price:$2.79
Torquere Press
Usually ships in 24 hours Core2Duoノートレビュー 's review (sweet) 『cute love story. liked all three. almost wish there were more but the end was good.』
(I don't want it to end!) 『This series was definitely one of the best gay fantasy I have had the pleasure to read (and I read them ALL). Stories like this are the reason why I keep plugging away at reading in this niche market, in fact.
My only complaint now, is that this book marks the end of the series, and I am a greedy fan who wants more Liall and more Scarlet, and more Rshan no Ostre, and more of Deva's magic, and more adventures.
I cannot recommend this to fans of gay fantasy highly enough.』
(A finale so sweet...please let it not be the end.) 『Wow...this series was like an episode in my life. The only books that affected me like these (and I hate to draw comparisons), was the Twilight Saga; however, these meant more to me, because the characters were men.
Crow is gifted; she gives us just what we want, but not before dragging us through a painful, bitter path to get there. Just when you're about to lost faith in Wolf (or even Scarlet), a new truth is revealed, a genuine declaration made, and the bitterness that carried you to that point makes it SO much sweeter. Even the sexy parts are full of emotion, and never gratuitous.
In short, PLEASE let this not be the end of this series.』 『Struggling to come to terms with his new life in Rshan na Ostre, young Scarlet is trying to find his place in a decadent, foreign society that bears an ancient hatred for all Hilurin. As Liall is pulled away from Scarlet and into the jaded intrigues of a royal court, the young pedlar wonders if they’ve made a terrible mistake in journeying to Rshan. Each passing day, Liall seems more like a stranger, more like one of the haughty Rshani nobility and less like the bandit leader Scarlet knew in Byzantur. As Liall contends with the aristocracy to uphold his fourteen-year-old brother's claim to the throne, an infinitely more dangerous enemy draws nearer, determined to part the lovers forever.』
price:$5.92
Routledge
Usually ships in 24 hours Core2Duoノートレビュー 's review (Overpowering Foucault...) 『Sara Mills' text on Michel Foucault is part of a recent series put out by the Routledge Press, designed under the general editorial direction of Robert Eaglestone (Royal Holloway, University of London), to explore the most recent and exciting ideas in intellectual development during the past century or so. To this end, figures such as Martin Heidegger, Sigmund Freud, Friedrich Nietzsche, Jacques Derrida, Paul Ricouer and other influential thinkers in critical thought are highlighted in the series, planned to include more than 21 volumes in all.
Mills' text, following the pattern of the others, includes background information on Foucault and his significance, the key ideas and sources, and Foucault's continuing impact on other thinkers. As the series preface indicates, no critical thinker arises in a vacuum, so the context, influences and broader cultural environment are all important as a part of the study, something with which Foucault would agree.
Why is Foucault included in this series? Foucault is probably second only to Jacques Derrida in influence on thinkers in the field of critical theory and cultural studies, and his impact has gone far beyond narrow intellectual confines to influence psychology, politics, literature, sociology, philosophy, linguistics, history and anthropology. Mills indicates that Foucault's primary focus is on issues of power, knowledge and discourse, with influence in the development of a lot of `posts' - post-modernism, post-colonialism, post-Marxism, post-structualism, etc.
Foucault often concentrated on the ignored, the forgotten or the overlooked in his studies. In looking at the written confession of a murderer from generations ago, or looking at prisoners in present society, Foucault looks not only at the way power operates in practical settings, but what underpins the kind of power relationships. Heavily influenced by the events of 1968, with various forms of war and open rebellion going on across the globe (including Foucault's native French society), he had an inherent distrust for the kinds of power and society relationships considered standard. His work with prisoners and those classified as mentally ill challenged prevailing notions of the intentions of incarceration and even classification - perhaps we can see even more clearly in today's mass-media-saturated society the inconsistencies, not only of application, but of intention in the development of considering who is a criminal (and what their punishment and rehabilitation is likely to be) and who is considered mentally ill - the shift care to confinement and isolation (effective removal) from society gains new meaning from Foucault's analysis.
Foucault looks at power from a very basic position, not that of macroscopic geopolitical entities, but rather interpersonal relationships on a more local level, even exploring the way society uses body and sexuality as a root resource in formulating power relationships. It is worth noting that this issue is over the idea of the `body', and not the `individual', which for Foucault are not strictly synonymous. Looking at the history of sexuality (the freer periods of sexual frankness vis-à-vis the more strict and reserved periods such as the Victorian age) leads to another set of power relations often internalised and often overlooked.
One of the useful features of the text is the side-bar boxes inserted at various points. For example, during the discussion on Foucault's development of Power and Institutions, there are brief discussions, set apart from the primary strand of the text, on the Marxist idea of ideology, developing further this idea should the reader not be familiar with it, or at least not in the way with which Foucault would be working with ideas derived from it. Each section on a key idea spans approximately twenty pages, with a brief summary concluding each, which gives a recap of the ideas (and provides a handy reference). Some of the concluding sections in this volume (unlike other volumes in the series) are not as handy as a recap, but do connect the primary ideas with the next chapter.
The concluding chapter, After Foucault, highlights some key areas of development in relation to other thinkers, as well as points of possible exploration for the reader. Foucault's thought vis-à-vis feminist thought is dramatic and interesting, given Foucault's generally androcentric (and often misogynistic) stance in writing - still the issues of power relations and society are crucial to feminist critique. His post-colonialist ideas, again springing from the reformulation of power relationships in society after a dominant, foreign power is displaced, influenced further thinkers such as Edward Said. Foucault has (perhaps unintentionally) become useful for the anti-psychiatric lobby, as Foucault sees much defined as madness to be social construct rather than actual ailment (Foucault saw talk-therapy as a kind of modernised `confessional').
There was only one point at which I had a serious disagreement with Mills in her analysis of Foucault. At one point in discussing his tendency toward not developing fully thought-out theories, she speculates that his kind of approach could possibly be used `to justify fascism or to deny the existence of the Holocaust'. I would disagree with this assessment, given that this would not in fact discredit systems of power, but merely replace one with another. If fascism or Holocaust-deniers were not a power-in-potential, that might be true. But then, this is a point upon which much discussion could continue!
As do the other volumes in this series, Mills concludes with an annotated bibliography of works by Foucault (primarily those available in authoritative English translation), works on Foucault, and even internet references.
While this series focuses intentionally upon critical literary theory and cultural studies, in fact this is only the starting point. For Foucault (as for others in this series) the expanse is far too broad to be drawn into such narrow guidelines, and the important and impact of the ideas extends out into the whole range of intellectual development. As intellectual endeavours of every sort depend upon language, understanding, and interpretation, the thorough comprehension of how and why we know what we know is crucial.』
『Sara Mills offers an introduction to both the ideas of Michel Foucault and the debate surrounding him, fully equipping student readers for an encounter with this most influential of thinkers.』
price:$9.25
AMACOM
Usually ships in 24 hours Core2Duoノートレビュー 's review (Amazing and Inspiring!) 『I bought this book mainly to get a more detailed story about the band. I was pleasantly surprised. I got the background with an amazing story of a courageous man fighting for his life against HIV and AIDS while still being in one of the biggest rock bands of it's time.
I am a straight man, nonetheless this book made me realize so much about how hard it is and can be for people like Chuck. I thank and commend Chuck Panozzo for his amazing heart and desire to follow his dream of STYX and also for his courage in fighting the bigotry and hate of being a openly gay man and for fighting HIV and AIDS! This book is a must read!』
(Poor Pitiful Me) 『The book was an easy read. I was expecting more information into Chuck's life, however he rambled on whoa is me style. Take pity on me.』
("ROCK&WORDS".....a must read....) 『Great read. Chuck's story is very touching&moving. Reading his struggle with his life, family&his love-the band(Styx). Then through all the smoke, haze and sadness he's diagnosed with HIV and could've let 'it' beat him. Now the disease, he's turned 'it' around to make a positive impact for him, his band and his community. Tip-of-the-hat to Chuck to put his story to print.... Leaving a legacy of "ROCK&WORDS" to inspire..... Tom』
(The disturbing reality of the effects of bigotry in America) 『To Chuck - Thank you for writing this book for the world to read and learn from the struggles and successes of your life of adversity and triumph.
To everyone else. This book is a remarkable testament to the trials and travails of a rock and roll icon whose life was built around the identity of being a musician, rather than being a true individual. In a society where competition for adulation and rewards trumps nearly all sense of self-esteem and self-actualization, the struggles endured by Chuck Panozzo can be generalized to most everyone, if they are open and honest enough. Any form of bigotry and hatred can (and does) result in the very same travails Mr. Panozzo incurred. Most of us hide some part of ourselves from the world around us due to our shame and guilt. Chuck is one of the few people to be honest enough to not only admit to being a flawed human being, but to share with the world the scars of such shame and guilt (when maybe there is no reason to feel ashamed or guilty about being born a certain way.)
This book is not a salacious pseudo-self congratulatory account of the successes and excesses of being a world famous rock star, this book is not about the politics and gossip between band members, this book is a soulful (and sometimes graphic) account of being a world famous musician who feels imprisoned within his public persona to the point of self-neglect and even to the point of irreparable damage (might he not have contracted HIV/ AIDS had he been able to live an open and monogamous lifestyle.)
For anyone who wishes to learn about the life of Chuck Panozzo, or for anyone who is honest enough to learn about the dangers of bigotry and hatred, then I whole heartedly recommend this book.
For those who beleive that being different (sexual identity, skin color, religion, etc.) is somehow a sinful abomination, then I insist that you read this book.』
(Chuck Panozzo's Moving Autobiography) 『In the mid-1960s, Chuck Panozzo and his twin brother John formed a small band. Joined by neighborhood pal Dennis DeYoung, the seeds were planted for what would eventually become one of the greatest rock bands in history: Styx. However, Chuck was also facing his own personal demons during this time that, over the course of the next several decades, threatened to consume him. Those demons were homosexuality and AIDS. In the course of this moving autobiography, Chuck describes his life as a gay man performing with a rock and roll supergroup while trying to keep his identity a secret.
Chuck and his twin brother John grew up in the Italian-American section of Chicago known as Roseland. Both boys were talented musicians; John on drums and Chuck on rhythm and bass guitar. They were soon joined by Dennis DeYoung on accordion. The boys soon began playing local clubs, weddings, and other events. As the years passed, James Young and eventually Tommy Shaw joined the group. The group was called Styx and, during the late 70s and early 80s, ran off an unprecedented string of four consecutive triple platinum albums. Despite their musical success, the Pannozos were dealing with their own inner secrets; John with acute alcoholism and Chuck with his sexual identity.
As the years passed, John ultimately lost his battle with alcohol, passing away in 1996. Meanwhile, Chuck was diagnosed with HIV which eventually lead to full-blown AIDS. Despite the diagnosis, Chuck managed to keep his secret hidden from everyone, including his band mates. Although he had had several fleeting relationships with other men, Chuck had never had a real relationship, instead preferring to hide behind his music. During this same time, Styx went through changes of its own. The band broke up in 1984 due to philosophical differences between Dennis and Tommy. Chuck went into a state of deep depression due to lack of work.
However, the band re-formed in 1990, minus Tommy Shaw. A relatively successful tour accompanied the release of the Edge of the Century album. But, once again, the band dissolved. Chuck slid deeper into his own shell as well. In 1995, the band re-formed once again, this time with Tommy Shaw. Another tour was planned, but Tommy, Dennis, and JY didn't want John to come along due to his heavy drinking. Chuck was left to break the news to him. The band went on another tour the following year, and a studio album was planned. The album once again brought out the differences between Tommy, JY, and Dennis. This lead to the band replacing Dennis with Lawrence Gowan.
Meanwhile, Chuck had still kept his homosexuality a secret. He was receiving treatment for his HIV and was getting healthier. Chuck came out on July 28, 2001. Today, Chuck lives in a committed relationship in Miami and still tours with the re-vamped Styx line-up.
I've been a huge fan of Styx since I was in high school, and I was pleasantly surprised to find this book. I read it in two settings. I was interested to read a little about the history of the band, but I was also moved by Chuck's story. Just reading about Chuck's struggles and mental fortitude makes it easy to know what kind of person he really is. Chuck is a caring, hard-working individual who takes nothing for granted. His story is very inspirational and motivational.
I give this book my highest recommendation; Styx fans and fans of uplifting biographies will surely enjoy it.』 『They are still one of the biggest rock bands of the last three decades. With four consecutive triple-platinum albums and 54 million records sold, their tours continue to sell out and classic songs like "Lady," "Renegade," "Come Sail Away," and "The Grand Illusion" have earned them a whole new generation of fans. At the height of their fame, they were living the ultimate rock‘n’ roll fantasy -- an odyssey of groupies, drugs, and music that most musicians only dream of. As a band, Styx seemed invincible. But their founding member and bass player, Chuck Panozzo, was about to hit rock bottom. His seemingly debauched life as the ultimate rocker was a lie -- and the truth was about to catch up with him.
The Grand Illusionis a no-holds-barred, backstage pass to the journey of one of the world’s most revered bands, and the true story of Chuck Panozzo’s 50-year struggle to reconcile his public life as a rock star with his private life as a gay man. Beginning with the birth of Styx in Chicago and their meteoric rise,The Grand Illusionis a revealing look at the triumphs and tragedies that surrounded Panozzo’s life. He chronicles life on the road, the break-up of the band, his struggle to help his twin brother and bandmate John Panozzo battle addiction, as well as his split with Dennis De Young, and finally coming to terms with his HIV positive status. Illuminating and unflinching,The Grand Illusionwill captivate the band’s legions of devoted fans, as well as music lovers everywhere.』
price:$2.40
Haymarket Books
Usually ships in 24 hours Core2Duoノートレビュー 's review (A highly recommended pick for any library strong in issues of sexuality and freedom) 『SEXUALITY AND SOCIALISM: HISTORY, POLITICS AND THEORY OF LGBT LIBERATION comes from an associate of The International Socialist Review and is packed with analysis of questions of lesbian and gay people, offering essays considering the history and roots of oppression, the making of gender identity, and a history of the gay movement. A highly recommended pick for any library strong in issues of sexuality and freedom.』
(Great book for New Students&Experts) 『Whether you are someone learning about the history of homosexuality and gender variance for the first time, or are an erudite student in the field, this book is a 'must-have' on your bookshelf. This book is NOT an academic/abstract/unintelligible book. Rather, it is a broad attempt to offer a uniquely-materialist understanding of the development, evolution, and repression of homosexuality (or, to use a more apt phrase, "non-heteronormative lifestyles") in the modern era.
Starting with the obliquely homosexual practices of the Ancient Greeks up through the present industrial/financial times, Wolf explains how sexual preference and identity have ever been a product of the social&economic conditions upon which a given society has rested. In other words, for an individual to break free of the constricting bonds of the "normal, nuclear family (1 father, 1 mother, and 2.5 children)" and live out a variant sexual existence, that individual must have a means of providing for themselves independently and in connection with other, similarly "independent" individuals.
It is for this reason that the modern notion of a "homosexual" person as a distinct "type" set apart from "heterosexual" people, is a phenomenon that first emerges with the advent of capitalism and the industrialization of society. Capitalism tore apart the old, static family life based in the countryside with its suffocating traditions and monotony, and replaced it with the buzz, fluidity, anonymity, and diversity of myriad strangers, crammed in together at work and at home, beckoned with the promise of individual advancement via the market nexus.
However, just as capitalism offers the promise of new, more liberated lifestyles, it stymies them at every turn. Capitalism has no use for the sedentary and static life of the peasant economy, far removed from commerce and industry. It does, however, seek to retain certain structures of the former feudal society and adapt them to modern uses. The nuclear family (an individual unit of privatized reproduction versus social reproduction) is one of these structures.
Capitalism does not abolish war when it overthrows the various warring fiefdoms and monarchies of the Middle Ages. Nor does it abolish religion when it seals the fate of the "Divine Kings" of Europe. To use an analogy, the eye of the human plays a very different role than does eye of the dog (which is color-blind), yet nature saw fit to pass this organ down from species to species, making only slight adaptations to render it more useful in the employ of the given animal.
In such way does capitalism treat what should otherwise be the vestigal organs of our more barbaric, ancient brethren. Insofar as capitalism remains a rigid society premised upon class division and inequality, it retains (albeit in adapted and newfangled forms) the blemishes of oppression, war, poverty, etc.
What is refreshing about Wolf's conclusion to this analysis is her point that sexual oppression can indeed be ended -- not just limited, tempered, avoided, or ignored. Oppression, being a product not of some intrinsic human fallacy, but rather the (at first) unintended product of the particular structures of society (some) humans have crafted over time, can be eradicated by likewise creating new structures and institutions for human coexistence.
Such a new structure would have to call into question the basis of a capitalistic society that necessarily is based upon class inequality and mutual competition. For this author, a truly democratic, socialist society is clearly a form of human existence more amenable to full equality and liberation for all of our species.
However, regardless of whether you agree or disagree with this or other particular conclusions drawn by the author, you will nonetheless find this a remarkably insightful, if not life-changing, read.
(If you like this book, check out other similarly-written works such as: Women and Socialism: Essays on Women's Liberation Black Liberation and Socialism Subterranean Fire: A History of Working-Class Radicalism in the United States The Meaning of Marxism The Case for Socialism』
(Good Survey, but Lacks Depth) 『Too much of a survey for me, I was looking for and hoping for a little more depth and less of a synthesis of things about history and theory I already know. The last two chapters reached for a prescription for depth, but did not necessarily get there. Well written, but you can see the author's obvious biases in some of the chapters. If I had worked my way through this book with a pen in hand I might have more to say on a point by point basis, but in a survey here there is so much information. What I expect will be the most useful and interesting part of the book is the bibliography and suggestion for further reading. It made me want to crack back open my old Marx/Engels reader and hit up some of the sections I haven't read yet, mostly Engels's take on the rise of the modern family under capitalism.』
(Invaluable Analysis of LGBT Liberation Politics) 『As an organizer that has been completely swept up in the movement for marriage equality and beyond, I found this book to be a clear, materialist analysis of where LGBT oppression comes from and what to do about it. It also makes a strong argument through some of the best LGBT history for political struggle from bellow being the decisive force in combating homophobia. The author makes a brilliant case for how sexual liberation of all people is inextricably linked to combating homophobia. Ultimately with a movement on the rise happening at the same time as rising unemployment and poverty, the politics of solidarity and socialism are more relevant than ever in building the LGBT struggle. It is so refreshing to talk about how gender and sexuality haven't always been this rigid and how things don't always have to be that way, that a revolutionary overthrow of the sexual order of the day is possible. Sexuality and Socialism contains vital history that has been buried from so many of our history books such as unified, steadfastly pro-gay black and white integrated workers organizations in the 1930's. This makes me proud to be a fighter for LGBT Liberation and ultimately, working class revolution.』 『
Sexuality and Socialism is a remarkably accessible analysis of many of the most challenging questions for those concerned with full equality for lesbian, gay, bisexual, and transgender (LGBT) people.
Inside are essays on the roots of LGBT oppression, the construction of sexual and gender identities, the history of the gay movement, and how to unite the oppressed and exploited to win sexual liberation for all. Sherry Wolf analyzes different theories about oppression—including those of Marxism, postmodernism, identity politics, and queer theory—and challenges myths about genes, gender, and sexuality.
"Sexuality and Socialism is the most intelligent and enlightened discussion on sexuality to come from the Left in a long time. No other work that comes to my mind explains the history of sexuality and sexual repression in the United States as comprehensively and compellingly." --Ron Jacobs, Dissident Voice
"Sherry Wolf: Lesbian, Activist, Communist&Badass-ist... spoke to a pre-National Equality March rally. She. Blew. It. Up.” --Austin Chronicle
“Sherry speaks with such eloquence and plain common sense that I can't help but want to know more about her ideas and convictions.” --Derek Washington,“In the LV” radio host, Director of LGBT Outreach, Clark County Democratic Black Caucus
“The icons of the new generation of activists are people like Lady Gaga, Dustin Lance Black, Judy Shephard, Lt. Daniel Choi (ret.) and Sherry Wolf (author of Sexuality and Socialism).” --Don Gorton, Join the Impact Board Member
“‘What humans have constructed they can tear down.’ This is the powerful insight of this rare book that is at once politically important, theoretically and historically sophisticated, and clearly written. Sexuality and Socialism is enlivened in its engagement with a number of controversies, including those over the alleged biological determination of homosexuality, the myth of Black homophobia, and the consequences of postmodernist theories for the politics of gay liberation. Above all else, Wolf puts forward a cogent defense of the Marxist tradition—long and wrongly reviled as homophobic in itself—as a way to explain how LGBT oppression arose and what we can do to put it to bed.” —Dana Cloud, University of Texas at Austin
Sherry Wolf is the associate editor of the International Socialist Review. She was on the executive committee of the National Equality March Oct. 11, 2009 and has written for publications including the Nation, MRZine, Counterpunch, Dissident Voice, and Socialist Worker and speaks frequently across the country on the struggle for LGBT liberation as well as a wide range of social and economic justice issue.
price:$1.10
Loose Id, LLC
Usually ships in 24 hours Core2Duoノートレビュー 's review (Skip it) 『I know that The Tin Star is a work of fiction, but nothing rang true about the characters or the plot. The only reason I finished this book was because I paid money for it...and I regret doing so. I had no interest in any of the characters, and much of the dialogue was painful to read through. The character development is really amateur; a lot of the characterizations are on the surface. The author attempts to flesh out the two main characters but doesn't really succeed. I had little interest in what happened to Jamie or Ethan. Development of supporting characters is just horrid. I am always critical of the literature I read, and I'm usually able to find a few positive things even in my least favorite novels; I honestly couldn't find anything I liked in The Tin Star. The story is dull and the characters are weak. The sex scenes are bland, unimaginative, and repetitive. Definitely skip it. And apparently the characters' southern accents come and go.』
(Solid m/m romance with a decent plot) 『Warning: This review might contain what some people consider SPOILERS.
Rating: 8/10
PROS: - Very likeable characters: Ethan and Jamie are both sexy, caring, and selfless. They're comfortable with each other and share a nice, easy banter back and forth. And I liked the supporting characters also, especially Jamie's brother and Ethan's aunt; they're loving, supportive, and funny. - One character who's a virgin but who (realistically, I think) is curious enough about sex to have bought and used toys by himself. - Pets with cute, funny personalities (as opposed to the puppy in Langley's Without Reservations): a horse that steals things in order to make people chase him, a dog that is protective and playful but not in an annoying way. - Perfect happily ever after ending. One of the happiest I've read.
CONS: - The physical relationship moves a little too quickly. Jamie's in awe of Ethan, his idol, at the beginning of the story (not to mention Jamie's a virgin), and Ethan's pretty deep in the closet, so the ease with which they act on their attraction seems odd. - A bit melodramatic. I couldn't help relating the various close calls in this book (verbal/physical threats, vandalism, gunshots) to the various close calls in Without Reservations. Langley is a fan of drama. - Some quirky words here and there that I'm sure Langley used in order to avoid repeating certain terms too often, but which served instead to pull me out of the story with a raised eyebrow. "Peepers" instead of "eyes"? (At least 5 times, according to my count.) Hmm.
Overall comments: A good read: sweet romance, hot sex scenes, decent plot (if a bit artificial, at times), humor. This was one of the first 5 m/m romances I read (I've read it twice now; the first time was about 6 months ago), and I still like it even after having read many more since then.』
(Downer On The Farm) 『The Tin Star was an OK read and a good way to waste a few hours, but not anything to rave about. The characters and setting are somewhat bland and not very well defined. The two main "cowboys" go from rough and tumble roughnecks in one chapter to over-emotional wusses in the next. It was nice to see the characters as vulnerable, but one characters dog was his "baby" and they called each other "Cowboy" and "Blue Eyes" too much for my liking. Some will likely find this endearing, but if you are going to do a love story about tough ranch hands it could have been more believable if they had been slightly less soft(which admittedly would have taken away much of the romance).
The plot twists in this book are what kept me hooked. Every chapter told a unique story and kept you interested enough to read the next, with several storylines that continued nicely throughout. My only problem with the twists were how abruptly they were dealt with. Without giving away too much, I'll just say that life altering events are tackled and forgotten quickly in The Tin Star, and our heroes are never too down on their luck for the every-other-chapter roll in the hay, which I found myself skipping by the end of the book whenever something in either Jamie or Ethan's "tight Wrangler pants stirred".
It was hard to keep track who's point of view the story was coming from a lot of the time. Each section was from one of the twos POV but I often forgot which one. Maybe just me but this was confusing and the way the story was written totally unnecessary.
I found the book somewhat stereotypical in its portrayal of the two lovers. Ethan was older and wise and always right, although he was rough around the edges and deeply in the closet. Jamie was young and carefree and made a bunch of stupid mistakes that his older lover had to rescue him from. Ethan also threw money at the young guy like it was falling out of the sky. In return, Jamie did all the cleaning and cooking and was more than willing to do anything Ethan asked in the bedroom. Ethan seemed like a "sugar Daddy" to me and Jamie like an oversexed housewife.
Sorry to trash this book! I had high hopes for it, and while I won't call it a complete waste I can't recommend it either.
PS: The author used the term "waggled their eyebrows" at least 4 times in this book. Just a pet peeve I had with the story. Who the heck "waggles their eyebrows" nowadays? Especially in erotic fiction?』
(A wonderful love story) 『I just finished reading "The Tin Star" for the fourth time and I enjoy it more each time I read it. The main characters Ethen and Jamie are very well developed and by the time you finish the book, you fell like you know them and they have become friends. This is a beautifully written love story and it is such a pleasure to see the love and caring that grows between Ethen and Jamie. Love like theirs is something that is hard to find and the book leaves you with a very satisfied and warm feeling. The story line is well developed and the plot carries through the entire book. I highly recommend "The Tin Star" to anyone who enjoys m/m romances. This one is a real keeper that you will want to read over again.』
(Cute, engaging story) 『This story is a cute, funny romance between two men. The format is very similar to the short Harlequin romance stories available in grocery stores and drugstores- fairly light on plot and heavy in romance and sex. The characters were all quite likeable and reading this was an enjoyable way to waste an afternoon. The resolution of conflict in the story was rather abrupt, though- an extra chapter or so of resolution would have helped with 'flow' of the story.』 『When James Killian comes out to his father, he finds himself banished from his home and fired from his job. His savior comes in the unlikely form of Ethan Whitehall, his older brother's best friend. Ethan has always had a soft spot where Jamie Killian was concerned, and he will do whatever it takes to keep his new lover safe. PUBLISHER'S NOTE: This book contains explicit homoerotic sex that some readers may find offensive.』
price:$3.63
New Directions
Usually ships in 24 hours Core2Duoノートレビュー 's review (I do not get it) 『I have tried to read this book several times over the past twenty years and never made it past page 25. I found the book to be stupefyingly dull. I find this vey puzzling because the list of Barnes admirers are legion. Everyone from T.S. Eliot to Samuel R. Delany to Herbert Read have proclaimed the book's greatness.Moreover, I have read and admired many abstrct and abstruse books. I don't get it. It must be some fault of mine that prevents me from appreciating this novel. Maybe someone can leave me a comment that will put it together for me.』
(Breathtakingly Bad: as Art/Life-Affirming as a Steven Seagal film.) 『This book is so embarassingly, jaw-droppingly, crosseyed-inducingly bad, I wonder what T.S. Possum was ever smoking when he agreed to write the preface for it (which is also badly written, go figure!).
My only explanation for how this book/writer ever became published/famous, is, most feminist readers simply do not read very much other than feminist writers, and so, alas, become woefully deluded as to even basic literary values (vide, gibbering eulogist reviews re Barnes romancière).
Perhaps the only justification a sane grown-up human being has in reading this turbid swill, is it is really, really (I mean, you-can't-make-this-stuff-up!) funny, to make fun of. If, in fact, you are like me -- somebody what feels like they have "read everything" and are moving on with jaded appetite to 4th and 5th tier litterati -- I actually heartily recommend "NightBoner" as a bracing cordial of pure giddy hilariousness. The blunders come so bewilderingly turgid and apace (literally every line would, if found singly, make you wince) that altogether they constitute a sort of big fun symphonic Blooper, like a gushing "Tour de Force, majeure" that not only absolves the reader of that once sacred trust -- in the basic daring, decency, and humanity of the writer -- but invites, even taunts, us to rubberneck along in a dazed and stupefying trance while this weird pretense-puffed creature self-implodes... leaving behind the lonely and incomprehensible void whence she came.
Perhaps people just shouldn't named their kid "Djuna" to begin with. Maybe it isn't an auspicious start for the orotund-prone.
I wonder if she was even aware that while she was indulging her florid, flailing, 10th-grade best on paper, writers like Céline or Isak Denison or other 1930's leviathans were laboring, humbly and maturely and painstakingly, at the real Thing?
I am indeed somehow reminded of the local ping-ping champion who, in all his pride and innocence, had never heard of the chinese olympic team. But I suppose, at a certain point, it is just awkward to juxtapose, when it's not already obvious, nicht wahr?(oh yeah, attaching itty unneccesary bits of foreign lingua franca to mortar her crumbling Queen's English is one of Barne's favorite literary resorts. This troubles the real multi-linguist; she also likes words like juxtapose.)
Anyway, a person who actually is literate will perhaps find a similar fascination in another obscenely overrated, ex-pat, paname writer's romp: James Baldwin's "Giovanni's Room". It too is a They're-So-Bad-They're-Good, 5th-tier-book-club monstrosity.
I am serious though this type of fake writing is so depressing and pathetic and transparent, in its tinseled pomp and grotesque bungling and simpering aesthete foppery, that I am truly dumbfounded it has a following -- however PHD-thesis evolved and sustained she be.』
(The Edge of Attention) 『There is no question that Djuna Barnes' book is engaging. To begin to read it is to fall into a mania; descending word after word into the pathetic world of the four main characters - especially Dr. O'Conner, whose errant monologues expose the other characters while covering his own descent.
Is it well-written? No doubt; the descriptions are moving, the scenes (when there are scenes) are gripping, and the characters are alive. But it's easy to fall into the question: does all of the book matter? During some of Dr. O'Conner rambling tangents, for example, I could've flipped through another book or made myself some tea, coming back (as after a commercial break) to engage with the truly consequential passages. Of course it's difficult to know what matters in one reading, which makes "Nightwood," in its way, a bit of a trick.
It's short enough, at 180 pages, to speed through and see in hindsight almost before it's finished. This saves the book; the rush one feels reading it is both modern, and a signature of a paradoxical writer, reckless, but in complete control of the reader's attention - having O'Conner become interesting right before he closes the book.
Aside from my reading experience, "Nightwood" is a classic of lesbian literature, a modern marvel, and recommended by T.S. Eliot (so?).
So, decision time. Buy it? Check it out from the library? That depends. For the lover of conservative styles and plots, probably not. But for the edgy reader, into a little risk - "Nightwood" is it.』
(A prose poem...) 『... is T. S. Eliot's description of Djuana Barnes novel. It is that, and much more. I first read this novel almost 40 years ago; felt I understood very little of it. In the intervening time I have walked past, and patronized the Café de la Mairie, a backdrop for much of the action, on the north side of the square in front of St. Sulpice numerous times. Unquestionable a radically different café in the `30's, certainly not surrounded by the very chic shops of today. The Café "nagged" me into giving it a second try.
I am truly grateful that it was not a school assignment. I imagined a Professor expecting effusive praise, and that my report on the book would have to be filled with ramblings on "transgender identification," "anomie," "angst," "symbolism," "codependence," "transcendent wisdom" and of course, "stream of consciousness." And with a bit of luck, I might get a B -.
But when your main motivation is a pleasant café, and a "does-your-perspective-improve-with-age" attitude, then what? No question the prose is rich and dense, with wonderful insights, coupled with sheer and utter nonsense. Consider some of the wonderful passages: "Love is the first lie; wisdom the last." or "We give death to a child when we give it a doll--it's the effigy and the shroud; when a woman gives it to a woman, it is the life they cannot have, it is their child, sacred and profane:..." There is a wonderful analogy for love in the ducks in Golden Gate park so heavy on overfeeding that they cannot fly. But regrettably these oscillate with the utter nonsense of: "He had a turban cocked over his eye and a moaning in his left ventricle which was meant to be the whine of Tophet, and a loin-cloth as big as a tent and protecting about as much." And that is why so many readers, including myself, find the book such a difficult read. Brilliance, alternating with the drug-induced ramblings worthy of William Burroughs, NOT, James Joyce.
"Baron" Felix seems the best drawn, and most understandable of the characters. His child, Guido, likewise, for a minor character. The four central characters: Robin Vote, Nora Flood, Jenny Petherbridge and Dr. Matthew O'Connor all seemed far too opaque, motivation is clearly lacking for so many of their actions. True, a central theme is lesbian love, and its betrayals, with bit parts for transvestitism. All of which I am constitutional incapable of having deep insights into... but still, if reading is too illuminate, there was only a small candle glowing on these issues.
I was struck by the quality of the other reviews on this book, the best, by far, of any other book on Amazon. Many of their insights do not need to be duplicated in this one - one commenter in fact said there was no need to write one after reading Eric Anderson's. Yes, it is an excellent review.
Overall I settled on a 3-star rating. It is a provocative, radical book, particularly for the `30's, with some wonderful insights into the human condition. But it is so hard to stay focused when these are combined with the William Burroughs nonsense. (Sorry, "Professor.") It was with a sense of profound relief that I finished the book, realizing in the unlikely event I have another 40 years to go, there will not be a third try. 』
(A book that stands out among 20th century modernism in English, but not for everyone) 『The early 20th century Modernists produced a number of remarkable books, but Djuna Barnes' NIGHTWOOD (1936) is one of the very strangest. The plot at its heart is simple, a lesbian love triangle where the passionate Nora Flood loves a young and enigmatic woman named Robin Vote, only to lose her to the conniving widow Jenny Petherbridge. This all unfolds among American and European expatriates in Paris in the 1920s, as royalty is dying out, the scars of World War I have still not healed, and belief in traditional religion is waning.
What makes NIGHTWOOD so odd is Barnes manner of describing this drama. Her writing is baroque, full of original metaphors and florid turns of phrase that may seem either revelatory or pretentious. Its most important character turns out not to be Nora Flood, though her tragic fall is the book's theme, but rather the dandy doctor Matthew O'Connor who consoles her. A good half of the book consists of Matthew's long ramblings, full of free associations and bizarre insights. At first, Matthew is less a flesh and blood character and more a personalization of a cosmic principle, like the Judge in Cormac McCarthy's BLOOD MERIDIAN. Only later does he seem to come down to earth and we get some idea of the very personal struggles he has faced.
NIGHTWOOD is currently being marketed to general readers because its plot of a doomed love affair and its fallout seems universal. However, Barnes' way of telling the story is not for everyone. I found many parts enjoyable, but the book in the main was tedious, and I'm a reader who usually enjoys the Modernists. That it is available in inexpensive paperback editions means that the reader can at least try to see if he likes it.』 『The fiery and enigmatic masterpiece—one of the greatest novels of the Modernist era.
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature.
Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson,Nightwoodstill crackles with the same electric charge it had on its first publication in 1936.』 『Nightwoodis not only a classic of lesbian literature, but was also acknowledged by no less than T. S. Eliot as one of the great novels of the 20th century. Eliot admired Djuna Barnes' rich, evocative language. Lesbian readers will admire the exquisite craftsmanship and Barnes' penetrating insights into obsessive passion. Barnes told a friend thatNightwoodwas written with her own blood "while it was still running." That flowing wound was the breakup of an eight-year relationship with the lesbian love of her life.』
price:$3.29
Bold Strokes Books
Usually ships in 24 hours Core2Duoノートレビュー 's review (Excellent lesbian romance, but I still want more) 『Romantic fiction is not generally my genre of choice, but given that Radclyffe is a popular lesbian fiction writer, I thought it was necessary to give this a try.
Radclyffe has some great plot ideas, and this one is no different. Her ideas for situations are unique and capture the reader's interest. Her characters aren't quite as developed as they could be, but they are still different and interesting nonetheless, except for physical features, which seem to standardize with fit and slightly muscular.
That being said, Radclyffe gets stuck in the romance aspect of romance fiction a bit too much. Above All, Honor is actually on the light side of the romance, and because of that, is probably the best one in her Honor series. I much prefer contemplating the plot than hearing about what goes on under the sheets.
Of course, quite a few people think otherwise, so that is what makes Radclyffe popular. She delivers for her audience. However, I can't help but be slightly disappointed that she doesn't take a slightly more serious approach to fiction and fully explore her strong creativity for plots and stories that engage the reader, rather than write for the largest common denominator.』
(so-so, so far) 『while this isn't the best Radclyffe work that i've read, it still entertained me. i have a feeling that i won't be able to accurately judge this novel on it's own, but rather on how it complements the others in the series. so far, i'm not too impressed, but i have ordered the second and third books, mostly because i'm curious about what happens next with Cameron and Blair.』
(The one that started it all) 『Barry White said it best "You're my first, my last, my everything"---
Of all of the books in the honors series AAH remains the best. The tormenting sexual tension between Blair and Cameron is palpable as well as the suspense and action. Great, great, great.』
(Meet these characters and enjoy this read for what it has, rather than what it lacks) 『This book is certainly not perfect, and as such perhaps does not belong on this level with my other 4-stars, but it's stuck with me for years, and nostalgia is often a big factor in my reviews of books that I read online years ago, and am rediscovering in print. The edition I read had a foreword in which Radclyffe admits this was one of her earliest works, and it definitely shows. There are uncharacteristic fumbles in the prose; the use of "instant" in character realizations and reactions is a little to liberal for me (a pet peeve). Some of the transitions are a little rough. But none of that takes away from the fact that these characters and the angst created by their situation have stuck with me for years. I've really enjoyed the "Honor" series, and as the founding book for the series, this book gets high marks from me.
It's a good thing that this is a series, however, because other harsher reviews are correct in that the story isn't quite complete. There is a plot swirling around a person stalking the President's daughter that isn't even addressed until half-way through the book, and it isn't resolved or even on the road to resolution by the end. But at its heart this book is a romance, and that's where most of the action comes in, watching Blair and Cam dance around one another, the strictures of their respective situations, resisting their chemistry. That's one thing Radclyffe rarely fails at: establishing potent chemistry between her main characters.
So I appreciate the strengths and weaknesses of both characters. Radclyffe is also adept at making her characters human, but celebrating that. The motivations she lends to their missteps makes it easy to follow along as a reader and still care about and empathize with what happens. So again, while this isn't Radclyffe's best work, and isn't as strong a stand-alone novel as some of this author's master works, as pointed out by other reviewers, as the start of a series that intrigues me I have to say that it's a must-read.』
(Excellent!) 『I stumble on this book by accident and I am so glad that I did! I actually stayed up in one night to read the first three books and I thought it was a well written romance. The characters were genuine and believable. I have to say this book (and this series) is a breath of fresh air. I am tired of reading lesbian romances with typical story lines and poor writing. I look forward to finishing the rest of the series!!!』 『In the first in the Honor series, Above All, Honor introduces single-minded Secret Service agent Cameron Roberts and the woman she is sworn to protect—Blair Powell, the daughter of the President of the United States. Cam’s duty is her life and the only thing that keeps her from self-destructing under the unbearable weight of her own deep personal tragedy. However, she hasn’t counted on the fact that the beautiful, willful first daughter will do anything in her power to escape the watchful eyes of her protectors, including seducing the agent in charge. Both women struggle with long-hidden secrets and dark passions as they are forced to confront their growing attraction amidst the escalating danger drawing ever closer to Blair.
From the dark shadows of rough trade bars in Greenwich Village to the elite galleries of Soho, each must balance duty with desire and, ultimately, choose between love and honor.』
price:$2.60
Atria
Usually ships in 24 hours Core2Duoノートレビュー 's review (GBM Bookclub Inc Review of " Looker") 『Stanley Bennett Clay's "Looker" is definitely a book not to look over. This book gives you the total package all wrapped into one. It not only tells an over all story of life, love, pain, regret and success, but it also gives you the best of many worlds......gay, straight, bi-sexual, bi-curios or just plain old fashion sex. From the scandalous Selma Fant, who gets pleasure in watching her son having sex, becoming addicted to gay porn and seducing her son's boyfriend to Vanessa Ellerbee who pimps her husband, Reverend William Ellerbee to other men in order to improve their sex life; "Looker" definitely has no shame in its game. Every character stands alone and keeps the story going. This book is so steaming and hot, trust me when I say this book is for a mature audience only......I promise you'll need a cum towel, condom, tube of K-Y Gel, and a shower before, during and after certain chapters.
Among all the characters, Brando Heywood was the most liked, a handsome, sexy, decent, powerful, successful forty-something year old entertainment lawyer, who has everything but passion and a love of his own. A man who just happened to be gay and clearly represented a shining example of what every gay man want as a partner and what every woman would love to have in their bed regardless of color or sexual-orientation.
We also loved the hot and sexy Omar Stevens, the old high school friend who always carried a torch for Brando. It was interesting as well as heartbroken seeing how Omar dealt with not being able to have Brando, especially sharing one drunken night together before leaving college. Getting involved with pointless relationships, No matter how many men Omar screwed, he could not get the tasted of Brando out of his mouth...no man can't replace the real thing.
Last but not least, we have Clymenthia Teager and Jeanette Bell; our hats go off to Mr. Clay for making this couple's relationship exude such a sweet and poignant romance. Mr. Clay does a remarkable job of putting you at the heart of their story. You will find yourself fighting alongside Jeanette as she tries to fend off her attacker and cheering on Brando in the courtroom as he defends her for killing him.
"Looker" is a page turner that will keep you wanting more and more. Will Brando get Jeanette off? Will Brando and Omar ever end up getting together for good? Will Vanessa Ellerbee's marriage stay strong as long as she continue to pimp her husband or will it all fall apart?? Finally, will Selma Fant get help? Well, if I told you, then you might as well not even pick up the book. So if you want a good story with knock-out characters and an awesome pay-off, then look no further because "Looker" is a winner.
』
(What are we really looking for?) 『Looker Author: Stanley Bennett Clay Rating: 5 November 29, 2008
What are we really looking for?
Brando is a fine specimen of a man. He's cut from head to toe, has the cash flow to boot and the intelligence of kings. He's looking for fulfillment in life but just doesn't know where to begin. His best friend Omar rips through life with the passion of a bull while harboring no regrets. Omar isn't looking for love because he's found it...secretly in his best friend! Vanessa Ellerbee has no doubts that her man loves her, but he also loves something that she can't give him. Her plan, give him someone that will do him right and bring him back home. William Ellerbee lies about his occupation to those he meets, and lies about his lifestyle to those in his occupation. Will the Ellerbee's find who they are really looking for to keep their marriage going strong? Selma Fant loves living in her drunken stupor. It's the only way she can escape the demons of her past. She's looking for forgiveness but doesn't know how to ask for it.
Looker is a wonderful novel that shows the beauty of life from every given vantage point. Every character has a voice that is booming and ensures that you empathize with their situation. You will absolutely love the way each character's life intertwines with each other in a way that is sometimes obvious and other times consequence. The author weaves the story with vocabulary excellence. I was truly impressed with the way that he was able to keep my attention with each page I turned. This novel was hot and read like a movie! It was intense, loving, and erotic, I couldn't take my eyes away. This book is mature and is obviously well recommended by literary greats such as E. Lynn Harris (my favorite author) and Zane. I respectfully add my name to the list of recommenders as this book will positively be included in my top ten books list for '08!
(AAMBC Book Reviews) 『Brando Heywood and Omar Stevens have been best friends since high school. Brando is a respectable guy with a certain quality to him;he is an eligible bachelor that has come to terms with his job and his parents. Brando's problem is he's been in relationships before but he doesn't understand the passion that should be connected to it. Brando is the type of guy that is admired from a distance and a prude up front; if you ask his best friend Omar.Omar Stevens likes to have his cake and eat it too. He likes them young, fun, and full of cum. Omar is content with having his stand-ins, but that's not what he really wants. Omar feels that if he decides to be in a relationship then the fun times will be diminished in his world. Don't get me wrong, Omar is all about the safety of himself and others. Omar is obsessed with life while Brando is just obsessed with the experience. The Supporting Cast of the novel added to the drama. Jeanette who Brandon met during a business trip at the Economic Empowerment Summit in Washington DC, Clementhia who will become one of Brando's clients, The sister he never had; Dee who is from LA, and the most interesting character of all that are connected is Mrs Selma Fant the mother of Early Anthony, and the wife of a councilman.The Brando Heywood and Omar Stevens have been best friends since high school. Brando is a respectable guy with a certain quality to him; he is an eligible bachelor that has come to terms with his job and his parents. Brando's problem is he's been in relationships before but he doesn't understand the passion that should be connected to it. Brando is the type of guy that is admired from a distance and a prude up front; if you ask his best friend Omar. Omar Stevens likes to have his cake and eat it too. He likes them young, fun, and full of cum. Omar is content with having his stand-ins, but that's not what he really wants. Omar feels that if he decides to be in a relationship then the fun times will be diminished in his world. Don't get me wrong, Omar is all about the safety of himself and others. Omar is obsessed with life while Brando is just obsessed with the experience. The Supporting Cast of the novel added to the drama. Jeanette who Brandon met during a business trip at the Economic Empowerment Summit in Washington DC, Clementhia who will become one of Brando's clients, The sister he never had; Dee who is from LA, and the most interesting character of all that are connected is Mrs. Selma Fant the mother of Early Anthony, and the wife of a councilman. The Looker was a good read. The erotic scenes were mediocre to me. They were not as steamy as I expected and there is not a lot of sex happening. I mean it happens, but only in spurts. Drama is another story, there is so much drama in this book you will be saying GTF out of here every time something takes place. There were no errors in this book whatsoever, which is a beautiful thing. I read the book in regular time for me what is two days and I give the book 4 out of 5 stars for good read. Drama is Omar's treasure but will Brando come to treasure what's already right in front of him.
Chasity B. AAMBC Book Reviewer 』
(Things Aren't Always As They Seem) 『We are all looking for something. Love? Friendship? Money? Sex? Brando Heywood is extraordinarily handsome and equally intelligent. Suffering a broken heart, Brando changed his career path and closed off his heart to love. His clients and friends are demanding of his time leaving few moments for him to see his true love.
Omar Stevens is drowning. The years of anger, self-loathing, and one-night sides are having a toll on his heart. Back in the day when Omar lost his Grammy, Brando was there. In fact, Brando is always there to smooth things over. Their friendship may turn his life around and open his heart to love.
The secrets that thrive in the dark will come out in the light. Family rifts and personal hang-ups must be acknowledged and forgiven. Brandon is the link for the entire story - he brokers lucrative literary contracts, keeps family members informed, stays loyal to long-term friends, and defends the rights of the underdogs. In time Brandon and Omar will overcome the challenges of the past to see the joys of the future.
Clay offers a plethora of characters that proves that love is often closer than you think - no matter what type of love you are looking for. The supporting cast of characters shines a light on a life often ignored and talked about less. The flow of the storyline will keep you riveted to the edge of your seat while the unique tale will blow your mind. This intense and provocative novel will open your heart to all the world has to offer.
Deltareviewer Reviewing for Real Page Turners』
(Looker....A tale of love amongst US) 『Stanley, Thank you for "Looker." The characters were as real as the pages and paper on which they were written. Your knowing and seeing of Black gay Men's lives made the book a page turner. The tapestry of lust, love, pain, joy, anger, betrayal, safe hatred, sardonic sex, rage, crime, and bliss wove a tale reminiscent of what "real" Black gay men know to be our truths. Never before have had I read such a description of Black gay men living on the periphery of our community; while we exist in its midst. Bran was a man undamaged by the gay experience, simply reluctant to love.
Most importantly you aptly connected the lives of varying generations of "WE". Love unrequited and finally realized and revealed. A love based on friendship. Wow!
Do it again,
Borris Powell New York 』 『SOMETIMES LOVE IS CLOSER THAN YOU THINK
Brando Haywood is a handsome, popular, and successful entertainment lawyer who seems to have everything but passion. Two years celibate and a prisoner of his routine, he goes through life quietly on the sidelines while his promiscuous best friend, Omar Stevens, thrashes through life and love with all the ups and downs Brando barely realizes he longs for.
Brando's life takes a dramatic turn when he is asked to defend a female friend who has killed her rapist. The sensational and controversial trial that follows not only ignites Brando's fervor for his career but also helps him discover his passion and a true love that had been staring him in the face all along.
Lookerfirmly establishes Stanley Bennett Clay's reputation as a writer who spins brilliant erotic entertainment even as he challenges his readers' sensibilities.』
price:$1.50
Dreamspinner Press
Usually ships in 24 hours Core2Duoノートレビュー 's review (The Next President of the United States) 『You know, we have our first African-American President (Yay for President Obama), why can't we look forward to an 'openly' gay President? He or even She would get my vote. Our government is quick to talk about 'human rights' in places like China, and Afganistan...to name 2 Oh! and lets not forget South Korea!! So why do we want equality for the rest of the world and not offer it to all of our citizens, tax paying citizens I might add. I think of myself as a gay man trapped in a straight womans body so I feel like I can try to understand how gays lesbians, transgenders and those who choose not to put a label on their sexuality must feel. I really enjoyed this book and would really love to see more of these characters and other tales from this aurthor!!! : D』
(nice concept, poor execution) 『I liked the idea of this story but reading this book was a struggle due to the poor writing style. I kept getting jarred out of the story. This book needs some serious editting. If all of the over done and redundant verbiage were removed this book would be a lot shorter but more readable.
Additionally, the characters lack depth and need to be fleshed out. The same is true for many of the problems the president faced. It read a bit like:
Some amorphous cabinet minister, "We're having problem x." President, "Go do this and that." End of problem.
repeated a bunch of times. It's not that simple in real life. The author had a bunch of great ideas but they're just not well developed. If the author had developed his characters and ideas more it would have been a much better story. I would love to see the author get a lot more experience and then come back and redo this story right.』
(Condor One - an incomplete story) 『The premise was great, but I felt like I was reading the middle chapters of an interesting story. There was no beginning, not even in flashbacks. How did David get to the point where he could run for president? What previous offices did he hold? His mother is mentioned, but there is never any dialogue between them, so what is their relationship exactly? Was David an only child? Did he have any close friends? His relationship with Shane was unbelievably quick as it seems he met him only on election night, but Shane claimed he worked for David for the entire campaign. So, what was that like? I understood the sexual attraction, but what was there to be emotionally attracted to? He suffered several exciting assisination attempts and he arrested the Speaker of the House, but then what? How did the public react? Was David celebrated or impeached? We have a story about our first gay president, but we never get to hear about how he dealt with any of the gay issues. All he dealt with was the Middle East and assisination. In the end, we got about a week of his presidency. This short story was a real let down.』
(Good story that could have used tighter editing) 『Warning: This review might contain what some people consider SPOILERS.
Rating: 5/10
PROS: - Loved the idea/premise and the setting. - Admirable characters. I want David Windsor to be the real president of the United States. He's a great guy. - Interesting details about D.C., the White House, and the government in general. I also really enjoyed reading about how jam-packed the president's schedule must be. In the book, he goes from one engagement to another, back to back to back, ad nauseum. I didn't get tired of reading about it or anything; I just got to the point where I thought, "Man, give the guy a break! He needs to take a breath or sleep or have sex or something!"
CONS: - Lots of "telling" as opposed to "showing." Here's an example: "The Secret Service was anxious and it showed." Okay, but what were they DOING? How did the speaker know they were nervous? Were they fidgeting? Darting their eyes around? Speaking into their wrist mics really often? Etc. - Confusing POV shifts. The POV goes from first person to third at one point, but why not just use third person limited throughout? Some scenes take place across the country and are still told in first person from David's POV. - Some stilted dialog. In a lot of situations, the words don't sound realistic/natural. After the protagonists' first hug, for example: "it felt nice to hold you however briefly"--and the response: "And believe me when I say it was my pleasure to hold you."
Overall comments: Worth a read if you're looking for an m/m romance with a political slant and/or just an m/m romance with a setting that's off the beaten path. Not for you if you're looking for graphic, erotic sex scenes or a heartmelting romance. The plot is definitely primary in this book.』
(A Book Well Done) 『I worried a little about something don't ask don't tell being put into this, but lo and behold it wasn't, well not in the way I feared. My fears relieved, I was enraptured by the book page after page. The decisions made by the new President in this book were great and sometimes a bit funny in the serious way that important decisions can be. It was all well done and I ended up wanting more. If there was a sequel to this book, I'd order a copy in a heartbeat.』 『The Democratic Party's 2012 nominee for President, David J. Windsor, and America are equally shocked when he is outted by his opponent just six weeks before the Fall election. Following his heart, David chooses honesty over media spin and overcomes the obstacle to win the election. Despite that success, dark forces around the world begin to plot against him, and President Windsor's security is a must. Inside and outside the White House, Secret Service Agent Shane Thompson becomes the President's shadow, always present and silent, ever vigilant. As the two men grow closer, Shane does far more than just his duty - he becomes as vital to David's happiness as he is to the President's health. Together they realize they must find a way to balance the President and the Agent against David and Shane before stress and responsibility tear them apart.』
price:$5.04
Lethe Press
Usually ships in 24 hours Core2Duoノートレビュー 's review (A Mystery and More) 『Murder on Camac, a simple title for a complex book. DeMarco weaves a story within a story and does it with masterful ability. The characters are believable, the plot involved, and a look at life in the "gayborhood" is amazingly told.
Not satisfied with my own opinion, I gathered a group of friends for an informal book review session. A cross-section of these reviews included, "just what I wanted in a mystery combined with what I expect to find in a book about my life-style" to "wow, wasn't prepared for the color surrounding the mystery plot, but wow."
What's next, Mr. DeMarco? Can hardly wait.
Carole Brennan, Long Beach CA』
(Murder by Church) 『This is a terrific read, not the least for the pleasure of its intricate and solidly constructed plot. The author has done a masterful job of weaving together two separate mysteries, the possible assassination years earlier of Pope John Paul the First and the shooting death of a writer (the police think a mugging gone awry) said to be writing a book which will prove that past murder. Detective Marco Fontana is asked by the dead writer's partner to investigate the shooting and in no time he finds himself ensnared in a web of deceit and violence that threatens to add him to the bodies accumulating. There's plenty of fast paced action, the tempo picking up nicely as the pages turn, plus a generous sprinkling of humor to lighten things up just when the tension becomes horrific. The author has a gift for the pithy phrase and while some of the secondary characters remain insubstantial, the principles are all deftly brought to life. The protagonist, Marco Fontana, is particularly engaging. The author has as well an especially keen eye for his settings. If you've ever been to Philadelphia, you'll recognize it in an instant. If you haven't, you'll feel as if you've been there, smack dab on the cobblestone streets, by the time you finish reading. Oh, there's a secondary thread running through the story: our detective also manages a line of male strippers. Yes, this business does sometimes get in the way, but not so as a lot of folks are going to mind. The burning truth of the novel, though, is the inseparability of past and present, and the inevitability of your sins catching up with you. Time erases neither our mistakes nor our misdeeds. We may think we have put them aside, have left them safely behind, but they are always just outside the door of present consciousness, the sleeping demons, and who can ever know when they will awaken once again to bring us grief? For evil, there must ultimately be atonement. Our lapsed Catholic detective Marco Fontana retains far more of his childhood's faith than he cares to realize, and he's a far better character for it. All in all, this is a stellar effort that will leave readers eagerly awaiting the next book in what should prove to be a popular series. 』
(Complex, well-written, and very entertaining) 『I admit it: I'm a sucker for a good mystery. Stick a story in my hands with a well-developed whodunit and personable characters, and I'll stay happily entertained for hours. Toss in a bit of a real-life mystery and conspiracy theory and add a PI who is intelligent, personable, and unique, and I'm hooked tight. And that is just where we are with Joseph R. G. DeMarco's novel Murder on Camac. So start clearing some room in your library, mystery and detective fiction aficionados, because Mr. DeMarco and his private dick hero Marco Fontana are going to warrant a space of their own on your shelves.
Murder on Camac is as well-written a PI novel as I have recently read. The mysteries presented in this novel are engrossing, the subplots are entertaining to say the least, and the characters are unique and realistically detailed to the point that I felt as if I truly got to know them over the course of the novel. This story is narrated in the first-person by Marco Fontana in the fashion of the hard-boiled detective novel. He progresses through his investigation step by step in a methodical fashion, but it never becomes routine or boring. There is so much going on in this novel - multiple suspects, plots, subplots, dead ends, and the characters' very complicated and colorful personal lives - that one might fear getting lost in the middle of the drama. But we don't. Mr. DeMarco has done an outstanding job keeping everything and everyone straight and tying up all the necessary loose ends.
I found the main character in Murder on Camac, Marco Fontana, to be charming in his own way. A determined and tenacious investigator, he has enough quirks and human foibles to make him a pretty irresistible character. He has a thoughtful and dry wit, an agile mind, and the roving eye of a romantic rogue. Fontana inspires both exasperation and adoration in others, and although he frankly admits to being a commitment-phobe, he also has a soft heart and a generous nature that can get him in trouble upon occasion.
Fontana's supporting cast is as well-developed and unique as he is. He is assisted in his investigation by his secretary Olga, whose dour personality and broken English light up the pages; his friend and sometimes-lover Luke, who runs a professional housekeeping company; and the beautiful and unflappable Anton, a stripper who manages Fontana's strip club business and dreams of a monogamous relationship with the commitment-shy PI.
It is difficult to do justice to this complex and involving novel in a short review. I was captivated by the plot and the characters, and the portion of the story that involved the Archdiocese of Philadelphia as well as the mystery of the death of Pope John Paul the First is both fascinating and realistically detailed. By the time I read the final page, not only had I been royally entertained, but I felt as if I had made a new group of friends in Fontana and his crew. Murder on Camac is just the first of many cases to come that involve Marco Fontana, and I look forward to adding them all to my library. 』
(A gay P.I. with an interesting sideline...) 『Murder on Camac By Joseph R. G. DeMarco review by Ruth Sims, author of The Phoenix
Murder on Camac is a P.I. novel so believable even I, who have not read many such books, was totally pulled into the story.
Marco Fontana, our hero, is a gorgeous Italian-American Private Investigator. He's wary and a little cynical, as you would expect of a P.I. He's also highly intelligent and sensitive-not the weeping kind of sensitivity but the kind that makes him aware of what makes people tick, how they think, and he's a pretty wicked judge of character. Nor is he your average fictional P.I.; on the side Marco also owns a troupe of male strippers (with class and a whole lot more!). He is, in fact, good-looking enough to dance in a G-string himself - if he loses a particular bet with a friend.
The book has a cast of colorful characters, from a many-times-widowed Russian secretary to a stunningly handsome Catholic Monsignor, from a teenage hit man to a heartbroken stripper, and many more in between. DeMarco presents even the supporting cast perfectly; if he had gone a shade further with the characterizations some of them would have become stereotypes and the story would have been ruined for me, but with precision artistry he shows just enough but not too much.
Helmut Brandt, a youngish, successful author, is shot and killed on Camac Street in Philadelphia one night. The police dismiss it as a mugging gone bad, but Brandt's much older lover believes it was murder, and he hires Marco to get at the truth. Brandt, you see, had rattled quite a few cages with his first book that levied broad hints that Albino Luciani - known to the world for four short weeks in 1978 as Pope John Paul I - had been murdered. Brandt had promised that his second book, nearing completion at the time of his death, would prove that men high up in the church were responsible, possibly including members of a shadowy organization called P2. But where - and what - was the proof? Brandt was dead, and not even his lover knew where he had hidden his manuscript and research notes. And why, since decades had passed and most of the principals were dead, would anyone think it necessary to murder Brandt? Or could he have been murdered for more mundane reasons, such as jealousy? Or could the one behind Brandt's murder be the twitchy rival author who wanted to stop his competition dead in his tracks? Or could it actually be what the police said: simply a mugging?
Marco gets to the bottom of it all and unearths the guilty party, as of course he would. Before he reaches that point, though, he is threatened, nearly run down by a car, cracked on the head and hospitalized with a concussion, and, worst of all, he's completely baffled. But he is Marco Fontana and you know he'll get his man. Red herrings and MacGuffins abound, and I was often tempted to peek at the ending. But I didn't. And I was glad I behaved myself.
Murder on Camac is a fast, entertaining read. I expect we will be seeing more of Marco Fontana in the future, with or without the G-string. I give it five Sherlocks and a Watson. 』
(One Sexy Private Eye) 『DeMarco, Joseph R.G. "Murder on Camac", Lethe Press, 2009. One Sexy Private Eye Amos Lassen Get ready to read about one sexy private detective, Marco Fontana. Everyone seems to want him and no one will dare to cross him. His beat is the gay neighborhood of Philadelphia and aside from that he runs a group of male dancers, the StripGuyz. He is one tough cookie. Joseph DeMarco brings us Marco is his new book, "Murder on Camac' and I predict that this is one book that is going to be very popular. Marco is the kind of guy that we all love and hopefully we will be seeing more of him in future books. Helmut Brandt, an author, is killed in what seems to have been a mugging and Brandt's partner hires Marco to investigate. The case appears to be one of premeditated murder. Brandt had written about the death of pope Paul I and this caused for some bad feelings by many and caused Brandt to have several enemies. Right before he was killed Brandt claimed to have some new evidence that implicated certain people in the death of the Pope. Marco was a former Catholic and when he takes the case he understands that finding the killer means exposing a 30 year old plot to kill the Pope. His investigation could also put the people named in Brandt's documents in grave danger. He realizes as well that if these people have killed once, they could also kill him as he investigates. We enter the world of the Catholic Church and as Marco works he comes across those who are determined that he not uncover the truth. He does manage to gain access to the upper levels of the Church and it is there that he realizes that there is a huge web of power and deceit. Being aware of the seamier side of life from working with his dancers, Marco soon sees that it is not only the gay neighborhood that has a dark side but that the Catholic church of Philadelphia does as well. This is a book that I could not put down as soon n as I started to read and managed to finish in one sitting. It is a thriller with a fascinating cast of characters that is wonderfully written.』 『When author Helmut Brandt is killed in an apparent mugging, P.I. Marco Fontana is hired by Brandt's partner, who suspects this was premeditated murder.
Brandt's work on the death of Pope John Paul I angered people in and out of the Church and made him more than a few enemies. His death happens soon after Brandt claims to have incontrovertible new evidence implicating people never before suspected.
Fontana doesn't believe in coincidences and takes the case. A former Catholic himself, he knows that uncovering Brandt's killer means more than exposing a thirty-year old plot to kill the Pope: it could also ruin the people named in the documents Brandt is supposed to have. Of course, if Brandt's enemies have killed once over this information, they won't hesitate to murder a P.I. who gets too close to the truth.
Entering the arcane world of the Catholic Church, Fontana encounters forces determined to keep him from getting to the truth. Though he manages to gain access to the upper levels of the Archdiocesan hierarchy, Fontana realizes that the web of power and deceit is every bit as intricate, tangled, and deadly as he imagined.
As the owner of StripGuyz, a troupe of male strippers, Fontana is no stranger to the seamier parts of the Philadelphia gayborhood. But in this case, he finds that there is an even murkier side to life in the city of Brotherly Love.』