the characters were trying to do their jobs amidst of all the political stuff of the FBI, which was not unlike my 12 year careeer in the Navy. Even though I liked all the seasons I particularly like following the alien abduction and or colinization parts, but I also know that without the other "side stories" it may have gotten old fast.』
『Various』
『The eighth season ofThe X-Fileswill always be remembered as the year of brave decisions. David Duchovny's increasing dissatisfaction with the role meant he'd only appear in a few episodes. The solution? Enter Agent John Doggett (Robert Patrick) who basically stole the show within his first two minutes of screen time (and watch out for severalTerminator 2in-jokes too!). Scully (Gillian Anderson) switched roles to being the believer alongside Doggett's skeptic in a year that was more reliant on the background story arc than ever before. Her pregnancy remained at the foreground, while a more prominent Skinner (Mitch Pileggi) joined in a hunt for the abducted Mulder that drew upon the black oil, cloning, and bounty-hunting aspects of the convoluted alien conspiracy story. A distinct lack of guest stars or writers indicated maturity beyond the need for ratings stunts: dedicated fans were pleased to see sinister Krycek, the reliable Lone Gunmen, and the return of the show's very first abductee. The real strengths of the season came from new characters, including alternative female role model Special Agent Monica Reyes (Annabeth Gish), and some terrific standalone episodes. Investigations covered a man going backward in time, deaths aboard an oil rig, a contagion in the Boston subway tunnels, and creatures resembling bats and slugs. Agent Leyla Harrison (named after anX-Filesfan who died of cancer) got to ask all the petty questions regular viewers want to know themselves. With season 9 promised to be the last, this year was a remarkable achievement so late in a show's life.--Paul Tonks
relatred Items
『 The X-Files - The Complete Eighth Season (Slim Set) > 『 The X-Files - The Complete Eighth Season (Slim Set) > 『 The X-Files - The Complete Ninth Season (Slim Set) > 『 The X-Files - The Complete Ninth Season (Slim Set) > 『 The X-Files - The Complete Seventh Season (Slim Set) > 『 The X-Files - The Complete Seventh Season (Slim Set) > 『 The X-Files - The Complete Sixth Season (Slim Set) > 『 The X-Files - The Complete Sixth Season (Slim Set) > 『 The X-Files - The Complete Fifth Season (Slim Set) > 『 The X-Files - The Complete Fifth Season (Slim Set) > I wanted to buy It↑


タイトル『 The Mummy Returns (Two-Disc Deluxe Edition) > 『 The Mummy Returns (Two-Disc Deluxe Edition) > 『 The Mummy (Widescreen Collector's Edition) > 『 The Mummy (Widescreen Collector's Edition) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 The Scorpion King (Widescreen Collector's Edition) > 『 The Scorpion King (Widescreen Collector's Edition) > 『 The Mummy (Two-Disc Deluxe Edition) > 『 The Mummy (Two-Disc Deluxe Edition) > 『 Lara Croft - Tomb Raider (Special Collector's Edition) >


>,Alun Armstrong,Brendan Fraser,Arnold Vosloo,John Hannah,Patricia Velasquez


 price:$2.49 
 Universal Studios
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Core2Duoノートレビュー 's review
(just as good as the first)
『if you are a brandon fraiser fan and you enjoyed and own the first one then you need to purchase this dvd. i enjoyed the first one when it was in the theaters and purchased that one as well. thought that this one might be better but is was just as good if not better than the first.』

(The Mummy Returns)
『The Mummy Returns is one of the best sequals in a long time! Brendan Fraser and Rachel Weisz have great chemistry together on screen. I love this movie! It has action, adventure, romance, and comedy all in one.』

(Enter The Scorpion King)
『The Mummy Returns is an awesome movie. and it brings the start to The Scorpion King. this is an awesome Movie. I Recommend This Movie For Everyone. If you liked this movie check out the other two Mummy Movies

The Mummy
The Mummy 3: Tomb Of The Dragon Emperor』


(the mummy returns widescreen edition)
『Came very fast damage free kind of hate that shipping is 3 times what i paid for dvd』

(Imhotep Rises Again)
『While the story is original, the villain is not. Again, we have people (though this time intentionally though, besides to raise the Army of Anubis, why they really want him to kill the Scorpion King, except for the reincarnated Anck-su-namun, is never explained). And again, he must suck the life out the people who opened his chest, though again intentionally compared to the first film and it isn't as long and drawn out. Though I must say, in the end, I feel a little sympathy for Imhotep as his love, the only reason for him to live, abandons him. Kudos to Arnold Vosloo for that little moment. Brendan Fraser and Rachel Weisz are back again as well and still have an amazing chemistry (which you can tell when Evelyn dies and Rick is heartbroken over it). This time, they're married and have a son named Alex, whose not as annoying as some of the other kids in movies I've reviewed. Must be something about the new millenium that all of a sudden, kids can act. John Hannah is also back and is still the comedic relief but the character comes into his own I think when he fights Anck-su-namun for his sister and recreates the scene from the first film while Alex reads from the Book of the Dead. Oded Fehr and Patricia Velásquez also return from the first film though I find Velásquez' character a little annoying at times though she is a legitimate threat towards her enemies and then loving towards Imhotep (until the end), so the actress really knows how to switch emotions when called for (unlike some actresses I could name). The action sequences are executed really well. The double-decker chase/fight, the pygmies (a scary yet funny scene at the same time) and the fight with Anubis' army being my favorite sequences as you can hardly tell that CGI is going on. The music is also handled really well, I think evenbetter than the first film, with the rousing action cue being my favorite.』
『One of the greatest action-adventure movies of all time is back with a vengeance in The Mummy Returns 2-Disc Deluxe Edition! Brendan Fraser and Rachel Weisz reunite with director Stephen Sommers (producer of The Mummy: Tomb of the Dragon Emperor) in this thrilling sequel. Now the fate of mankind is at stake: the mummy has been resurrected with an even more powerful force, The Scorpion King (The Rock). Bursting with exciting bonus features and a digitally restored picture, this bold-epic is“breathlessly action-packed” (New York Daily News).』
『Proving that bigger is rarely better,The Mummy Returnsserves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we findThe Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath).

John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return fromThe Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens,The Mummy Returnsis best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself.--Jeff Shannon

relatred Items
『 The Mummy Returns (Two-Disc Deluxe Edition) > 『 The Mummy Returns (Two-Disc Deluxe Edition) > 『 The Mummy (Widescreen Collector's Edition) > 『 The Mummy (Widescreen Collector's Edition) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 The Mummy: Tomb of the Dragon Emperor (Widescreen) > 『 The Scorpion King (Widescreen Collector's Edition) > 『 The Scorpion King (Widescreen Collector's Edition) > 『 The Mummy (Two-Disc Deluxe Edition) > 『 The Mummy (Two-Disc Deluxe Edition) > I wanted to buy It↑


タイトル『 Teen Wolf&Teen Wolf Too > 『 Teen Wolf&Teen Wolf Too > 『 The Secret of My Success > 『 The Secret of My Success > 『 Mannequin&Mannequin 2: On the Move > 『 Mannequin&Mannequin 2: On the Move > 『 Weird Science (High School Reunion Collection) > 『 Weird Science (High School Reunion Collection) > 『 Doc Hollywood > 『 Doc Hollywood > 『 Vice Versa >


>,Michael J. Fox,Jason Bateman,Kim Darby,James Hampton,Susan Ursitti


 price:$2.49 
 DVD)
 Usually ships in 24 hours
Core2Duoノートレビュー 's review
(Teen Wolf!)
『OK, I love the movie Teen Wolf, not as fond of the second one, but its OK. The quality of the film is not so good though. Still, it is fun to watch and M.J.Fox is always good!』

(timely and new)
『This product came in a timely manner and it was new as expected. I have no complaints, service was good.』

(Teen Wolf&Teen Wolf Too-Just OK)
『Both Teen Wolf and Teen Wolf Too were just OK scoring about 3 stars with this reviewer. Teen Wolf had the feel of an 80's film and my family missed this film when it first came out. We picked up this double feature some years after its release and enjoyed M. J. Fox, but did not get that much of a bang out of it. The strangest thing about both films is that the subject of the werewolf is treated so casually, just like a case of a five-o-clock shadow that increases your popularity at school. These two movies should obviously not be taken too seriously and were basically kid films made for the consumption of popcorn and a few hours to kill. I was a little surprised that Mr. Fox accepted the role as he seemed to have a few things going for him back then.』

(Wine+Cookies+Teenwolf= Ok Time)
『Although a great movie I feel like some of the original music might have been left out. I could be wrong. I mean, like, the last time I have viewed this movie was in, Oh, I dunno, 1985.... There were moments in the movie where there was too much silence, that made it seem like there could have been a music track playing. But anyway. Despite that. The transfer was quite clear, but I wonder if this was the full screen version stretched out to fill a widescreen format. Hrm.』

(Howling Good Fun)


I must admit that this is a good movie, despite the horrible make-up that Micheal J. Fox wears when he transforms into the "wolf". Why is it that every movie (and TV Show) that has a werewolf in it, the "werewolf" looks more like Bigfoot than an actual wolf? Hellsing is the only movie that I could think of that doesn't turn the werewolf into a Bigfoot rip-off.
But Teen Wolf is a good movie about this basketball star that becomes a werewolf, and his father is too. I never saw the sequel to Teen Wolf, and from what I hear that's a very good thing. This is a movie from my childhood and it's very good, despite that Bigfoot make-up.』

『TEEN WOLF TEEN WOLF TOO』
Teen Wolfis a flip-flop of the horrorificI Was a Teenage Werewolfstory: this time, lycanthropy makes the afflicted high-schooler a big man on campus. An otherwise routine teen comedy, this one works because of the customary bounce of Michael J. Fox, in one of his first leading roles (it was shot beforeBack to the Futurebut released in that blockbuster's wake, and cashed in nicely). Although his werewolf makeup makes him look more like Bigfoot than Lon Chaney, Jr., Fox manages to convey his peppy personality even under all that hair.Teen Wolf Too, however, is not even bearable. Here Fox is replaced by Jason Bateman, who finds that his wolfish inclination helps him become the big dog on the college boxing team. The sole bright spot is veteran actor Paul Sand as the boxing coach. The rest is howlingly unfunny.- -Robert Horton
relatred Items
『 Teen Wolf&Teen Wolf Too > 『 Teen Wolf&Teen Wolf Too > 『 The Secret of My Success > 『 The Secret of My Success > 『 Mannequin&Mannequin 2: On the Move > 『 Mannequin&Mannequin 2: On the Move > 『 Weird Science (High School Reunion Collection) > 『 Weird Science (High School Reunion Collection) > 『 Doc Hollywood > 『 Doc Hollywood > I wanted to buy It↑


タイトル『 Fright Night > 『 Fright Night > 『 Silver Bullet > 『 Silver Bullet > 『 House > 『 House > 『 The Howling (Special Edition) > 『 The Howling (Special Edition) > 『 House II: The Second Story > 『 House II: The Second Story > 『 The Lost Boys >


>,Chris Sarandon,William Ragsdale,Amanda Bearse,Roddy McDowall,Stephen Geoffreys


 price:$4.95 
 Sony Pictures
 Usually ships in 24 hours
Core2Duoノートレビュー 's review
(Effective Shocker Delivers in Being Witty, Imaginative and Downright Hilarious.)
『Charley Brewster (William Ragsdale) finds out his charming next door neighbor, Jerry Dandridge (Chris Sarandon) is a bloodthirsty vampire who is feasting off the women of his neighborhood. In desperate need of help, he enlists the aids of his nerdy friend, Evil Ed (Stephen Geoffreys), his whiny girlfriend Amy (Amanda Bearse) and an out of work actor, Peter Vincent (Roddy McDowell) who plays "The Great Vampire Killer" on Primetime. Charley's problem is that no one believes him and his time is running out since Jerry is looking for his first opportunity to silence the snooping teenager for good.

Directed by Tom Holland, "Fright Night" offers loads of humor, horror and suspense yet many of todays younger audience will probably find this movie dated. After all, it has none of todays technical wizardry that is CGI. It appears every Fantasy, Science-Fiction and Horror film of today is saturated with it. I personally do not mind CGI if it is well done and in a fantasy element but so far, every attempt to create decent fright effects in horror films have failed miserably and I strongly feel that CGI is aiding in the death of the horror genre. I cannot tell you how refreshing it is to revisit these films. The special effects are brilliant and there is nothing more effective than seeing 3 dimensional beings in terrific vampire make-up. Apparently Chris Sarandon spent several hours in the make-up chair (gotta love those elongated fingers) and I am sure Amanda Bearse and Stephen Geoffreys, the other 2 vampires, did too but the end result was probably worth it as "Fright Night" is one of the greatest vampire films Hollywood has given us in the last 25 years. Just like Joe Dante's classic "The Howling" and John Landis' epic "An American Werewolf in London" which still reign supreme as far as werewolf movies are concerned. The same can be said for this gem.

The pacing in this film is virtually flawless as the action, horror and comedy are shifted around from one scene to the other and boredom is not an option given to the viewer. The performances are also worth mentioning because the entire cast delivers in spades. They must have really enjoyed making this film and it showed. Roddy McDowell is his usual brilliant self, from his quirky mannerisms to his facial expressions. The man utilized his talents yet managed to give his co-stars their time to shine. Chris Sarandon is effectively charming. You can clearly see how women would be attracted to his looks and cool demeanor. He is after all portraying a modern day Dracula who seduces and kills with ease. Amanda Bearse was also a revelation. She is pretty enough as Charley's girlfriend possessing all the qualities of the girl next door and all the charateristics of a jealous girlfriend. Once infected however, her metamorphoses is stunning and she is almost unrecognizable as a sultry vamp. That is of course before her final transformation and once the fangs come into play, she resembles a Carly Simon-esque freakshow in need of serious dental work. The young lead, William Ragsdale, also turns in a good performance but his foolish character may have some viewers rooting for Mr Vampire. But where will the horror genre be without these nonsensical teenagers?

Those who never lived the 80's will probably be shocked at the amount of cheesy fashion sense draping our actors. The younger generation must remember this movie was made before their time and should forgive the 80's tackiness. It is unfortunate that many great films were made during this fashion disaster decade and sometimes the actors wardrobes provide unintentional laughs. The film also starts off almost resembling a B grade, low budget horror schlock fest but thankfully within the first quarter we are reassured of it's high quality.

Those who haven't seen "Fright Night" and are serious horror buffs need to check it out. The cast, direction, special effects and make-up effects are all top notch and this movie was cool way before "Buffy", "Angel", "True Blood" or the "Twilight" saga ever came into the picture. Highly Recommended.


(It Still Wears Well, and I Miss Roddy McDowell)

I decided to write up this review since this is the "scary season." "Fright Night" is one of those great chillers that takes every cliche about vampires and somehow makes it all work well. Chris Sarandon, a very underappreciated actor (Prince Humperdink from "The Pricess Bride" and the voice of Jack Skellington), plays vampire Gerry Dandrige to a charmingly oily, serpentine perfection without being remotely campy. Stephen Geoffreys, who plays uber-geek best friend "Evil Ed," lightens the mood of the film with sometimes horrific comedy, and Amanda Bearse ("Marcy D'Arcy" from "Married With Children) and William Ragsdale are perfectly cast as teenagers caught up in a battle of wits and wills with Dandridge. But, the icing on this cake is Roddy McDowell's homage to Peter Cushing as the embittered, washed-up B movie vampire movie star who manages to find both his dignity and his faith as he comes to the ultimate realization that vampires DO exist and he is the unlikely choice to do battle against them. McDowell's performance was so fine - alternatively funny and prosaic - it is worth watching this film to see how an older actor can still turn in stellar performances, who uses the script and props without letting them overpower his range. It is such a pity this wonderful actor has since passed on since "Peter Vincent, Vampire Killer" is arguably one of his best roles.

The movie does have scary parts, so I would be leery of showing it to kids under thirteen.

Just a really, really fantastic vampire movie and well worth watching.

RECOMMENDED.』


(Yamahama, It's Fright Night)
『When it comes to horror of any genre, Vampires don't typically sit too high on Sid's priority list. It's not that the thought of a blood craving creature isn't scary but for some reason most of these film portray vampires as being a bit fruity. However there are some exceptions to our opinion with one being the 1985 classic Fright Night. A perfect blend a scares with laughs makes this one perfect for Sid's horror Octoberfest, and even gets the vampires into the mix. This one brings back memories of being very young which always adds a lot in the way of sentimental value.

Fright Night is centered around young Charlie Brewster, his old lady, and annoying half pint buddy Evil Ed Thompson. Charlie is a horror movie junkie who spends most late nights watching some fine b(sounds a lot like someone we know). One night while watching a vampire flick he notices his new next door neighbors and they seem to be getting rid of a body and becomes very unnerved. The more he watches the neighbors the more he starts to think they're actually vampires. After telling his friends, who think he's nuts, he decides to enlist the help of his favorite washed up actor who plays a vampire killer in b movies. Seems logical. Now that he's assembled his crew of a couple high school kids and a old man it's time to take down the vampire neighbors which doesn't go so down too easy.

Fright Night turned out to be just as good as it was nearly 24 years ago, just naturally a little less scary. It's a classic for a reason. It's even one of those feel good older horror films that could become an annual watch around the Halloween season simply for the memories it brings back. We even may hand out an woody award to the squeaky voiced Evil Ed for Hey Baby of the year. All around it was just right for what we'd hoped for in the vampire department. It certainly was enjoyed now as it was many years ago and comes with strong recommendation from the old boy Sid.』


(Loved this movie.. loved, loved, loved it!!!)
『How great is it to be scared one minute, and laughing the next? So it goes with Fright Night. Campy, yes, but this movie has everything going for it. Chris Sarandon is perfectly cast as the sexy vampire. I'd prey to get bitten by him. Buy it, or rent it for that matter, and you won't be disappointed. Classic horror movie.. they just don't make them like this anymore! Go get em' Peter Vincent!!』

(His dinner is in the oven!)
『This is a classic 80's vampire movie. In this some times comical movie, we follow Charlie Brewster, a typical horror movie loving teen, and his friends with their normal teen lives. Normal, that is, until some one moves into the old house next door and decides to "fix the place up." Charlie notices some strange goings on next door, and poor Charlie, no one believes him. Not his Mom, his girlfriend Amy, or best friend, "Evil" Ed. And good luck trying to explain to the police what he sees them carrying into the cellar. And the whole time, the vampire is on his trail. This is my fav horror movie, and probably one of my favs period. I love Chris Sarandons role in this movie, he is like the ultimate vampire. He is sultry, and sensual. Every one in this movie did such a great job, I totally love this movie. I know just about every line, and never tire of it. Scary, and might have you waking from a nightmare needing some hot cocoa! But watch out, the microwave never melts the marshmallows right!』
『A TEENAGE ENLISTS THE HELP OF A TV HORROR MOVIE HOST TO SUBDUE A SUAVE VAMPIRE IN THIS CLASSIC. SPECIAL FEATURES: FULL SCREEN AND WIDESCREEN VERSIONS, DOLBY SURROUND SOUND, SUBTITLES: ENGLISH, SPANISH, FRENCH, PORTUGESE, CHINESE, KOREAN, AND THAI, AND THEATRICAL TRAILER.』
relatred Items
『 Fright Night > 『 Fright Night > 『 Silver Bullet > 『 Silver Bullet > 『 House > 『 House > 『 The Howling (Special Edition) > 『 The Howling (Special Edition) > 『 House II: The Second Story > 『 House II: The Second Story > I wanted to buy It↑


タイトル『 30 Days of Night > 『 30 Days of Night > 『 28 Weeks Later (Full-Screen Version) > 『 28 Weeks Later (Full-Screen Version) > 『 28 Days Later (Widescreen Edition) > 『 28 Days Later (Widescreen Edition) > 『 The Mist > 『 The Mist > 『 Quarantine > 『 Quarantine > 『 The Reaping >


>,Josh Hartnett,Melissa George,Danny Huston,Ben Foster,Mark Rendall


 price:$2.45 
 Sony Pictures
 Usually ships in 24 hours
Core2Duoノートレビュー 's review
(Blu-ray : 5-stars)
『I love this movie for a start, i have it my DVD format. But recently i bought its on Blu-ray. I am glad i did!
Really impressed with Blu-ray sharpness and colors, this movie got fantastic make-ups and special effects, they even built the whole town for this movie.
A must have for all horror or Sci-Fic fans.』


(Not a great movie, but at least the vampires behave, well, vampirically)
『This movie probably won't register as one of the top ten vampire films, but it does have some redeeming qualities. First, the vampires are absolutely bloodthirsty. The scene were they take over the town is downright horrific, running down screaming humans, spraying blood all over. Harsh. Second, the behavior of the survivors is very believable, with them all being adequately terrified and unwilling to act as you might expect real people to be in such a situation. Third, it takes place in the snow which, for me, usually warrants a half-star.

I'd bet money that the screenwriter ripped off that "Tales from the Crypt" story with Ewan McGregor (or is it MacGregor?). Same sort of scenario.

Good for a night in, but definitely not for kids.』


(great)
『Was in very,very good shape, and arrived promptly.
It's one of my favorite collection of DVD's』


(Bad)
『As quickly as I saw this movie I had forgotten what it was about. Do not waste your time...poorly written just overall bad movie.』

(You Gotta See This!)
『I am a SCIFI fan and this movie lived up to everything I dreamed! This is the first time that a Vampire movie made me cry at the end! LOVED IT!』
『Josh Harnett (Black Dahlia,Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives - at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse - and screams.』
『David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along withPirates of the Caribbean's Stuart Beattie andHard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker'sDracula, natch, but alsoSalem's Lot, Night of the Living Dead, and John Carpenter's version ofThe Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention.--Paul Gaita

Stills from30 Days of Night(click for larger image)



タイトル『 Dead Snow [Blu-ray] > 『 Dead Snow [Blu-ray] > 『 The Crazies [Blu-ray] > 『 The Crazies [Blu-ray] > 『 Black Dynamite [Blu-ray] > 『 Black Dynamite [Blu-ray] > 『 Cabin Fever 2: Spring Fever > 『 Cabin Fever 2: Spring Fever > 『 The House of the Devil [Blu-ray] > 『 The House of the Devil [Blu-ray] > 『 Pontypool >


>,Vegar Hoel


 price:$9.49 
 MPI HOME VIDEO
 Not yet released
Core2Duoノートレビュー 's review
(history gone evil)
『first of all I would say that it was a crazy but cool horror film involving W2 history in it even though it wasn't a real event,
the fact that a group meets at a cabin some where possably itly, already gets you into the whole storyline.
but the fact that a man comes knocking at the door and tells them a creepy W2 story is somehting else, when crazy zombie nazis
attack them.

my feeling is the graphics were good the cutting up and bashing them over the was original but cool,
it makes a really good slasher film because the other one that I saw sucked (no offence). the *one on one* with the fat guy was a little weird but at least the girl got pulled through the floor boards of the outhouse.

bottum line is that I would try watching it in [blue-ray] first

//by the way it put on good performance for a zombie horror film//』


(Review: Dead Snow)


A woman runs through the snowy wilderness, chased by some unseen threat, as Edvard Grieg's "In The Hall Of The Mountain King" rises to it's climax, which effectively illustrates her increasing distress and danger level.

And so begins Dead Snow, an intense foreign film which only ever slows down to display a little bit of the character's personalities before the gruesome events occur again. The fact that it is subtitled does not detract anything from one's enjoyment of the film.

From then on we watch as seven Norwegian med students decide to spend their Easter vacation in an isolated cabin near Oksfjord. While they wait for the main guy's girlfriend to arrive, who actually owns the cabin, they decide to pass the time by drinking and setting up opportunities for possible hook-ups. The fun is soon spoiled by the arrival of a mysterious stranger, an older man who warns them of the evil history of the area.

It seems that during WWII, a sadistic Nazi commander named Colonel Herzog was in charge of the nearby Naval base, and under his reign the locals were robbed, tortured and murdered for three long years before they decided to exact their revenge. They attacked the Nazi's while they slept and managed to kill a great number of them. Herzog and many of his soldiers escaped into the frozen woods though, taking with them a fortune in gold, jewelry and coins.

The creepiness of the stranger, who goes nameless, and the fact that Vegard's girlfriend Sara has still not shown up by morning, leads the students to believe that something is definitely wrong with their vacation destination.

The suspense regarding who gets killed is fairly effective, and should keep you guessing, considering that one character who is absolutely squeamish at the sight of blood is forced to step up and commit brutally violent acts, and is responsible for the most shocking incident in the entire movie. To sum it up, this is one movie will be added to my must-watch list every October, alongside Trick `R' Treat, Halloween and Friday The 13th Part 3.』


(nazi zombies return)
『This is the fifth Nazi Zombie movie That has been made, and it's one of the better ones. Of course if you are not a horror fan then you wouldn't like any of them. And the effects of the three earlier films can't compete with the last two but that doesn't matter really. The first was the classic 'shock waves" (1976) followed by the french low budget effort "zombie lake" (1980) and jess franco's 'oasis of the zombies" (1983) and then by the excellent 'outpost" (2007) and now by "Dead Snow" (2009). This movie has far more gore than the three early efforts; but that was different era; although "outpost" has more interesting characters than "dead snow" which is your typical in the know young people who are the target of the Nazi Zombies wrath. The acting is very good though and this is a professional movie.
Unlike the first time efforts of the many ultra low budget horror zombie flicks shot awkwardly and sometimes on video tape.

We are told that they killed villagers and then had to battle their way into the mountains when the vengeful Norwegians came for them. They died there and have been there ever since. This movie is part ghost story in that the zombies are protecting their loot rather than just killing people for no reason. And that's a good twist to this very good horror movie. The film has a english dubbed soundtrack (in stereo) and the original Norwegian soundtrack (with english subtitles in 5.1) to choose from as well. The best thing about the more modern flicks (outpost and this one) is that the movies prints look fantastic and are without blemishes. The three older movies while decent prints needed some cleaning up. This is a great entry into the Nazi Zombie genre and it's well shot and has a 'evil dead" type of humour to it which is fun enough. This movie is good enough to be made in America which shows how far some low budget filmmakers have come since the early 1980's. Not that "zombie lake" doesn't have it's own low budget charms; it's not on this level and couldn't be. So a hearty sieg Zombie to this
solid fun horror feature.』


(Great film for horror lovers.)
『I absolutely loved this movie. It's done very well with outrageous blood and guts. They didn't make the zombies out to be generic zombies. They aren't out for brains or even recruits. They just want what belongs to them, and will stop at nothing to get it. It's a very fun/gross movie. If you know what to expect, going into it, you'll love it.

-Jenny』


(SOLID NAZI ZOMBIE ENTRY)
『As Nazis were an evil force in the world when alive, they certainly notch it up as cinematic monsters! Without a doubt, DEAD SNOW features the best Nazi Zombies that I have seen. Unfortunately the film is not without its flaws, such as there is virtually no explanation as to what caused the "Zombification"; and of the old timer who warned our group of victims to stay away, (though he did not take his own sage advice). Also, the Nazi uniforms showed little wear despite the fact that the flesh within showed advanced signs of rot and decay. The white Nazi winter army outfit still sparkled, for example. Nonetheless, this is a fun ride that features some very nice looking Zombies, even though they are "Snyder runners" for the most part. There was also some inventive kills that will delight even the most ardent Gorehounds. On another note, I am confused that many regard this as a comedy. There is a large segment of the movie going public that has some rather inexplicable opinions as to what constitutes "humour" in a movie. Indeed, many "Horror" film fans seem to thrive on any shred of humour as an excuse to laugh, as though that is now an obligatory response to a Horror film. In contrast, that would be like crying while watching comedy. As discussed in some of my other Zombie film reviews, humour dilutes the element of Horror and only in the most skilled hands does it even lend itself to the making of a Horror film. DEAD SNOW does feature some of those nubile-hormone driven young 'uns who say and do stupid things at the most inappropriate time, (though it is supposed to be funny). Such footage does not add to the "creep factor", though I've learned to ignore such lest I never watch another modern Horror film again. Yes, DEAD SNOW does flirt with that senseless element, and as a result it stumbles at times. It is NOT a comedy, though. That said, DEAD SNOW has a lot going for it, including one helluva looking Zombie, the dead SS Leader, who was the star of the film. The production values are also quite high, and helped to make the film a joy to watch. Yes, I would have preferred a darker, more psychological approach, and thought that the Zombies received over exposure towards the end of the picture, (can't believe I said that), but we can't have everything. I prefer DEAD SNOW to SHOCK WAVES, (a film that some regard as the "gold standard" of Nazi Zombie cinema), as it brings the genre up to date. Though not without flaws, DEAD SNOW is a reasonably well made motion picture and I feel that it is recommended viewing for all Zombie film fans!』
『Let us begin with two words: "Nazi zombies." Let us add two more: "Hitler's gold." Yes, it's true. These are the elements ofDead Snow, a Norwegian horror picture that unleashes an undead blitzkrieg across an otherwise inviting winter landscape. The five vacationing med students who have blundered into this backcountry in search of fun have no idea that their actions will draw the attention of the aforesaid zombies of the Third Reich (what these reanimated corpses are doing in the mountains of Norway will be explained in good time). It would be nice to report thatDead Snowlives up to the outrageousness of its concept, but far too much of this thing is taken up with standard-issue slasher tropes: self-conscious dialogue about the plot's resemblance to anEvil Deadscenario, gross-out moments for their own sake (a sequence in an outhouse is especially regrettable), and decidedly uneven acting. The movie earns a few points for a grabby nighttime opening sequence and its unhealthy devotion to the art of entrails stretching (which, when it comes to people hanging off snowy cliffs, can have practical applications you probably never even thought about). The enthusiastic mayhem can't be denied, so if a sheer body count is your yardstick,Dead Snowcomes across. But given the proximity of Nazi gold and the possibilities suggested by Hitler's minions returning from their snowy graves, this movie disappoints.--Robert Horton







Beyond30 Days of Night

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