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『 Splinter > 『 Splinter > 『 Shuttle > 『 Shuttle > 『 Alien Raiders > 『 Alien Raiders > 『 The Burrowers > 『 The Burrowers > 『 Eden Log > 『 Eden Log > I wanted to buy It↑

タイトル『 Horsemen > 『 Horsemen > 『 The Chaos Experiment > 『 The Chaos Experiment > 『 Fragments > 『 Fragments > 『 Body Armour > 『 Body Armour > 『 Echelon Conspiracy > 『 Echelon Conspiracy > 『 Crossing Over >

>,Dennis Quaid,Ziyi Zhang,Lou Taylor Pucci,Clifton Collins Jr.,Barry Shabaka Henley

price：~~$6.49~~
Lions Gate
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Core2Duoノートレビュー 's review
(Spoil Alert! Horsemen of the Apocolypse- Not a bad movie- few plot holes)

『I'm into biblical scary/creepy movies and I'd give this movie an 8 out of 10. From reading other reviews, I notice that a few plot holes are the main theme of why the movie isn't so great. But I'm here to help explain them. Being one that I tend to understand movies like this, the ideaology of the movie is that, within each person who were the horsemen- they felt inside.

Kristin who was war; was at war with herself, inside because here she is a beautiful young girl and her adopted father molested and probably raped her. So, all the while thinks, okay... I was adopted and love by this family up to a certain point and then ripped apart. I'm the same way, I've experienced this myself, it's why I know- because I'm at war with myself too at time.

Then there was Garrison Jacobs; who was Pestilence, we find out from Kristin in her jail cell that Garrison was heartbroken and a liar and that he claimed the teacher molested his son, when it wasn't true. But you know what, that's what Pestilence is, spreading diseased excuses or lies because technically- pestilence means plague. But because of who and what he was, it killed him from his own.

As for Corey Kuth, he was dead inside because of his brother not accepting him for who he was. It literally destroyed what he believed in and made his dead from the world. Therefore, he was death and as he put it when he stabbed the man who tried to rob him, "Hell follows me" and in a way, he was the cause of that by letting it get to him so badly. So he put an end to it by killing himself in front of his brother- to make his brother see that hell follows with his death.

Then there is Alex Breslin, who is conquest, he's the conquering hero, the white horse, the leader of the pact. He found these three people from his group therapy and put together a website called, "We are the Nothing" because to them, they feel like they are "nothing" and that no one understands them. That's the plot line of the movie, no one understands them and they punish those who wronged them and video tape it so that when Alex sacrifices himself as the fourth victim, the apocolypse will happen. The veil will be lifted, their videos will be shown and everyone will realize that these four kids were capable of killing others because those others knew how basically kill these kids inside. The loss of Alex's mother and then his father not being apart of his life, what do parents expect? They're kids to be happy and well-grounded, kids feel and this is why they did what they did. They hurt and they hurt the people who hurt them. That's all!

Dennis Quaid on the other hand, I couldn't believe his character as Aiden Breslin didn't even step into his older sons room and check on him more. I know his career is a driving force in the movie because he's a detective but there are moments in everyone's lives where their kids are more important than work, especially when there's been a death in the family.

Good movie, I've watched it five times in two days, trying to understand it and by the 5th time, I finally understood it, even without the plot being a 100% up to par.

Melissa』

(Takes You for a Ride)

『We have another fantastical series of murders here. This time, victims are suspended from hooks and left to "bleed out" as they hang, enmeshed in their rigging. These murders are linked to the destructive onslaught of the Four Horsemen of the Apocalypse. There are a couple of things wrong with this invocation of the Book of Revelation.

First, the suspense/murder mystery genre is really showing the strain with this new entry in the field. It underscores how we are entering a sort of era of Roman decline in which ever more shocking, grisly horrors must be presented in order to keep us entertained and register any sensation at all. A tidy, tuxedoed body in the library won't do any more. As the creators of the CSI series and films such as this seem to think - murders must now be graphic, gruesome, and elaborately taunting and inventive if they are to have any hope of capturing our attention. However this escalation has lead to film murders that no human murderer could hope to accomplish - such as here and in last year's movie "Anamorph." Such films, congratulating themselves on their brutal realism, actually start as impossible absurdities.

To be fair though, Jonas Akerlund, the Director of "Horsemen," does point out in the Director's Commentary that there is a fairly large and growing subculture of people who practice hook "suspension" for the altered state of consciousness such painful dangling brings. He says he explored this subculture in the process of doing research for the movie, but stopped just short of trying the procedure himself. So there is some fact behind the fiction of these murders.

The other problem with the film's premise though is that the Four Horsemen aren't really necessary to explain means or motive. The Biblical reference is just a muddying overlay. It seems a last ditch effort to ramp up the shock value. Akerlund, again in the bonus Commentary, said that some of the Asian editions of the DVD had jackets showing the lead actors on horseback. The Asian cover designers had apparently taken the title "Horsemen" literally rather than as a Biblical allusion. But actually, the actors might just as well have been on horseback. A Wild West backdrop for the crimes would have been just as relevant (or irrelevant) as the Biblical one lowered here.

However, behind all the gory bizarre, this movie makes some interesting points, and includes some arresting performances. Lou Taylor Pucci is very good as the detective's son, and Ziyi Zhang does a fascinating turn as the eldest daughter of the first victim. Overall, this movie will probably leave you with something to think about.』

(Gritty police murder story taken from other movies)

『This movie was trying to be two movies, 'Se7en' and 'The Flock'. Both movies deal with murders done by people of less-than-moral standings. 'Horsemen' takes the religious murders from 'Se7en' and the antagonists from a more ill-understood parts of society (such as the body-mod community) that was seen in 'The Flock' and tries to squish them together.

As you can probably read in the synopsis the main protagonist, Dennis Quad, is a police officer that gets a call about a series of grisly murders that seem to follow a pattern. Also throughout the movie is a sorta sub-plot about his lack-luster parenting skills as he tries to connect with his sons since their mother's death.

The basic plot isn't anything we haven't seen before. The presentation however is something else. The murders are portrayed in a very graphic horror/torture way, with bodies being hung and drained of blood sometimes. I thought that the balance of the whole thing was slightly off. The story with Aidan (or really Dennis Quad cause I couldn't really distinguish him as an actor from his character) and his kids doesn't really do the job of adding a 'middle-man innocence'. 'The Flock' and 'Se7en' both had characters and scenes that were completely removed from the main plot, which added a sense of normalcy that is absent in 'Horsemen'.

My biggest gripe with the movie is that element seen from 'The Flock', where the antagonists come from a little-understood part of society. Tattoo shops and body-suspension were put in a very very poor light. The actual act of voluntary suspension is not about torture but a form of mediation. I wouldn't expect the general public to understand it (actually had an argument with my dad about trying to explain how suspension and other activities from the body-mod community aren't 'just about mutilation'), but a little knowledge and open-mindedness can stop people from assuming every tattoo wearer is out to slice their throat. However when people from these communities are used as the fall-back villain than how can the general public display any acceptance of their practices?

Anyway to finish the review: there is nothing spectacular about 'Horsemen'. The horror comes out too gritty and too intense from the beginning with nothing to really balance it and kinda dies out towards the end which can be seen from a mile away. I only sorta enjoyed it (I really liked Ziyi Zhang's character a lot), but it was just way too close to 'Se7en' and 'The Flock' to have any really shining qualities. If you can look past all that, the actually pacing of the storyline isn't that bad, it's just isn't original.』

(It was okay,but...)

『the surprise ending turned on something that didn't make sense, because of the younger of the detective's sons. I won't say what it was, but made the ending not very believable. Also not believable was Zhang Ziyi's role. But it was a pretty good acting job by Dennis Quaid, and altogether not that bad, just could have been a lot better.

I should add, there is one moment that is absolutely chilling and had me on the edge of my seat, and that doesn't happen too often. This might work better if called a horror flick instead of a cop movie, which was I think what the cover copy said. Different expectations. As a horror film, it's not bad.』

(NYsoldier Boy)

『I never heard of this movie until i went to return one at the redbox. almost every movie was sold out except a few along with horsemen so i rented it and i was suprised at how good it was. the only problem was the ending it could of been better but overall it was a really good movie plus dennis quaid is a really good actor. if not to buy i would atleast rent it but im going to buy it now.』
『AT HOME, HARDENED POLICE DETECTIVE AIDAN BRESLIN HAS GROWN INCREASINGLY DISTANT FROM HIS TWO YOUNG SONS, ALEX AND SEAN, SINCE THE DEATH OF HIS WIFE. AT WORK, HE FINDS HIMSELF THRUST INTO AN INVESTIGATION OF PERVERSE SERIAL KILLINGS ROOTED IN THE BIBLICAL PROPHECY OF THE FOUR HORSEMEN OF THE APOCALYPSE.』
『At home, hardened police detective Aidan Breslin (Dennis Quaid) has grown increasingly distant from his two young sons, Alex (Lou Taylor Pucci) and Sean (Liam James), since the death of his wife. At work, he finds himself thrust into an investigation of perverse serial killings rooted in the Biblical prophecy of the Four Horsemen of the Apocalypse: The White Horseman, a master of deception and the unexpected leader hell-bent on conquest; The Red Horseman, a sharp-witted warrior intent on turning man against man, with an innocence that hides a burning rage within; The Black Horseman, a manipulative and dark tyrant, unbalanced but always one step ahead; and The Pale Horseman, an executioner with disarming strength, determined to spread death through surgical precision.

タイトル『 Splinter > 『 Splinter > 『 Shuttle > 『 Shuttle > 『 Alien Raiders > 『 Alien Raiders > 『 The Burrowers > 『 The Burrowers > 『 Eden Log > 『 Eden Log > 『 Grace >

>,Paulo Costanzo,Shea Whigham,Jill Wagner,Charles Baker

price：~~$14.98~~
Magnolia Home Entertainment
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Core2Duoノートレビュー 's review
(Excellent horror film)

『Splinter was one of the best horror movies I've seen in awhile. It's a low budget movie that didn't get the publicity it deserved in 08. It has interesting creatures which seem believable in that world, and the characters are very realistic. The same solutions I came up with to a problem at least one of the characters did too. The acting is also really. I would definitely suggest you purchase this film. It is worth watching.』

(Finally! Something good)

『This more-than-meets-the-eye little "monster movie" isn't just an excellent piece of horror fiction that will actually scare without resorting to cheap montages of girls being tortured to death, it is a master class in how to make a REALLY scary movie with little or no money.

The "monster" is similar to the one in THE RUINS (which, by contrast, is a master class in how NOT to make something scary or even interesting) but, again, this takes that theme and runs with it, putting its unlucky protagonists into an increasingly dire situtation that never once feels forced or contrived.

While others are attempting to rewrite the book on horror films with so-called torture porn, SPLINTER follows the rules and scores an unbroken series home runs without either effort or cheap tricks.

There just isn't a wrong or false note to be had in this thing. It's that good.

I cannot over-praise this film.

Rent-watch-buy-love.

five stars』

(Never Judge a Forest by the Trees)

『As part of your anniversary, you decide to go camping with your beloved. Your mastery of a tent is shaky, however, and your idea of a motel room in a forgotten town leads to a hostage situation with you and someone that happens to have a gun. Along the way you run over some roadkill, only this roadkill flattens tyour tire, has spikes growing out of it, and is not in the mood to stay dead. So, fleeing, you find a gas station that looks like a good spot to breathe. The only problem with breathing is that it takes time, and time isn't your friend hen contorted things come out of the woodwork and start defying the human anatomy as they twist and turn and start feeding on the things hidden inside your flesh.
O the fun.

What seemed like a bad movie on the Sci-Fi channel quickly turned into one of the more horrific movies I've seen in a while when it comes to great ideas. Not only did the people do well in the story, but the creature effects were good stuff and made me want to cringe. That was because they through out the tennis ball treatment (as the director notes in the extras), opting for someone that could contort and make horrific movements while in a body suit. This gave the thing depth, and the gas station element just seemed like a coffin waiting for its prey. Add to that the fact that everyone had a good backstory, that the dialog wasn't the boring stuff you normally get, and that the movie had some really fearful sequences and you have a great thing shot on a decent budget. I had started to doubt that could be done anymore.

In the extra department, the director explains a little about the monster and I thought that was interesting as well. He says the movements are based on the muscle memory of the creature, noting that if it had taken out a crab then it might scuttle - and so on. He also noted how the station was built, how the people were taught to react, and how the suit worked. This all made me happy, and didn't feel like a waste of my time. Normally I skip extras for just that reason, but this just added to the program and made me enjoy it all the more.

If you want some horror and don't mind it messy, this is for you. It has some terror and some bad death scenes, a reason behind the creature, and a mean ending. It also has good acting in it, making the thing seem real, and some comedic moments. Put that all together and you have a show that has been missing for years. Buy this thing if you want horror - you will not regret the decision.』

(All I gotta say is, it's the most cheesiest horror movie out there)

『I thought this movie was going to be good, after reading the back of it, and, come on, the front cover definitely draws you in. My friends and I were excited to see this, but at the end of the movie, everyone just kept saying how cheesy and dumb it was, and what a waste of our time was. I DEFINITELY don't recommend this movie! Please people! For your own sake, save your money for something more worth it.』

(Don't waste your time)

『Once again, we have a horror film that's big on special effects and lacking in storyline. It's like a piece of fried chicken that's mostly batter. Taste great, less filling. It's not even very scary -- movies generally aren't when the monster is always in your line of sight (and have glaring Achilles' heels to boot). Frankly, the special effects aren't even that good if that's all you care about. Most of the time, the crew could be shaking a monster-sized mass of oily rags under a flickering fluorescent lamp, what with the herky-jerky quick edits that make the fungus-fueled beasts nearly impossible to comprehend. The acting is decent; the characters are generally believable (except for the escaped convict's "heart of gold" tale).

But back to the storyline (WARNING: SPOILER COUNTRY AHEAD!). It starts out so great, too, with two genres coming together in seemingly clever fashion -- crime drama and horror flick -- like peanut butter and chocolate. A guy on the run with his drug-addled girl toy hijacks a vacationing couple's SUV and kidnaps them, apparently so he doesn't have to drive. The action unfolds in an old-growth Oklahoma forest (sounds like paradise!) where there is some ongoing oil extraction taking place that has apparently dug up some ancient spores with the ability to resurrect dead flesh and make it thirst for living flesh. Of course, this isn't the official line; Mr. Almost Ph.D. (the boyfriend without a prison stint) has discovered that this psycho mold just feeds off things that have high temperatures -- leading to a lame joke involving kissing, as well as one host organism that launches itself at an overheated car like it's a long-lost lover and, inexplicably stays there long after the "love affair" has cooled off. Speaking of which, how is it possible this dead body in its car hood embrace would be overlooked by the police officer who shows up to bag the escaped prisoner? And since when do firecrackers give off less heat than humans? I'm sure I'm leaving out some inconsistencies, but you get the idea.

If the action had been funnier -- like when the cop shows up and you just know she's going to be turned into a pin-cushion contortionist and everybody and their grandmother is telling her to get back into her squad car -- I might still have been able to recommend this film. After all, with a nod to John Carpenter's "The Thing," there ARE some good special effects and the makeup is above par. But the unfolding of events is generally dull, mainly consisting of reanimated flesh running into glass barriers and the characters showing off their lame survival skills. Eventually, the whole mismatched jigsaw fizzles out, with the one-armed frenemy muttering, "F**k," over and over like he forgot his lines, but more likely because he realized the production budget had hit a wall, which would explain what is probably the least explosive gas station fireball in the history of color film.』
『A young couple retreats to the wilderness for a romantic camping weekend, but the trip quickly spirals into a nightmare when they are carjacked by an escaped convict and his girlfriend. Thrown together by chance, no one can imagine the
terrifying horror that awaits the two couples at a remote and isolated gas station.』

』