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『 Horsemen > 『 Horsemen > 『 Echelon Conspiracy > 『 Echelon Conspiracy > 『 Five Fingers > 『 Five Fingers > 『 The Chaos Experiment > 『 The Chaos Experiment > 『 Last House on the Left (2009) > 『 Last House on the Left (2009) > I wanted to buy It↑


タイトル『 The City of Lost Children > 『 The City of Lost Children > 『 Delicatessen (Special Edition) > 『 Delicatessen (Special Edition) > 『 Delicatessen > 『 Delicatessen > 『 Brazil > 『 Brazil > 『 Tideland (Two-Disc Collector's Edition) > 『 Tideland (Two-Disc Collector's Edition) > 『 The Devil's Backbone (Special Edition) >


>,Briac Barthelemy,Guillaume Billod-Morel,Genevi,ève Brunet,Marc Caro,Jean-Claude Dreyfus


 price:$6.47 
 Sony Pictures Classics
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Core2Duoノートレビュー 's review
(visual trip)
『"Fairy tale for adults": I hear that a lot, that expression. "Pan's Labyrinth" comes to mind. The Brothers Grimm collection of folk tales does too. Well as has been remarked, LOTS of stuff comes to mind when considering a picture like this. The excellent spotlighted customer review lists some that came to my mind too: Fritz Lang, Freud, Carl Jung, Tim Burton, Terry Gilliam, Jean Cocteau, the Brothers Quay. I'll add Jules Verne and Fellini. OK, Roger Ebert mentioned Verne. (Ebert is a national treasure.) But what to make of it? "The City of Lost Children" is mostly a visual trip and less any sort of interesting tale that begs being deciphered. Read into it what you will, if you feel the desire to do so. I myself have mostly just enjoyed the imagery and I think the film is an unabashed celebration of film as primarily a visual medium.』

(Crazy, Creepy, Beautiful.)
『I came to this film reminiscent of the time I first fell in love with Amelie, thinking it would be another fantastical feast for the eyes. I was wrong - but only to a degree. From the get-go I was convinced I'd been taking some drugs and the beginning brought be back to the crawling baby scene in Trainspotting. Scared and disturbed, I was still intrigued. The more I watched the more I became engrossed in the characterization and yes - the beautiful, yet dull use, of reds and greens in the imagery. Ultimately, its plot is unforgettable and mesmerizing, but Ron Perlman's attempt at speaking French is a little bothersome and weird. It made me wonder if they made him a slow, lovable brute only after they heard him speak the language. Nevertheless, he doesn't speak as much as I'd thought he would and his acting is still wonderful and well-placed for this film. Rent it when you're feeling strange, curious and all-around adventurous.』

(Might be overrated.)
『I liked this movie but I wouldn't recommend buying it. Rent it or find someone who has a copy to borrow. I just didn't think it was as entertaining as everyone says it is.』

(story will hold youre breath)
『ive played the game in 1997 n playstation , now i watched the movie , amazing story line , great atmospher , wonder if they will remake it , itll be good hit for bluckbuster , .』

(Movie Flaw)
『Both times I viewed this Dvd it Skipped midway through viewing and the screen was frozen for about a minute. Besides this it played well the rest of the way through.』
『Movie DVD』
『The fantastic visions of Belgian filmmakers Marc Caro and Jean-Pierre Jeunet find full fruition in this fairy tale for adults. Evoking utopias and dystopias fromBraziltoPeter Pan, Caro and Jeunet create a vivid but menacing fantasy city in a perpetually twilight world. In this rough port town lives circus strongman One (Ron Perlman), who wanders the alleys and waterfront dives looking for his baby brother, snatched from him by a mysterious gang preying upon the children of the town. Rising from the harbor is an enigmatic castle where lives the evil scientist Krank (Daniel Emilfork), who has lost the ability to dream and robs the nocturnal visions of the children he kidnaps, but receives only mad nightmares from the lonely cherubs. Other wild characters include the Fagin-like Octopus--Siamese twin sisters who control a small gang of runaways-turned-thieves--Krank's six cloned henchmen (all played by the memorable Dominique Pinon fromDelicatessen), and a giant brain floating in an aquarium (voiced by Jean-Louis Trintignant). Caro and Jeunet are kindred souls to Terry Gilliam (who is a vocal fan), creating imaginative flights of fancy built of equal parts delight and dread, which seem to be painted on the screen in rich, dreamy colors.--Sean Axmaker
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『 The City of Lost Children > 『 The City of Lost Children > 『 Delicatessen (Special Edition) > 『 Delicatessen (Special Edition) > 『 Delicatessen > 『 Delicatessen > 『 Brazil > 『 Brazil > 『 Tideland (Two-Disc Collector's Edition) > 『 Tideland (Two-Disc Collector's Edition) > I wanted to buy It↑


タイトル『 The Munsters: Two-Movie Fright Fest - (Franchise Collection) - (Munster, Go Home!&The Munsters' Revenge) > 『 The Munsters: Two-Movie Fright Fest - (Franchise Collection) - (Munster, Go Home!&The Munsters' Revenge) > 『 The Munster's Scary Little Christmas > 『 The Munster's Scary Little Christmas > 『 The Munsters: The Complete Series > 『 The Munsters: The Complete Series > 『 The Munsters - America's First Family of Fright (Documentary) > 『 The Munsters - America's First Family of Fright (Documentary) > 『 The Munsters: Family Portrait > 『 The Munsters: Family Portrait > 『 The Munsters - Complete Second Season >


>,Fred Gwynne,Yvonne De Carlo,Al Lewis,Butch Patrick,Debbie Watson


 price:$3.99 
 Universal Studios
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Core2Duoノートレビュー 's review
(Dumb, but funny)
『The Munsters are good for lots of laughs from these movies that are almost nonstop dumb jokes&gags. The script, music, and much of the acting leave a lot to be desired, but Herman (Frankenstein's monster) makes up for it.
The first movie, Munster Go Home, was the best. It has a haunted mansion, a road race, a family feud, young love, and crooks. It's quite clean and I believe kids will enjoy it. The kisses aren't quick pecks, in case that bothers you. Herman also mentioned wanting to get stoned at a party, which is quickly vetoed by his wife.
The Munsters' Revenge was a little disappointing. Museum monsters, including replicas of the Munsters, are really robots controlled by thieves. Mother and Son were pretty much left out of the plot that is dominated by Dad and Grandpa. We do get a little more of Spot though. Mother has definitely aged and her neckline has gotten noticeably lower.』


(Entertaining Conclusion To The Classic "First Family Of Fright")
『There are certain legendary characters that instantly come to mind when one recalls all the memorable sitcoms of the classic 1960's. Maxwell Smart, Granny Clampett, Samantha Stephens, Gilligan, Lucy Carmichael are just some of the iconic characters immortalised during that unforgettable decade of television production. However in amongst these legendary figures one group of characters stood out from all the rest for their sheer bizzare originality yet great likeability. They were the Munsters, often rightly titled "Television's First Family of fright", Through two delightful seasons they totally charmed viewers worldwide with their own decidely unique slant on portraying the "typical American Family" so beloved on American television at the time. In a show that could be seen as "Leave It To Beaver meets The Bride of Frankenstein" the Munsters turned suburbia as we had come to know it , completely on its head. Certainly the Munsters always thought they were just typical everyday people which was what made them so totally endearing. Herman, Lily, and Grandpa especially became unforgettable characters that we loved and laughed with, not at, and I know this viewer in particular literally grew up with the Munsters as extended family.

With the unfortunate (and far too premature) cancellation of the regular series in 1966 however the Munsters, like the good monsters they were, literally rose from the cancelled television graveyard to live again in movie versions of their successful television formula. In this newly released DVD titled "The Munsters: Two Movie Fright Fest" we have the two films that followed on from the series together at last. "Munster Go Home" was a feature film released theatrically right after the series finished in 1966 and has the entire cast still together apart from one unfortunate piece of recasting which saw the lovely and popular Pat Priest who had played niece Marilyn for all but the first 13 episodes of the series inexplicitly replaced by another younger actress Debbie Watson. This film sees the Munsters travelling to England where Herman has inherited a title along with a very undesirable set of murderous English relations determined to do away with their unwelcome American cousins. The second feature on this DVD is the 1981 "reunion" television movie "The Munsters' Revenge" which saw Fred Gwynne, Yvonne De Carlo and Al Lewis recreating their memorable characters, (but with the roles of Eddie and Marilyn recast with new actors) for a story set in the lead up to Halloween which has the owner of a wax museum using models of Herman and Grandpa to commit robberies for which the male members of the real Munster family are then blamed. The comic pair then have to go to great lengths (including in one hilarious scene getting dressed up in drag as two decidely hideous looking waitresses!) to prove themselves innocent while trapping the real thieves. While certainly weaker in story than the first film "The Munsters' Revenge" has some amusing touches such as Lily's "Halloween Tree", decorated with skulls and pumpkins and the inclusion of a colourful new family member in the all singing, all dancing "Cousin Phantom of the Opera", played by Bob Hastings who in the original series had alternated with Mel Blanc in providing the voice of the sarcastic raven who amusingly used to make wry comments on the Munsters' wackiness from inside the cuckoo clock.

I must say that both features on this DVD and especially "The Munsters' Revenge" are nowhere near the comic perfection of the original "Munsters" series however apart from that they are both still highly entertaining and essential items in the DVD collection of any Munster devotee such as myself. Both films still thankfully display that magical chemistry that existed between Fred Gwynne and Al Lewis as Herman and Grandpa (admittedly performed at a bit of a slower pace especially in "Revenge"). This unique verbal and physical interplay between the two men made them in my belief one of the great comedy teams of 1960's television and this was largely responsible for giving "The Munsters" its huge success. Despite the complete lack of any extras on the set both films are presented here in the correct format to show them to the best advantage. We have here a beautiful pristine widescreen print for "Munster Go Home", and an equally beautiful and correct full screen version for "The Munsters' Revenge". Both films are here released by their home studio Universal and they have done their monster family proud with gorgeous colour, great sound and wonderful packaging. I'm sure every Munster fan will be very pleased with this double feature of both movies featuring the original cast. Herman, Lily, Grandpa, Eddie and Marilyn will literally "live forever" in the hearts of all fans which is I guess what the original creators of these characters intended and now the whole series plus these two movies are preserved beautifully on DVD to be enjoyed time and again . If like me you have enjoyed a life long love affair with "The Munsters", or even if you are new to these characters I highly recommend you sit back and enjoy television's much loved spooky family in their two highly enjoyable movie outings here together in Universal's DVD release of "The Munsters: Two Movie Fright Fest".』


(The Munsters Two Movie Fright Fest)
『I ordered this on Amazon with what I thought to be a good seller with alot of positive feedback but much to my dismay never rec'd my video or could even get the seller gyropost to email me back after numerous attempts to find out why my video was never sent. I've heard stories from others about being cheated on the internet but this was my first experience. It leaves you very leary of doing business this way. The old saying still holds true, "One bad apple can spoil the whole bunch."』

(Excellent Quality)
『This video is of excellent quality - looking even better than I remember it when it was on originally.』

(the munsters)
『I enjoy watching the Munsters.I grew up with them and still enjoy them as an adult.』
『America s first family of fright lives on in The Munsters: Two-Movie Fright Fest! Following their wildly popular TV series original cast members Fred Gwynne (Herman Munster) Yvonne De Carlo (Lily Munster) and Al Lewis (Grandpa) are reunited in two hilarious movies as you ve never seen them before in color!Munster Go Home!: The laughs begin when Herman moves the family to an English estate he inherited.The Munsters Revenge: Dr. Diablo (Sid Caesar) concocts a plan to create robot Munsters to pull off a series of art heists.System Requirements:Running Time: 97 MinutesFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 025193107725 Manufacturer No: 31077』
『There aren't many funny, pre-Pufnstufera monster movies suitable for the family, until one remembers the Munsters, who beyond their two-season television stint, made two feature films, albeit fifteen years apart. Both filmed in Technicolor, the vibrance of the Munsters' spooky lifestyle is most apparent inMunsters, Go Home(1966), far superior to the cornierMunsters' Revenge. A true '60s relic,Munsters, Go Homebegins when Herman's deceased relative bestows him with Lord status, necessitating the Munsters' trip to England to claim his title. There, he meets other Munsters, Lady Effigy and Freddie Munster, whose jealousy results in frightening antics that only thrill Herman, Grandpa, Lily, Eddie, and Marilyn (with Pat Priest replaced by Debbie Watson). As the plot thickens, Herman faces other threats to the family honor with his classic innocent bravado. InMunsters' Revenge, a wax museum criminal circuit sends Munsters' imposters out to commit crimes, so it's up to the real family to solve the mystery. Different Eddies and Marilyns slightly spoil the family reunion's ambience, though ample physical comedy--for example when Herman's bee sting causes him to destroy the police precinct where he's being held as a criminal suspect--makes the film authentic to its original characters. Moreover, watching this double feature is an inspiring reminder of what props used to look like, like George Barris's Munster Koach, not to mention those that grace the entire Munster Mansion.--Trinie Dalton
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『 The Munsters: Two-Movie Fright Fest - (Franchise Collection) - (Munster, Go Home!&The Munsters' Revenge) > 『 The Munsters: Two-Movie Fright Fest - (Franchise Collection) - (Munster, Go Home!&The Munsters' Revenge) > 『 The Munster's Scary Little Christmas > 『 The Munster's Scary Little Christmas > 『 The Munsters: The Complete Series > 『 The Munsters: The Complete Series > 『 The Munsters - America's First Family of Fright (Documentary) > 『 The Munsters - America's First Family of Fright (Documentary) > 『 The Munsters: Family Portrait > 『 The Munsters: Family Portrait > I wanted to buy It↑


タイトル『 The Last House on the Left (Unrated Collectors Edition) > 『 The Last House on the Left (Unrated Collectors Edition) > 『 Last House on the Left (2009) > 『 Last House on the Left (2009) > 『 The Uninvited > 『 The Uninvited > 『 The Girl Next Door > 『 The Girl Next Door > 『 The House on the Edge of the Park > 『 The House on the Edge of the Park > 『 The Hills Have Eyes >


>,Sandra Peabody,Lucy Grantham,David Hess,Fred J. Lincoln,Jeramie Rain


 price:$4.99 
 DVD)
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Core2Duoノートレビュー 's review
(Lame...Boring, Too much ... Circus Benny Hill Music)
『I have already watched the new 2009 version and really liked it. This original version is boring, i actually fell asleep 4 times. I had to stop it and come back to watch the rest the next day. This is supposed to be a horror/thriller movie, but then the benny hill type circus soundtrack is horrible. Some of the scenes are even humorous, like the police officers trying to hitchhike after they ran out of gas. The new modern version is much better. Oh ... and what's with their daughter refusing to wear a bra and showing her breasts in front of her father ... ? That was creepy.』

(Primal Instincts)
『Horror is so broad now as to have an unpredictable turn of events that have the potential to rape your mind and soul while you are passively entertained. Yea, we all wanted revenge, the rape scene as long and vivid as it was did not add to the hard justice delivered in the end and only demonstrates the level of depraved morality we are expected to believe.』

(EXTREMEMLY UNEVEN IN TONE, BUT HAS ITS MOMENTS!)
『I saw this film at the drive-in many years ago and despite its following I have never been a big fan of this film. Watching it now I have confirmed my earlier opinion that this is not a great film. It's a low budget mess with horrible acting and an inappropriate music score that makes this film almost completely un-watch-able! That's not to say that this film doesn't have its moments, it's just too little too late.

The film is full of inconsistencies and goes from truly disturbing to ridiculous comedy in the blink of an eye. This is really sad because this film could have been so much better if Wes Craven had kept the tone more even. The rape and killings are pretty brutal for when it was released and it isn't an easy film to watch at times.

I also have to compare this film to much better horror films from the same time period such as The Texas Chainsaw Massacre which is far superior and even though it's a low budget film it really works for the most part and the actors seem to be more believable. I realize that this film came out a couple of years before it, but Chainsaw is a much more satisfying horror outing.

I give some props for being one of the first films of this nature, but it isn't as good as its reputation. I don't know anything about this special edition nor do I care. If this is your cup of tea then by all means buy it!』


(Last House on the Left)
『I has seen this movie when it came out in 1972, this was suppose to show "never before seen scenes" ! Well it didn't !!!! There were scenes left out ! This was the worst purchase I ever made,,,I was real dissappointed.』

(Dumb)
『I've heard quite a bit about Wes Craven's 1972 debut film "Last House on the Left" over the years and finally decided to see what the hoopla was all about.

PLOT (Spoilers!): "Last House" is a simple rape/murder/revenge horror flick about two Connecticut girls who go to the big city to catch a rock concert, but they look for pot in the wrong place and end up kidnapped, humiliated, tortured, raped and killed. When the father&mother of one of the victims find out they set out to take revenge; the culprits aren't hard to find 'cause they're, coincidently, overnight guests in their house!

This is, apparently, a loose remake of Ingmar Bergman's "Virgin Spring" (1960), albeit in a modern America setting.

WHAT WORKS: Aside from the brief Manhattan scenes, the woodsy Connecticut locations are great (Westport&Redding); the three female actors are cute; and the diversified score (by the actor playing Krug) is entertaining even while a lot of it is incongruous with the material. In addition, the film can be appreciated as an early 70s period piece/oddity or if you're a Craven fan.

Also, if you're a gorehound there's some significant gore, in particular a bloody disembowlment sequence.

WHAT DOESN'T WORK: Wow, this story is really DUMB. I'm not referring to just the goofy aspects, i.e. the two rural policemen, but to the complete implausibility of the storyline: [SPOILER ALERT!] The criminal gang just so happens to break down right in front of the rural house of one of the victims? Why sure! But there's more, way more: After breaking down on some desolate country road the gang decides to take a frolic in the woods where they torment, rape&murder the girls; their clothes are completely bloody but they're able to fully wash up in a scummy pond and deck themselves to the hilt. Where'd they get the soap and towels, etc.? (I didn't see any) Where'd they get the nice dress clothes? Didn't they just escape from prison? Then they knock on the door of the closest house, the house of one of the victims (which they don't realize yet), and her parents cluelessly allow this suspicious foursome to stay overnight, a couple of 'em in their daughters very room -- unbelievable! Keep in mind that their daughter has been missing since the night before and they should be seriously concerned about that, but they're okay enough to allow four weirdo adult strangers to occupy their home -- Why sure! The revenge of the parents is just as ridiculous. [END SPOILER]. As noted above, many of these scenes are combined with an unfitting goofy score, which makes them all the more absurd. Really, the story is so ridiculous it's as if a 13 year-old came up with the plot but, no, it was written/directed by Wes Craven, a full-fledged adult with degrees in writing&psychology -- unbelievable.

With this understanding, how can the viewer possibly take the story serious? Which is why I find it strange that some people call this "the most disturbing film ever made," etc. If the material is absurd it can't truly be disturbing because it can't be taken seriously. Is the violence in the Road Runner disturbing? No. Why? Because it's a cartoon and it's preposterous. "Last House" may not be a cartoon but it's the same principle because it's just as preposterous.

The reason 1978's "I Spit On Your Grave" works, for what it is, is because it's presented to the viewer in a serious, realistic manner (well, except for parts of the revenge scenes in the last 20 minutes -- but even those sequences are believable compared to the inanities of "Last House"). Consequently, "I Spit On Your Grave" is disturbing, "Last House" is not.

One may defend the film on the grounds that it was the first of its kind as far as gore goes. I don't think so. "Night of the Living Dead" came out four years earlier and has more gore, albeit in black&white. "Night" is a thousand times more disturbing and horrifying because, again, it takes the material serious.

Some may object to how sick&sadistic the criminal scumbags are, but they're supposed to be appalling because this is a rape/murder/revenge horror flick. It comes with the territory.

BOTTOM LINE: I generously give "Last House" 2/5 Stars for the positive elements noted above but, really, this is one of the dumbest flicks I've ever seen. I find it hard to believe it ever got a green light. You gotta see it to believe it, meaning it's definitely worthwhile as an early 70s curiosity.

The film runs 84 minutes and the original cut 91 minutes.』

『Studio: Tcfhe/mgm Release Date: 02/24/2009 Run time: 84 minutes Rating: R』
『FutureNightmarecreator andScreamweaver Wes Craven's film debut is a primitive little production that rises above its cut-rate production values and hazy, grainy patina via its grimly affecting portrait of human evil infiltrating a middle-class household. The story is adapted from Ingmar Bergman'sThe Virgin Spring, but the film has more in common with Sam Peckinpah'sStraw Dogsas it charts the descent of a harmless married couple into methodical killers. A quartet of criminals--a distorted version of the nuclear family--kidnaps a pair of teenage girls and proceeds to ravage, rape, torture, and finally brutally murder them in the woods, unwittingly within walking distance of their rural home. The killers take refuge in the girls' own home, but when the parents discover just who they are and what they've done, they plot violent retribution.

Along with George Romero'sNight of the Living Deadand Tobe Hooper'sTexas Chainsaw Massacre, Craven helped redefine American horror with this debut--all three movies portray modern society crumbling into madness and horror. But, unlike his fellow directors, Craven gives his film an uncomfortable verisimilitude, setting it squarely in the heartland of modern America. While at times it's awkward and inconsistent, with distracting comic interludes, his handling of the brutal horror scenes is unsettling, and the death of the daughter is an unexpectedly quiet and lyrical moment.--Sean Axmaker

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タイトル『 Plan 9 from Outer Space > 『 Plan 9 from Outer Space > 『 Bride of the Monster - IN COLOR! Also Includes the Restored Black-and-White Version! > 『 Bride of the Monster - IN COLOR! Also Includes the Restored Black-and-White Version! > 『 Attack of the Killer Tomatoes - 25th Anniversary Edition > 『 Attack of the Killer Tomatoes - 25th Anniversary Edition > 『 Glen or Glenda > 『 Glen or Glenda > 『 Ed Wood (Special Edition) > 『 Ed Wood (Special Edition) > 『 Robot Monster >


>,Carl Anthony,Bill Ash,John Breckinridge,Conrad Brooks,David De Mering


 price:$4.50 
 Image Entertainment
 Usually ships in 24 hours
Core2Duoノートレビュー 's review
(Plan 9 From Outer Space.)
『Plan 9 From Outer Space,2004 DVD,In Color and In Black white,Legend Films, Plan 9 is in fact the Worst Movie I have ever seen along with che and fidel movies,and what hollywood usually tries to pass off as art,Oliver Stone films are horrible, But at least you know what you get with Plan 9, it's horrible yes,Bad editing,Acting,Directing,etc.
But Vampira is in It,Bela is in it. and it's kind of entertaining to see despite the plot. I had to watch it being A Misfits Fan. And since it was $3.99 at the Big Lots Store. As for the special features,nothing really special about it, there is one called what happen to Plan 1-8 ? and one of them I found typical hollywood liberal stuff, shows Bush the Day of 9/11 doing nothing,so I wasn't amused, and of course Ed woods' lost films, where he is dressed in Drag(EWW) gross. what a weirdo. oh well.』


(Worst Movie Ever? Nah)
『Yes the film sucks, but it's such campy fun how can you resist? If for no other reason check it out to see Bela Lugosi don Dracula's cape for the last time and wander around a cemetery in broad daylight waiting for hapless victims. Or enjoy the head alien berating the film's hero by explaining his dastardly plan and then yelling "Stupid!" "Stupid!". 'Plan 9', as our narrator Criswell explains, is a plan conceived by aliens to resurrect the dead in order to convince humans of their existence and power. They fly their saucers over Hollywood Boulevard, before devising a plan to parade the newly dead on the steps of the state capital. Three people are successfully resurrected: a sexy/creepy woman (Vampira) wearing a flowing black gown complete with plunging neckline, the lead cop on the case (Tor Johnson) who was struck down by spaceships and my personal favorite The Dead Old Man (Lugosi). Turns out Vampira and the Old Man were married and now thanks to the aliens they have been reunited. The three walking dead roam Hollywood and attempt to scare anyone who crosses their path and then bring them back to the spaceship. There's no point elaborating more on the plot because it doesn't matter. The Passport DVD has it's good and bad points. The bonuses include a trailer gallery for other Ed Wood films and a bonus documentary consisting of interviews with actors who have played Wood or Lugosi (Johnny Depp and Martin Landau) and family members of Wood and his stock company of actors (Wood's ex-wife, Vampira and Bela Lugosi's son). The downside is that the picture and audio are atrocious. Plus, Passport's annoying logo, PIP, is in the right hand corner the whole time. It's pretty distracting. Once you get past that, watch the trailer gallery and you'll agree with Depp that Wood paved the way for other cult directors like Tim Burton, John Waters and David Lynch. A fun DVD.』

(Best Crappy Movie Ever!!!)
『Read the title of the review. If you have no sense of humor or you are a movie snob, do not buy this.』

(Add another star in the sky and another Ace to the deck!)
『Best Ace album ... so far!
"Outspace" has all the thunder of anything Ace has put out.
The lyrics are cryptic and seem to revolve around certain doom.


(Fun To Watch......Because It's So Stupid!)
『This flick is so incredibly inept that you'll find yourself watching it over and over again. You'll even invite your friends over to bask in it's stupidity. The highlights of this film are, of course, the stringed pie-plates (or hub-caps, depending on who you ask) serving as flying saucers, swinging back and forth over a fake landscape; Big ol' Tor Johnson, with Orphan Annie contacts, struggling to climb out of a grave, knocking over a cardboard tombstone in the process; and thespian ham Dudley Manlove, as lead alien Eros (!), having a royal hissy fit at the ignorant Earthmen ("Your stupid minds! Stupid! Stupid!"). I must admit though, the sight of Vampira advancing towards the camera is a little creepy, even for this low-budget laugher. As bad as this is, it's not the worst movie of all time. Try watching 'The Creeping Terror'. Now THAT'S the worst movie of all time.』
『This is it! The most popular Atomic Age cult film of the twentieth century. Winner of two Golden Turkey Awards for Worst Picture and Worst Director of All Time, the immortal Edward D. Wood, Jr.! It's all here, the not-so-special effects, aliens in skating skirts zooming around in string-powered flying saucers to implement the ninth plan of Earth's conquest (the first eight failed) with an army of zombies (well, three actually), Vampira, Tor Johnson and Bela Lugosi in his legendary "postmortem" performance (with Ed's chiropractor standing in for Bela after his death). This truly original movie, Ed Wood's "Citizen Kane," is a hymn to all those who have ever tried to create something intelligent and meaningful, only to fail miserably every step of the way.』
『Sometimes a movie achieves such legendary status that it can't quite live up to its reputation.Plan 9 from Outer Spaceis not one of these movies. It is just as magnificently terrible as you've heard.Plan 9is the story of space aliens who try to conquer the Earth through resurrection of the dead. Psychic Criswell narrates ("Future events such as these will affect you in the future!") as police rush through the cemetery, occasionally clipping the cardboard tombstones in their zeal to find the source of the mysterious goings-on. More than just a bad film,Plan 9is something of a one- stop clearinghouse for poor cinematic techniques: The time shifts whimsically from midnight to afternoon sun, Tor Johnson flails desperately in an attempt to rise from his coffin, and flying saucers zoom past on clearly visible strings. Fading star Bela Lugosi tragically died during filming, but such a small hurdle could not stop writer-producer-director Ed Wood. Lugosi is ingeniously replaced with a man who holds a cape across his face and might as well have "NOT BELA LUGOSI" stamped on his forehead.Plan 9is so sweetly well- intentioned in both its message and its execution that it's impossible not to love it. And if you don't, well, as Eros says, "You people of Earth are idiots!"--Ali Davis
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>,Karen Black,Oliver Reed,Burgess Meredith,Eileen Heckart,Lee Montgomery


 price:$4.49 
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Core2Duoノートレビュー 's review
(Love Haunted Houses)
『I just adore movies where the house can knock off an entire stupid family for staying there. Fun to watch and don't touch or break anything that belongs to the House. Bette Davis never looked so horrible as she does near her death.』

(good, but severely dated)
『I guess this wasn't a bad way to hold people over until the Amityville Horror was made.

It's about a family who moves into a giant house for a summer vacation. Strange events soon occur.

The movie succeeds in not giving too much away, so there's always a build up of sorts until the disturbing moments arrive. But the actual disturbing events are only a *little* disturbing- not something truly unnerving.

The limo driver that would make an appearance was alright, though the guy driving it looked like Elton John. You'll understand why a limo driver is creepy when you see the movie. It's a bit difficult to explain. Let's just say the husband/father sees images in his head quite often that have to do with a funeral.

This movie is pretty dated though. It's definitely a mid 70's horror movie. That means the suspense isn't nearly as frightening today as it was back then.

There's a really graphic scene at the end that surprised me involving a giant crashing fall from a window. It has to deal with the old woman living upstairs that never makes an appearance. Will she ever reveal herself? That IS the question.

I noticed much of the storyline focused around the swimming pool behind the house and how many of the strange events would either occur here, or late at night while people were asleep.

I like it, but it's clearly not as good as other movies at the time such as the previous mentioned Amityville Horror.


(Still scary today!!)
『I remember seeing this as a young girl and being very frightened by it, now being an adult....it was just as scary!! Your just waiting for the freaky driver to pop out of your closet after watching this movie....or hear the music box playing. I love a horror that can scare you without the over the top violence and gore. CREEPY!!』

(A genuinely creepy haunted house movie)
『Burnt Offerings is a haunted house movie done right. It's creepy, claustrophobic, and features a great cast including horror veteran Karen Black and Oliver Reed.

The story begins when a picturesque couple Marian and Ben along with their son and elderly aunt decide to rent an old mansion for some enjoyment over the summer months. Despite the mansion being a bit run down, the owners offer them a price they can't refuse under the conditions that they maintain the property and tend to the old woman that resides upstairs. The family tries to make themselves comfortable in their new home, but something is a little odd about the house and the effect it has on them. Before long the couple begins experiencing bouts of strange and unexplained behavior. Marian begins spending almost all of her time secluded in the upstairs bedroom with the old woman that nobody has ever seen, and Ben keeps having vivid hallucinations of a creepy hearse driver around the property. Not to mention the house itself in which dead plants mysteriously return to life, a swimming pool that churns itself into turbulent waves, and doors that lock themselves. It soon becomes apparent that phenomenon taking place can be attributed to none other than the spirits of the home's previous inhabitants.

Burnt Offerings is all about the atmosphere. For some it surely comes off as a slow moving, and plotless movie in which there is no real point to be made. However it sports a genuine sense of dread and uneasiness that is rarely achieved. It is comprised of numerous, and strange little happenings that are seemingly unrelated, but you can sense that something dark and ominous is steadily building in the background with a thickening tension throughout. In this respect as well as others, Burnt Offerings is almost remniscient of the Shining, although it doesn't offer as much memorable imagery or music.

Burnt Offerings is a truly scary movie, but to get the full effect you need to watch it without any distractions and let yourself become absorbed into it. It's a great example of how a movie can be very scary with barely any gore at all, and how to build suspense up to a great ending. Highly recommended.』


(a good haunted house movie)
『a good movie easy to follow all i remember most of it is the scary limo driver of the dads past with his smile now that is scary but all in all a good movie to see』
『Step inside a vacation house of horror in this terrifying thriller that "does for summer homes whatJaws did for a dip in the surf" (The New York Times)! Starring Karen Black, Oliver Reed, Burgess Meredith and Bette Davis, this riveting haunted-house chiller delivers "hidden terrors [that] mount creepily as the film builds to a climax of pulverizing fright" (Rex Reed)! Marian (Black) and Ben (Reed) find it hard to believe that for only $900 they've rented a sprawling old country mansion for the entire summer. But as they settle into their isolated estate with their son and Ben's aunt (Davis), they find themselves surrounded by a living presencean evil, hypnotic, occult forcethat feeds on torture, fear and murder.』
『Based on the Robert Marasco novel of the same name, Dan Curtis's eerie movie puts a spin on celluloid haunted-house sagas. The well-adjusted Rolf family (father Oliver Reed, mother Karen Black, aunt Bette Davis, and young son Lee H. Montgomery) rent a huge old summer house only to find that its spirit is in control of the estate. The requisite sinister proceedings appear--including a possessed pool and the vision of a sinister hearse driver following Reed--that disrupt the family's unity. Black also falls under the spell of an elderly woman whom she is required to take care of, but no one ever sees. While it may not be as overtly shocking as other ghost tales,Burnt Offeringshas a creepiness that gets under your skin thanks to good performances and the dreamy, soft-focus photography.--Bryan Reesman
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>,Jack Nance,Charlotte Stewart,Allen Joseph,Jeanne Bates,Judith Roberts


 price:$9.46 
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Core2Duoノートレビュー 's review
(Horribly Ugly)
『This movie isn't for everybody, but if you're like me, and weird stuff is enough to entertain you, you'll probably get some enjoyment out of it, particularly the dream (I guess?) sequence where the movie gets its title. It's got to be the ugliest movie I've ever seen. Ugly people, gross special effects, this movie has it all. There's nothing in this movie that's pretty, except maybe one or two disturbed women. At many points I wasn't quite sure how to feel, so I was very disturbed. I'm not sure when the movie was made but it seems to provide some very ambiguous commentary on the whole abortion issue.

Of course, it's an art film, so expect a butchered plot and lots of moments without action or dialogue. At least it's only an hour and a half long, which isn't bad compared to 2001 A Space Odyssey.

I bet most people who see this movie already know what it's going to be like before they see it. It's not a particularly easy movie to find, so people probably find out what goes on in the movie in the process of deciding whether or not to see it. Not for kids.

(10/29/09 - Some (maybe all, I'm not sure) DVD versions of this movie have a menu sequence that looks a little too realistically disturbing. I later found out that the corpse of the cat in this footage is a real corpse. Lynch broke a promise to not film this dead cat he acquired, and the poor cat's remains were clearly treated in an undignified manner. It was some hard footage for me to watch since I recently lost a cat myself. But despite my personal feelings about Lynch, I can't bring myself to hate this ugly Eraserhead movie.)』


(Wierd movie night)
『If you like surreal movies (and I mean really strange) you might want to watch this one. It is thought provoking and disturbing. Easily the strangest movie I have seen.』

(A Cinematic Masterpiece)
『This is perhaps David Lynch's best film. Eraserhead came out in 1978 and has been a cult favourite ever since. It is a surreal story filmed in haunting black and white. It is a horrific and funny story. It is a nightmare.

My impression was that the film is a depiction of a possible dark future with warnings about the dangers of an industrial society gone off track. There are deformed monstrous babies, people living scared in their dark apartments not knowing their neighbors, surrounded by noisy industrial complexes, where no trace of nature seems to exist anymore, only railway tracks, dirt and gravel. A picture in a room doesn't show a tranquil beautiful landscape, but an atomic explosion. People are living in the shadow of this industrial world which has overtaken everything, and has even darkened the sky with its soot.

Whether taken as a movie with a message or as just the representation of a surreal, nightmarish world, this film in truly unique and is one of the most perfect cinematic films ever made.』


(Number 249)
『This is the 249th review of Eraserhead. The word "surreal" is used often and inappropriately. Eraserhead is a work of surrealism, plain and simple. It took me ten years to watch it all the way through to the end. Now I talk about it every chance I get.』

(In Heaven, everything is fine...)
『This movie/film is unlike anything I've ever seen or experienced. I first saw it when it was first released, a bit later when I saw and studied it in film school, then sometime around 1993 or 1994 when I was visiting with my brother, and we were looking for a video to rent and I suggested this, and last, only just recently on the "on-demand" service on cable. Needless to say, this film has, from my first viewing to most recent, held up as probably one of the greatest films I have ever seen, of any kind. While my first viewing of this was from that of an aspiring filmmaker, the second being when I actually examined it in detail as part of my film school studies, and later on in further screenings, having recently seen it on cable on "on-demand," I am and will forever be amazed at this work.

I had not seen this film, in any form or format, for nearly 15 years, but seeing it recently on the cable-tv "on-demand" service, I have to say that my positive feelings about it originally experienced, have only been refreshed and reinforced, big time. In my past memories, I had and have always considered this one of the best films I've ever seen, but again experiencing it again and again (thanks to on-demand), I found so much more value and meaning in all the strange weirdness of it all, that I'd really have to say that this film is at least in my top 20 movies of all time. At the very least. What makes it deserve such a spot? Just the overall weirdness of it all, but specifically, how all that weirdness all seems to make perfect sense if one thinks about the movie's various scenes and contemplates the same.

Having read the main Amazon reviews and user-reviews, I was and still am reluctant to add my two cents in, because most of the positive reviews here are really great and enlightening. But here's my two cents worth, for what it's worth.

This movie, by David Lynch, was an AFI (American Film Institute) project, but which was completed and enhanced, long after it was a "student" work. While very low budget, it is proof positive that with imagination and vision, a little money can go a long way in creating a truly eternal, superior work of art, film-wise. The film is truly unlike anything before or after it, and while I had fond memories of it before seeing it again (and again) recently on the cable "on-demand," seeing it again after so many years just reinforced my love for it. In other words, while I had loved it before, viewing it again only added to my appreciation for it.

There are many films and movies which "fans" will buy and replay and enjoy again and again, but this one is really special. Not only because it is just sooooo weird, and a real shock to the system (our brain cells), but because it is a movie/film (DVD release) which almost DEMANDS numerous viewings, just to get all the details and to start the old brain working in the process of interpreting all of those details. For the truth is, this is a really one-of-a-kind cinematic treat, and deserves more than almost any other film, repeated viewings to "get" the most from it.

Very slow-moving and deliberate is "Eraserhead" that I guess a lot of people will give this a try at first, only to be too impatient to stick with it. But many movies are like that, including so many critically acclaimed films. For those who stay with it, who just relax and enjoy the images and sounds which follow throughout however, I can't imagine anyone really being too dissapointed with this. Even if one doesn't truly "get it," but who watches it to the end, there is a great reward here in much, much after-thought. For no matter what one's station in life, in no matter what time period of one's life, this is something that will stick with you, for life. Whether it be a few small, seemingly insignificant scenes and ideas, or the larger picture, this is a movie which will make you THINK. Think about a lot of things and challenge the intelligent viewer, about a lot of things, some a lot more comfortable to think about than others.

Over time, many have tried to break down this film and impart upon it various meanings and supposed metaphors. I would reject none of them however because this film is just so unique and different. In fact, a single viewing really doesn't do justice to the whole. Only with repeated screenings (even if they may seem tiresome and unnecessary), does the pure genius of this movie become apparent. For me, it is a horror film, a comedy, a sci-fi work, an experimental try, and so, so much more. It is really one of a kind, was when I first saw it and studied it, and remains to present day. Even if you see it once, you need to see it at least once more.

My own interpretation of the film is that it is a satirical and comedic view of a strange man in a strange land (20th, 21st century) who finds himself in a hell-ish, nightmarish existence, in an ugly, urban place not too distant from that world a lot of us live in. Specifically, the movie deals with the industrialized/crazy living environment, bad dream, all of us deal with at some time or another and are forced to deal and live with. In this case, that of a single man living in a weird world, who seems suddenly forced into a marriage of convenience, and worse, fatherhood.

All of this does not begin to describe the bizarre journey here though. I give 3 thumbs up to this, but if one is in doubt, I strongely suggest a rent before a buy. If one gets it, on any level, and one's budget can afford it, it certainly is a must-have for any collector of totally weird and rather deep movies, if one thinks about it enough. "Eraserhead" is without equal, and after seeing it so many times, all I can think is that this is not all that far away from the reality of most people's eventual experiences in "romantic" relationships and marriage, and of how having kids (or at least one) can change everything for the worst. However one may interpret all the weird images, sounds, sound effects, and "music," this is truly a masterpiece of cinema after all is said and done.

A stranger and more delightfully disturbing, enlightening Hollywood, linear movie you will probably never experience, and I think everyone should see it at least once, if not several times after to fully appreciate the genius here of David Lynch's finest work.』

『Is it a nightmare or an actual view of a post-apocalyptic world? Set in an industrial town in which giant machines are constantly working, spewing smoke, and making noise that is inescapable, Henry Spencer lives in a building that, like all the others, appears to be abandoned. The lights flicker on and off, he has bowls of water in his dresser drawers, and for his only diversion he watches and listens to the Lady in the Radiator sing about finding happiness in heaven. Henry has a girlfriend, Mary X, who has frequent spastic fits. Mary gives birth to Henry's child, a frightening looking mutant, which leads to the injection of all sorts of sexual imagery into the depressive and chaotic mix.』
『This is where is the Lynchian nightmare began. Though he may have redefined surrealistic cinema in the 1980s and forever altered the face of television in the 90s, for many hardcore fans it is this infamous feature film debut that is David Lynch's crowning achievement. Many words have been used to describeEraserhead(weird, bizarre, frustrating, enlightening, significant, unwatchable, meaningless, and momentous), but there is no denying it is completely unforgettable. As a surreal work of art,Eraserheadeasily holds it own next to the works as Buñuel, Cocteau, and Dali. And like many surrealistic works, there is no clear answer on whatEraserhead"means." But, if you are trying to find a simple, linear, plot inEraserhead, you are clearly missing the point. ForEraserheadis not simply a movie to view, but a true cinematic experience, like jumping into someone's nightmare and seeing it from their perspective. Whether you see it as a meditation on the terror of being a new parent, the suffocating feeling of living in an increasingly vapid, industrial wasteland, or a nightmare about the fear of loneliness, the film easily holds up to multiple viewings. And since this film is a dark visual ride and a supreme aural achievement, this long awaited, new transfer is an absolute blessing for David Lynch fans who will finally get to see, hear and experienceEraserheadclearly on DVD. Bizarre experiment? Surrealistic nightmare? Or a meaningless cult film? You be the judge.--Rob Bracco
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『 Hannibal Rising (Unrated Widescreen Edition) > 『 Hannibal Rising (Unrated Widescreen Edition) > 『 Hannibal (Two-Disc Special Edition) > 『 Hannibal (Two-Disc Special Edition) > 『 Red Dragon (Widescreen Collector's Edition) > 『 Red Dragon (Widescreen Collector's Edition) > 『 Manhunter > 『 Manhunter > 『 The Silence of the Lambs (Criterion Collection Spine #13) > 『 The Silence of the Lambs (Criterion Collection Spine #13) > I wanted to buy It↑


タイトル『 Twin Peaks - Fire Walk with Me > 『 Twin Peaks - Fire Walk with Me > 『 Twin Peaks - The Definitive Gold Box Edition (The Complete Series) > 『 Twin Peaks - The Definitive Gold Box Edition (The Complete Series) > 『 Blue Velvet (Special Edition) > 『 Blue Velvet (Special Edition) > 『 Lost Highway > 『 Lost Highway > 『 Twin Peaks - The Second Season > 『 Twin Peaks - The Second Season > 『 Wild At Heart >


>,M,ädchen Amick,Dana Ashbrook,Phoebe Augustine,David Bowie,Eric DaRe


 price:$5.99 
 New Line Home Video
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Core2Duoノートレビュー 's review
(i loved twin peaks)
『this was a great series; and the movie was the best part. deffinatly the best of david lynch or anyone else assciated with this movie.』

(Only David Lynch can pull this off...)
『Bizarre
by Clayford (movies profile) Aug 25, 2007

Bizarre. That's one word that comes to mind. Creepy is another. Seedy another. Its all of those words and more. Where evil and the real world meet in the worst kind of fate. No film then or since makes me feel like this almost perfect Lynch film.

I loved this film back in 1992 when it came out (saw it in a Federal Way, WA theatre back then with my ex-wife), and I loved it again today on HBO in my basement here in Horseheads, NY. I did not see a single episode of the TV series and, for me, this probably helped.

There's so much I could touch on, scene by lovely/horrid scene. But that would take days. Let me just say that every detail is done right. Freaky Feds? Truly inventive. Teenage angst? Looks at it perfectly. Rebellion from psychosis from incest. Creepy as it comes.

Let me ask a question for you. This is only for those of you who have sought after the good times, the high times that only booze, drugs and premature sex will bring. Have you ever found yourself in a situation, at night, high as a kite (or at least looking to get that way) and the situation turns ugly? Where the people around you (be they in a bar or some drug dealers house you don't know) start to make you feel really uncomfortable? Someone's worse off for their high and they start picking fights and talking *****, etc.? The fear and seediness in life that I felt in situations like that is where this film takes me. To my lowest and dirtiest.

Electric Bob lives in my nightmares, too, Laura! Oh, that didn't come out right, but you know what I mean. I'd of come up with that strange electric substitute myself if my Dad was doing me since I was 13. The way Lynch brings all of the craziness together after he confuses is nearly perfect. Poor Laura. I think she saw it coming. And then the Angel at the end. She thought she was going somewhere that angels don't live. She didn't see that one coming. Saved in the end. Perfect. Great film』


(The Cycles of Abuse and The Symbolic Keys to Laura Palmer's Murder.)
『This film should be viewed as an addendum to the entire Two Season epic television series TWIN PEAKS. (They've finally worked all the bugs out of the TWIN PEAKS - THE DEFINITIVE GOLD BOX EDITION, which is a worthwhile purchase for all Lynch fans.) When viewing David Lynch's brilliantly underrated prequel TWIN PEAKS FIRE WALK WITH ME, it is important to understand some key elements to Lynchean symbolism. David Lynch is an adherent of Eastern Vedic philosophy and meditation. Along with Eastern Vedic thought, Lynch also mixes shamanism and Christian mysticism into the much bigger cauldron of "The Perennial Philosophy." (A term made popular in 1945 by Aldous Huxley's book by the same name.) The Perennial Philosophy is the recurrence of all universal religious or mystical truths inherently found in most cultures.

The Dreaming World: To mystics and shamans of countless cultures, the dreaming world is just as important as, if not more important than, the waking world. It is the place where the subconscious is free to associate with the superconscious mind, or the source of all consciousness. Like the dreaming world, the waking world is also a construct of perception. Pictures, images, and symbols. This is why it is hard to separate the dream world, or non-reality, from normal reality in most of Lynch's work. Dreams and normal reality are one and the same. The building blocks of the phenomenal world are illusive and illusory constructs. The pictures and images we witness as reality are essentially the same as the pictures and images we witness as dreams or non-reality. They are only constructs of consciousness. They are transitory states of perception that rise and fall out of emptiness.

Like many other Lynch films, FIRE WALK WITH ME depicts the dual nature of a waking and dreaming world. These two worlds do not separate in The Lynchean Universe.

Not all, but some of the actors from the TWIN PEAKS television series, and most of the critics, felt that Lynch had lost something with this film that was a part of the original television series: the dark underbelly of evil that was hidden just beneath the surface of a small idyllic town in Northern Washington. They felt that the film was too "in your face." (See the documentary on this disc.) While it is hard to witness, it was important for Lynch to pull no punches in depicting the events of Laura Palmer's tragic murder. Although it appears as such, the abuse and destruction of Laura Palmer is not a bogeyman lurking beneath her bed. It is the beast in man displayed in full form, breathing his foul stench into the face of the innocent. It is the curdled cream that floats to the top of a festering cup of evil coffee. A damn fine cup of evil coffee. It is not a story to be presented delicately or to be brushed under the rug to make it more palatable. It is a story of abuse that happens everyday. It depicts the harrowing, violation, and destruction of an innocent girl. Because of Sheryl Lee's brave and amazing performance, it is an extremely effective film. Psychologically and emotionally.

The film begins with the investigation into the murder of Laura Palmer's friend Teresa Banks, and takes place one year before the final days of Laura's life. The beginning of the film seems tacked on and unrelated to the events that take up the majority of the film one year later. But, this prologue is not superfluous. It is important to understand the symbolism of The Disappearing Agents. (See below.)

****************************SPOILERS*********************************

The symbol of The Doors: Doors are used by Lynch as symbols for entering into and out of subconscious memories, the hidden aspects of the psychological mind, the dreaming world, Heaven, Hell, and Purgatory.

The symbols of dream color: Dream colors are important to understanding Lynch. In dream sybolism, the color "blue" symbolizes truth, eternity, emotion, the feminine, and Heaven. Blue angels respresent guardian spirits or the super-ego. Blue light represents truth, enlightenment, Heaven, Nibbana (blowing out the FIRES of greed, hatred, and delusion), or Nirvana. I don't fully understand the meaning of the Blue Rose. Agent Cooper, referring to the murder of Teresa Banks says, "This is one of Gordon's Blue Rose cases." What does he mean? As blue can also represent sadness, it may signify the murder of a lonely girl, unclaimed by family or friends. The color "red" symbolizes power, anger, hatred, the id, primal and sexual urges, the masculine, and Hell.

The symbols of The Black Lodge and The Red Room: The Black Lodge represents the purgatory of samsara, ignorance, or the blinding ego of the self. The Red Room in the Black Lodge represents the lowest level of the self in The Black Lodge. The id, the primal self, animal urges, suffering, murder, or Hell. (Briefly, because it is not mentioned in FWWM, The White Lodge represents escape from samsara, egoless enlightenment, Nirvana, or Heaven.)

The symbols of The Demons: Bob is not presented as a symbol, but as a physical entity. Bob is an entity that feeds on fear, pain, and sorrow. "Garmonbozia." As a symbol, The Demon Bob represents the id, primal animal instinct, suffering, and/or pure evil. The Boy in the Mask (The Jumping Man) represents the fusion of the Leland/Bob personality. The monkey behind the mask represents Leland's primal self. Bob as his dark half. The incestuous and animal urges of Leland's id. The dwarf, or Man from Another Place represents the missing arm of The One Armed Man (Philip Gerard). The dwarf is The One Armed Man's connection to his base or animal self, The Red Room, and to Bob. He is still partly trapped in that world by his own karma. (At one time, The One Armed Man committed atrocities with Bob. Or, was possessed by Bob.) Other demons may represent other hidden aspects of the primal mind.

The symbol of Bob as psychological denial: Unfortunately, Laura is in many ways a victim of forces beyond her control (rape and incest). This makes her journey even more frightening and sad. The manifestation of Bob represents Laura's psychological denial of her incestuous rape by Leland. The memory of Leland raping Laura since she was 12 years old, is replaced with the image of Bob as her attacker. Instead of fleeing from the years of abuse, Laura hides her true self inside her secret diary. As do most victims of abuse, Laura escapes psychological and physical torment into a world of self-abuse, drugs (cocaine), alcohol, and prostitution. (Sometimes victims of abuse will cut themsleves, which thankfully, Lynch does not portray here. )Years of abuse become psychological transference. Laura feels she doesn't deserve love on any level. She is empty and worthless. She becomes a self-loathing symbol of sexual lust, perversion, and desire to men. In the days proceeding her death, her choices are becoming limited, and her destiny is almost etched in stone. A force of karma that must be played out. In the most profound scene of the entire film, before heading into the hedonistic Pink Room, Laura receives a warning from The Log Lady about the path she has chosen to continue upon, which is only partly, of her own making. It is heartbreaking.

"When this kind of fire starts. it is very hard to put out. The tender bows of innocence burn first and the wind rises - then all goodness is in jeopardy."
LOG LADY

Eventually, Leland/Bob finds Laura's diary, steals her true self, and shatters her identity completely. Only after many years of psychological trauma and denial, does Laura finally realize that Bob is actually her father Leland. Innocence is completely destroyed. Laura gives in to utter abandonment and fear, which leaves her defenseless against her total destruction. That fear is completely devoured by Bob, who only exists to feed on fear.

The symbols of The Pictures: The original picture that hangs upon the wall of Laura's bedroom depicts children being served food by a guardian angel. This picture represents the love, warmth, comfort, and protection of home, which is disappearing for Laura. The other picture given to her by The Demons from The Black Lodge, which she later hangs upon her wall, depicts an empty room with an open door. This picture represents the Door to Hell. The disappearance of the guardian angel from the original picture on her bedroom wall symbolizes a point of no return for Laura. Laura's descent has taken her so far down the road to Hell that her guardian angel spirit (also symbolized by Agent Dale Cooper) can no longer save her from her fate, karma, or destiny. The second picture or symbol, supplants or usurps the original. Once Laura is pictured inside the door, there is no return. She will die.

The symbol of The Guardian Angel: A recurrent symbol for Lynch. By the end of the film, Ronette Polaski's guardian angel appears to her, as Laura is being murdered by Leland/Bob, and spares her from Laura's fate. (Ronette is later found alive in the TV series.) Only after Laura dies is she visited in the Red Room by her guardian angel and Agent Cooper. She then realizes that her pain and sorrow has reached an end. She will be released from puragtory, samsara, and suffering. A better world awaits her on the other side.

The symbols of The Green Ring and The Disappearing Agents: Agent Desmond (Chris Isaak) is transported to the Black Lodge after finding The Green Ring under the trailer and bending over to pick it up. Like the Door to Hell picture, The Green Ring symbolizes a path of no return. When Laura puts it on, she will die. Green symbolizes a "going out," traveling, or leaving this world. The disappearance of Agent Jeffries (David Bowie) and Agent Desmond symbolize the good men who investigate these horrible crimes. They are transported into a psychological Hell, from which there is little or no escape. These are men that risk their own sanity and psychological well being in their battle with evil forces, and their search for justice. (In the series, while inside The Black Lodge, Agent Cooper agrees to trade his soul to Windom Earle for Annie Blackburn's. Annie's murdered image appears briefly in FWWM. Cooper himself becomes possessed by Bob at the end of the series. Too bad we never got to see where that journey would lead.) I choose to believe that the disappearing agents are Lynch's symbolic homage to them. They are the brave ones that walk around inside the psyches of these demons. Sometimes, they never return from the Hell of what they've seen. Hence, their disappearance in this film.

********************************************

There are animals rapists, demons, and monsters that walk among us. FIRE WALK WITH ME is an amazing metaphor for the destructive power they possess over their innocent victims. The victims can either be total strangers, or the immediate family members of these evil beings. The abused often become the abusers, and if not completely destroyed, often continue a neverending cycle of abuse and destruction. These themes are as just as profound today as when Lynch made this film. These monsters continue to walk among us.

The DVD includes a great documentary with the reflections of the cast and crew on the entire TWIN PEAKS phenomenon. It also includes some online features which I have not perused. As with most Lynch films, the DVD is not divided into chapters.

A very powerful film about a very dark subject. And, one of Lynch's best.

Enjoy.』


(Blank as a fart)
『" My mind is as blank as a fart" states Jacque in the uber drugged up scene somewhere in Canada. That is my favorite line from that movie. At the end of August I decided to have an outdoor movie party, with my video projector and computer speakers. What movie should I show? Well everybody loves Twin Peaks, right? My wife invited a lot of her friends, who were much younger than me, and to my surprise, most of them were unfamiliar with the series. They found the movie to be a real downer- which it is, a high school girl who was raped by her father and ultimately killed by him. I realized that the only people who can really appreciate this film are ones familiar with the series. I also realized how old I am. Watch Twin Peaks before watching this movie』

(Bob's your Daddy!)
『Although TP: FWWM isn't Lynch's best work it still packs a hefty punch, and contains most of his trademark touches, both lucid and opaque. The exploration of Laura Palmer's self-indulgent descent into hedonistic hell can be a little tedious at times but is utterly mesmerising for the most part. Laura is about as self-destructive as a teenager can get, although it's clear from very early on that she's being prodded towards the precipice by a number of external influences. The Palmer family is a fragile and disturbed unit and tragedy is inevitable. There are some particularly memorable scenes, especially those inside the The Bang Bang Bar, which Laura frequents in order to satisfy her desperate urges.

Lynch and Engels have fashioned a fascinating and engrossing study of the last few days of an anguished life. If you're familiar with the wonderful TV series the outcome is known, but there is still plenty of tension and Laura's demise remains a brutal shock. As a companion piece to the ground-breaking TV series, or if you just enjoy Lynch's work in general, this is essential viewing.

It's also worth mentioning the score by Angelo Badalamenti, which is haunting throughout. And, of course, the marvellous Twin Peaks theme is used again here, and it's always a joy to hear that melancholy guitar!』

『Movie DVD』
『Alternately fascinating and frustrating--and no doubt deliberately so on both counts--this controversialTwin Peaksinstallment (it was roundly booed by mystified audiences at the Cannes Film Festival) appeared in theaters after the series was canceled, serving as both prequel and coda to the whole remarkableTwin Peaksphenomenon. Designed especially for dedicated followers of the series (it would just bewilder anyone else),Fire Walk with Mefurther investigates the murder of Laura Palmer by exploring events that took place before the series's brilliant debut feature (Twin Peaks: The Premiere), up to and including the long, dark, terrible night of Laura's death. FamiliarTwin Peaksdenizens Sheryl Lee, Grace Zabriskie, and Ray Wise (as the three members of the Palmer family), Kyle MacLachlan, Peggy Lipton, James Marshall, Dana Ashbrook, Miguel Ferrer, Mädchen Amick, and director David Lynch himself reprise their series roles (with Moira Kelly subbing for Lara Flynn Boyle as Donna Hayward), joined by an equally motley group of guest stars, including Harry Dean Stanton, David Bowie, Chris Isaak, and Kiefer Sutherland.--Jim Emerson
relatred Items
『 Twin Peaks - Fire Walk with Me > 『 Twin Peaks - Fire Walk with Me > 『 Twin Peaks - The Definitive Gold Box Edition (The Complete Series) > 『 Twin Peaks - The Definitive Gold Box Edition (The Complete Series) > 『 Blue Velvet (Special Edition) > 『 Blue Velvet (Special Edition) > 『 Lost Highway > 『 Lost Highway > 『 Twin Peaks - The Second Season > 『 Twin Peaks - The Second Season > I wanted to buy It↑


タイトル『 Dark Shadows DVD Collection 1 > 『 Dark Shadows DVD Collection 1 > 『 Dark Shadows DVD Collection 2 > 『 Dark Shadows DVD Collection 2 > 『 Dark Shadows DVD Collection 3 > 『 Dark Shadows DVD Collection 3 > 『 Dark Shadows DVD Collection 4 > 『 Dark Shadows DVD Collection 4 > 『 Dark Shadows DVD Collection 5 > 『 Dark Shadows DVD Collection 5 > 『 Dark Shadows DVD Collection 6 >


>,Alexandra Moltke,Jonathan Frid,Joan Bennett,Louis Edmonds,Kathryn Leigh Scott


 price:$59.98 
 Mpi Home Video
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Core2Duoノートレビュー 's review
(Shakespeare Meets Val Lewton)
『Along the Maine seashore, in nights dark and stormy, a tale unfolds:

"Full fathom five thy father lies,
Of his bones are coral made;
Those are pearls that were his eyes,
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange."

-Shakespeare, "The Tempest." Ariel's Song, Act I.2.

Something rich and strange, a delicious sea-change, is the theater of "Dark Shadows." Enjoy!



(Nice introduction to series)
『For those who aren't familiar with the series, this collection is a great way to become acquainted with it. The DVD begins with a 10-15 minute introduction on the early episodes before picking up where Barnabus Collins is introduced. The rest, as they say, is history. Nice DVD!』

(none)
『not bad for a early vampire series price a little high, liked the character develpment at the start was nice!』

(Enter Barnabas Collins, Stage Left)
『What's best about this first collection is the 20-minute introduction, giving us a quick rundown on the 200 episodes leading up to the arrival of "cousin Barnabas from London," making it even more clear that the series never hit upon the right combination until Jonathan Frid joined the cast. Apres him, the bloody deluge! Great campy B&W fun.』

(The World is Introduced to Barnabas Collins!)
『In 1966,the world was introduced to Barnabas Collins.These black and
white episodes were actually filmed in kinescope.In the 1960s,soap
operas were shown live.The kinescope filming process simply involves a
camera filming a show on a tv screen,whilst another camera is transmitting the television show live.The black and white film magnifies the suspense.
In these episodes,the plight of Barnabas Collins is portrayed in vivid detail.He strikes us as a tortured soul whom is ashamed of what he is.I will not spoil any of the suprises by divulging important details.Grab some popcorn,turn out the lights,and enter the whimsical world of Dark Shadows.

『Studio: Mpi Home Video Release Date: 05/06/2003 Run time: 960 minutes Rating: Nr』
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『 Dark Shadows DVD Collection 1 > 『 Dark Shadows DVD Collection 1 > 『 Dark Shadows DVD Collection 2 > 『 Dark Shadows DVD Collection 2 > 『 Dark Shadows DVD Collection 3 > 『 Dark Shadows DVD Collection 3 > 『 Dark Shadows DVD Collection 4 > 『 Dark Shadows DVD Collection 4 > 『 Dark Shadows DVD Collection 5 > 『 Dark Shadows DVD Collection 5 > I wanted to buy It↑


タイトル『 Horsemen > 『 Horsemen > 『 Echelon Conspiracy > 『 Echelon Conspiracy > 『 Five Fingers > 『 Five Fingers > 『 The Chaos Experiment > 『 The Chaos Experiment > 『 Last House on the Left (2009) > 『 Last House on the Left (2009) > 『 State of Play >


>,Dennis Quaid,Ziyi Zhang,Lou Taylor Pucci,Clifton Collins Jr.,Barry Shabaka Henley


 price:$7.99 
 Lions Gate
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Core2Duoノートレビュー 's review
(Thriller That Doens't Make Much Sense)
『Sometimes the production history behind a film is more interesting than the film itself (like, say, "Town and Country"). Even if you don't know "Horsemen," directed by JonasÅkerlund, ("Spun") went through re-shoots and re-edits, you will know something is wrong with the thriller that has only 90 minutes. Several parts are never explained (and not in the way that will make the film intriguing). The film opens promisingly, but soon loses its way and the wrap-up is terribly rushed. In short, the story of "Horsemen" doesn't make much sense.

Dennis Quaid plays a Detroit police detective Aidan Breslin, whose beloved wife died recently. The hardened detective has to investigate a string of grisly ritualistic serial murders, and he discovers Kristin (Ziyi Zhang), a beautiful daughter of one victim, knows the truths behind the cases.

The film's effective photography captures the cold, chilling atmosphere that perfectly matches the story, and Ziyi Zhang's rather campy acting is kind of attractive, but the storyline remains weak and unfocused throughout, not strong enough to attract the viewers. Cryptic messages left at the crime scenes are not really interesting, neither are the film's biblical references. Dennis Quaid's police detective actually has little to do while investigating. Reliable and talented actors like Clifton Collins Jr. are wasted, or just forgotten.

There are some moments in "Horsemen," where the incredible story shows a sign of improvement as a thriller or a drama. That never happens, however. At the end of the film, you will be left wondering "Did I miss something?" Sadly, no, you didn't.』


(Worse than CSI and Criminal Minds combined!)
『A "B" movie with a normally good main actor. But, that is the GOOD news. The graphic violence is not well documented in many reviews. This is a sick movie without a single redeeming factor. If you choose to watch this movie, please send the kids to bed. The creators of this movie are probably as sick as the movie they created - no doubt for shock value, but, hey, I like Halloween. This is sordid, sick and should be shredded! It could actually help sick people become violent, in my opinion. YUK!』

('Come And See' One Of The Year's Most Under-Rated Movies)
『A psychological horror thriller, Horsemen follows detective Aidan Breslin (Dennis Quaid) and other officers on the Detroit police force as they investigate a series of connected brutal murders in which the victims have been tortured to death and the words 'Come And See' are left at the scenes, both goading investigators on and hinting at something bigger yet to come. Breslin, already dark and distant since the death of his wife several years earlier, is drawn into obsession on the case and further away from his increasingly estranged children at home. It's eventually deciphered that the 'Come And See' warning and certain other clues left at the crime scenes tie in with Biblical references to the coming of the Four Horsemen of the Apocalypse. Things get weirder as suspects for the killings start emerging - not the people the police thought would be involved with acts this horrific, and as very disturbing facts about the pasts of some of the victims get called into question. Horsemen takes a different route than Saw - Unrated (Two-Disc Special Edition) and other recent horror movies with a torture theme: most (though not all) of the grisliest acts take place largely offscreen, seen in glimpses or in the still shots of crime scene photos, and in the reactions of the characters who come upon the crime scenes, who view video footage that turns up, etc. It fits in well with the air of mystery the movie builds as to who the real killers are, what the ultimate agenda is, and all the other facets of the film that stay largely in the dark until the end. There are major surprise revelations throughout - not just at the end - and the ultimate revelations at the end are dramatic and jolting. With the secrets Horsemen has set itself up to reveal, there are so many ways this movie could have fallen on its face, but it avoids every one of them. A powerful, frightening and very under-rated movie, superbly acted by the whole cast.』

(Zi, Quaid and the Swedes)
『I mildly watchable, mildly grotesque whodunnit so full of clichés that vital twists are predictable. I watched it intently, however, for 3 reasons: Zhang Ziyi (in an English language role), Dennis Quaid and the visuals by two Swedes, Jonas Åkerlund (director) and Eric Broms (DP). If it weren't for them, this film would have gotten 2 stars from me.

Dennis has gotten beefier and more eccentric -- and also more effortlessly magnetic. He was in every scene as the relentless detective with family issues -- and, as an actor, he never flagged. So it was quite an accomplishment for Zhang Ziyi, in a much smaller role, to share a few scenes with him and still be memorable.

The rewriting to accommodate her casting was sloppy (primarily, she's too old for the role as written). But that was the fault of the writers. She did wonders with what was given her. And she's sexier in this role than in any other role I've seen her in -- and she spends most of her time heavily covered up.

Ultimately, a disappointing story -- but much of the journey kept promising something better. And, unlike most Hollywood films today, this was a visually pleasing movie (except for the gore, that is).』


(Decent movie for the first half, but then...)
『I picked this up because it looked interesting, Dennis Quaid is a really good actor, and Zhang Ziyi was in it. The movie seemed pretty interesting and enjoyable for the first half, even though it was obviously something of a "Se7en" copycat. I was surprised by the turn involving Zhang Ziyi's character, which was good, since a suspense movie is usually improved when the story has some surprises in store for you. Alas, from that turn, the movie started to go downhill. It was painfully predictable from that point on. (Read no further if don't want spoilers.) I knew just as soon as they set Detective Breslin's (Dennis Quaid's) oldest son Alex up as a very bright, but unmotivated student, and made a point (over and over again) of the fact that Breslin's work keeps him from spending much time with his boys, that the oldest kid was going to be the ringleader of the four murderers who call themselves "The Four Horsemen." At the end, we're obviously supposed to be torn up at the heart-wrenching conclusion, when Breslin discover's what his son has done, and his son suicides in front of him to confront him with his failure as a father. I had almost the opposite reaction. My first thought was "have we really become so self-indulgent as culture, that we are supposed to feel sympathy with someone who commits multiple, horrific torture-murders because his daddy didn't pay him enough attention?!? Are you kidding me!?"

Another problem is that this whole thing just doesn't feel true. Breslin's son really isn't all that believable as a serial killer, given his character background. Perhaps it's just because, thanks to my work, I know too much about them and their usual characteristics. John Doe, in "Se7en" was a believable serial killer, because he was given several characteristics of a psychopath -- which almost all serial killers are, and which is defined as someone who lacks empathy and guilt, who is egocentric and impulsive, who can often convincingly fake the human emotions he lacks, and who does not conform to social norms, conventional morality and society's laws. John Doe was also a classic "mission-oriented" serial killer (as opposed to a lust killer whose crimes sexually gratify him; a hedonistic serial killer, who derives pleasure from killing; or a "visionary" serial killer, who suffers psychotic breaks with reality, and acts out of his delusions). Breslin's son is obviously meant to be a mission oriented serial killer like John Doe was, but again, his history doesn't fit, and his obvious care for his younger brother isn't consistent with a real serial killer's psychopathic personality. Also, almost all serial killers underwent some form of actual abuse, whether physical, sexual, or psychological/emotional as a children, which doesn't apply to Alex either. In fact, nothing in this kid's past is really characteristic of a serial killer. The only character in the film who does have typical serial killer factors in her past is Zhang Ziyi's, but her behavior is more characteristic of male serial killers than the female ones (who almost always have a different MO).

Anyway, this is a movie that started out well, but once it became clear where they were going with it, it quickly lost steam and became just another mediocre copycat picture.』

『AT HOME, HARDENED POLICE DETECTIVE AIDAN BRESLIN HAS GROWN INCREASINGLY DISTANT FROM HIS TWO YOUNG SONS, ALEX AND SEAN, SINCE THE DEATH OF HIS WIFE. AT WORK, HE FINDS HIMSELF THRUST INTO AN INVESTIGATION OF PERVERSE SERIAL KILLINGS ROOTED IN THE BIBLICAL PROPHECY OF THE FOUR HORSEMEN OF THE APOCALYPSE.』
『At home, hardened police detective Aidan Breslin (Dennis Quaid) has grown increasingly distant from his two young sons, Alex (Lou Taylor Pucci) and Sean (Liam James), since the death of his wife. At work, he finds himself thrust into an investigation of perverse serial killings rooted in the Biblical prophecy of the Four Horsemen of the Apocalypse: The White Horseman, a master of deception and the unexpected leader hell-bent on conquest; The Red Horseman, a sharp-witted warrior intent on turning man against man, with an innocence that hides a burning rage within; The Black Horseman, a manipulative and dark tyrant, unbalanced but always one step ahead; and The Pale Horseman, an executioner with disarming strength, determined to spread death through surgical precision.



タイトル『 Hannibal Rising (Unrated Widescreen Edition) > 『 Hannibal Rising (Unrated Widescreen Edition) > 『 Hannibal (Two-Disc Special Edition) > 『 Hannibal (Two-Disc Special Edition) > 『 Red Dragon (Widescreen Collector's Edition) > 『 Red Dragon (Widescreen Collector's Edition) > 『 Manhunter > 『 Manhunter > 『 The Silence of the Lambs (Criterion Collection Spine #13) > 『 The Silence of the Lambs (Criterion Collection Spine #13) > 『 The Hannibal Lecter Anthology (Hannibal / The Silence of the Lambs) >


>,Gaspard Ulliel,Rhys Ifans,Li Gong,Aaran Thomas,Helena-Lia Tachovsk,á


 price:$2.96 
 Weinstein Company
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Core2Duoノートレビュー 's review
(Really different...but really interesting,fun and gory.)
『Yesterday I rented this movie at the local Blockbuster today I saw it I was expecting something good,really good and that is what I got OK you have seen the silence of the lambs then the sequel Hannibal did not gave you the information you needed to know but I am not judgeing that movie but it gave you the discovery of Mason Verger(Gary Oldman in Hannibal)and Hannibal(Anthony Hopkins in the silence of the lambs,Hannibal and red dragon and Gaspard Urriel in the feature film)being free the whole movie plus a romance with Clarce Starling(Jodie Foster in the silence of the lambs and Julliane Moore in Hannibal)so in 2002 we got a prequel to the silence of the lambs will it reveal how Hannibal began?the answer is...no it just reveals how Will Graham(Edward Norton in red dragon)caugth him and then no killing for our killer Hannibal the cannibal but still quite good so in 2007 we go deep into Hannibal's past the origin of evil so we sometimes start to feel Hannibal not being so evilhe had a rough start at 8 years when the war stared he saw her poor sister being eated do you think he will stay sane the movie is really different and the carachter does not feel like Hannibal it is like because i saw Rob Zombie's Halloween I feel Micheal Myers not beig so bad because he got bullied since he was a child he is misunderstood and so like that movie this movie has lots of details and the gory scences are just violent and well done Hannibal looks so cool when he licks of blood from his hand when he kills some victim.I actually prefer this to the silence of the lambs the movie is entretaining it gives good details of Hannibal's inside sadness and you get to know much of his familiar.Gaspard Uriell is better than Anthony Hopkins.Hannibal also got a very dramatic performance by Aaran Thomas as a 8 year old child that has a lot of courage against thos Nazis that where evil he is not the badguy they are and when Hannibl puts his mask he looks radical and awesome and we learn he actually was going to be a doctor because they call him Doctor Hannibal Lecter but he is just another kind of doctor this movie gives good suspense and over the top kills the movie is a good horror movie that has also alot of drama,action,thrills,suspense,romance,foreing,war,terror and mystery it has a good plot and it is completely written by Thomas Harris the screenplay is done by him the movie starts in happines but then it turns very dramatic,the war themes are big,the kills are thrilling,Hannibal has romance,his aunt is chinese,the movie is horryfieng,there is alot of detective activity,the action is like Hannibal escaping from the orphanage and the silence is kept the main genre is drama but the second is slasher so if you are a drama fan this movie is for you,if you are chinese there is alot of chinese activity the romantic scene is when Hannibal and his aunt kissing and the end may not be romantic but Hannibal's aunt says him to forgive them that feels romantic the movie is a good movie that has a 100,000% of re-watchibility with 100% value of drama,horror,mistery,slasher and war 50% of romance and even though it is rated R a 10% of family and if you get a gory scale from 1 to 5 it is 5% gory movie.Get it now it is totally good and gives you the legacy of Hannibal Lecter.』

(Farcical and campy. Very silly stuff for the sake of a guilty pleasure.)
『The movie is simply this: Hannibal had a bad childhood where his mom and dad died in WWII and his sister was cannibalized by Nazis. From there the movie devolves into a string of silly scenes which work more as parody of the typical revenge flick than as a thriller.

And what scenes there are. The one which stands out in my mind was where his childhood home is converted into a boarding school, where he stands up to one of the bullies and is chastised by the headmaster for picking on bullies! Go figure! And it just gets worse from there.

I've mentioned that this movie is a guilty pleasure. But not because it's a great thriller or its narrative is coherent. Rather, it is easily understood to the point that it's so dumbed down that you can tell that the actors can't even bring themselves to take it all seriously. It's hysterical when it should be serious. For a thriller that's a rather dubious quality to have.

What a long way this series fell from the greatness of "Manhunter" and "Silence". Now all we need is "Hannibal: The Musical" to make the series complete.


(Hannibal Rises To The Ocassion)
『Some people have complained about Thomas Harris writing the screenplay as well as the novel to "Hannibal Rising"; well after the way David Mamet and Steve Zaillion's screenplay butcheded the end of "Hannibal", I am sure that he did not want HIS character getting ruined again. I throughly enjoyed watching Hannibal do away with those who truly deserved it; especially those who killed his sister. I absolutely enjoyed the way he cut down the butcher who was rude to his aunt. It is ashame that the series seems to have come to an end with this book/movie. I will always look forward to any adventures with the good doctor.』

(The Explanation of Our Sympathy and Understanding of Hannibal)
『Gaspard Ulliel is the young Anthony Hopkins in every move, look and determination to be savage. We see Hannibal and his sister Misha with their whole family in a rich, beautiful and loving family. As the movie begins director Peter Weber opens the movie to one of the most beautiful scenes in the woods by a lake with the Lecter Castle magically situated in the background. Hannibal and Misha are playing and we feel so close to these unknown children. They are giggling and laughing reminding me of days with one of my younger sisters who was too young to really communicate. Misha has such a wonderful innocence and trusting character that you wish she were your daughter.


Tragedy quickly strikes as fast as lightening and we are swept up into a war with our wonderful Lecter family's get away. We wish them to move faster. They finally reach their cabin and war breaks out as they have all been told where to stand while Hannibal and Misha may stay in the house. Russian planes attack the opposing soldiers getting water from the cabin's well. A plane crash hits an object while other planes fire on any one they choose.


Thus begins Hannibal's relentless protection of Misha as long as he can. Then the memories of life with Misha seems like a spike in Gaspard's heart as he searches for Misha's killers. Gaspard begins the construction of understanding Anthony Hopkins Oscar winning performance of the Hannibal we all know and hate/love.


Every scene explains why Hopkins did this or that or how he knows fine things. Gaspard is highly intelligent and has no free time but to build on the rage burning in Gaspard from his childhood.


This movie is thrilling to watch. My roommate and I know all the words. We have watched it at least 30 times and have enjoyed it more on each viewing. Tonight we listened to director Peter Weber and Ms De Laurentiis. They are just fantastic speakers concentrating on what we were seeing. I've listened to other directors who are lackluster or talk too much to their guests; we never learn the anatomy of each scene that we come upon.

Like the movie HostelHostel (Unrated Widescreen Edition). Even though there are 4 director commentaries he talks too much about Hollywood and film making and we barely ever learn more than what we see. Commentaries have to become more informative and people friendly.
Hannibal Rising is a masterpiece of collaborate effort and we have to thank it mostly to the wonderful writing of Thomas Harris. Now I'm tempted to read the book.

See Hannibal Rising and discover how Gaspard grows up to be the horrific Anthony Hopkin's as Hannibal. Believe me this ties all the know-hows and reasons for all the Hannibal movies.


Bravo to Gaspard Utilliel, Li Gong, and especially for Thomas Harris the writer and director Peter Weber. Hannibal is a unique and terrifying character. Hannibal Rising opens up the beginnings of Lecter and what is yet to come. Just fantastic!


(The most important questions are never answered)
『"Hannibal Rising" doesn't answer the most important questions. Such as: how does the liver of a war criminal taste with chianti? How many Hilfswillige can you consume at one single occasion? Why weren't there any starlings among the ortolans? And where were the French police when Vichy put little children on trains to Auschwitz?

And do Japanese women really have....?

Frankly, this movie really sucks. "The silence of the lambs" was a *very* good movie. "Hannibal" was not. Care for some delicious brain, inspector Starling? And now this...

Incidentally, I also wonder how a bourgeois defector from Soviet Lithuania could return to the USSR in the middle of the Cold War, using his real name? Perhaps Hannibal the Cannibal had connections with Beria?

One star.

Time for a snack...

『(Horror/Suspense) The terrifying Silence of the Lambs prequel that reveals the history of the infamous Hannibal and how he came to be a cannibalistic murderer.』
『ThoughHannibal Rising'sLecter (Gaspard Ulliel) is a pussycat compared to Anthony Hopkins inSilence of the Lambs, this sequel's story of revenge is grizzly enough to satisfy lovers of Thomas Harris's epic tale. After young Hannibal (Aaron Thomas) is forced to watch his little sister, Mischa (Helena Lia Tachovska), devoured by starving soldiers in his homeland Lithuania, Hannibal vows to avenge his sister's death by slaying those who committed not only war crimes against the Lecters, but also against other families during WW II. In detailing Hannibal's revenge plan, the film investigates the psychological implications of witnessing cannibalism to justify Hannibal's insatiable appetite for human flesh. The most interesting aspect ofHannibal Rising—its analytical connections drawn between Hannibal's childhood traumas and his murderous adult obsessions—is also the film's weak point. The links oversimplify Lecter's complex character. For example, though titillating to see flashbacks of Lecter's sister hacked up and boiled while Lecter visits a Parisian meat market, the reference is too obvious. One learns why he excels in his medical school classes dissecting cadavers, and we're given explicit explanation for why he slices off and eats his victims' cheeks. The story only complicates when Hannibal interacts with his sexy Aunt, Lady Murasaki (Gong Li). When Murasaki educates him in the art of beheading, the viewer sees Hannibal's sword fetish as a manifestation of physical lust.--Trinie Dalton



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