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The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, theBack to the FutureDeLorean, theScooby-DooMystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting father at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drinking is treated as a genuine problem in this update, which also provides comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts.--Ted Fry
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