< Michael Tolliver Lives: A Novel >
< Sure of You (Tales of the City Series, V. 6) >
< Tales of the City (Tales of the City Series, V. 1) >
< Significant Others >
< Babycakes (Tales of the City Series, V. 4) >
< Further Tales of the City (Tales of the City Series, V. 3) >
Armistead Maupin
price: 882
HarperCollins(2007-06-12)
Usually ships in 24 hours customer 's review (Michael toliver Lives, Armistead Maupin) 
(Wish I had Loved it ...)  
(Alive and Kicking!)    
(Really wanted to like it)
(He told you, didn't he ?)     I read this book last summer. I have loved all the other books, this one is not funny, too graphic , detailed etc.. Michael and his friends sex life etc.. . I really do not think that I wanted to know all the small details. I did not really want to know about the sex life of transexuals. thanks a lot Mr. Maupin. Do get your sense of humour back!! icihiboo but I didn't. Thers is a whole kind of yucky feeling here with Miichael's current relationship that sort of smacks of desperation. Also, there is a graphic nature to this novel that is not existent in his other novels. While not a true Tales sequel, most characters are either mentioned or make a cameo appearance and most are not well treated. Those characters deserve more than an off-handed "she died" kind of update. Wish I had skipped this. Michael Tolliver is (as the title rather clearly suggests) alive and kicking. Those who thought they would never see him again and imagined him succumbing to AIDS are in for a pleasant surprise. Michael copes perfectly well with the virus and he finds out that life still has a lot of surprises in stock for him. Let's start with Ben a boyfriend for whom a partner some years senior is a major turn on. And to whom Michael is now officially married. He still has friends (though some live quite far away) and a thriving social life including... senior but by no means senile Anna Madrigal. But the book is not only about care-free middle age and the joys of being gay in San Francisco. Maupin quite skilfully (we know he can do it, don't we?) introduces several more sombre and serious subjects, the most important of which is coping with the loss of the near and dear. He does it so cunningly that giving any details would be a terrible spoiler so just stop reading this and get the book! I loved the first six "Tales" books, though perhaps less so as the series went on. I think it bottomed out with "Michael Tolliver Lives." I can see why Maupin wanted to call it a stand-alone book, apart from the "Tales" series, because it really isn't the same type of book those are, with their ensemble casts and deliciously over-the-top plots. I can also see why some readers prefer this one, which goes for a more contemplative, serious feel. Telling the story through Michael's eyes does allow for more personal reflection. But Mouse was never my favorite character anyway, and when he's no longer even called "Mouse" and the rest of the original characters have been mostly dropped -- well, it's just not the same anymore. Some people are fine with that, but I guess I just miss the old days on Barbary Lane. Armistead Maupin made no bones about the fact that this book is not a continuation or sequel to the incredibly successful "Tales of the City" books, yet so many commentators here are complaining that they bought it and it is just that ! - not a sequel.
I don't get it ?
The title is "Michael Tolliver Lives" and if you approach the book with your own misguided idea that it will be the same as the other series, then it is your fault. But this does not make it a bad or lesser book.
"Michael Tolliver Lives" is, as described, written in the first person and is from Mouse's point of view, so many years later. To read it, with his easy yet familiar prose, is like the proverbial putting on of the comfortable slippers. Once again you are reminded that there is a world where 'family' like Mouse et al exist happily (or unhappily, in some cases) and being gay or transgender is the norm and OK, not the other way around.
I was delighted with this new yet familiar novel and was disappointed that there wasn't another volume to pick up immediately. There is not much gay fiction around, and even less good gay fiction. Maupin has shaped and enhanced so many peoples lives, both straight and gay, with his forthright, heartfelt and humourous insights into the lives of his wonderfully crafted characters. In fact, those that complain that this book is not a continuation, as such, of "Tales", are a testament to exactly how closely we hold those books and their characters to our hearts.
Long may he write !
Michael Tolliver, the sweet-spirited Southerner in Armistead Maupin's classic Tales of the City series, is arguably one of the most widely loved characters in contem-porary fiction. Now, almost twenty years after ending his ground-breaking saga of San Francisco life, Maupin revisits his all-too-human hero, letting the fifty-five-year-old gardener tell his story in his own voice. Having survived the plague that took so many of his friends and lovers, Michael has learned to embrace the random pleasures of life, the tender alliances that sustain him in the hardest of times.Michael Tolliver Livesfollows its protagonist as he finds love with a younger man, attends to his dying fundamentalist mother in Florida, and finally reaffirms his allegiance to a wise octogenarian who was once his landlady. Though this is a stand-alone novel—accessible to fans of Tales of the City and new readers alike—a reassuring number of familiar faces appear along the way. As usual, the author's mordant wit and ear for pitch-perfect dialogue serve every aspect of the story—from the bawdy to the bittersweet.Michael Tolliver Livesis a novel about the act of growing older joyfully and the everyday miracles that somehow make that possible. Rerations < Michael Tolliver Lives: A Novel >
< Sure of You (Tales of the City Series, V. 6) >
< Tales of the City (Tales of the City Series, V. 1) >
< Significant Others >
< Babycakes (Tales of the City Series, V. 4) >
freaks
< Gender Outlaw: On Men, Women and the Rest of Us >
< My Gender Workbook: How to Become a Real Man, a Real Woman, the Real You, or Something Else Entirely >
< Sexing the Body: Gender Politics and the Construction of Sexuality >
< GenderQueer: Voices From Beyond the Sexual Binary >
< Stone Butch Blues: A Novel >
< Hello Cruel World: 101 Alternatives to Suicide for Teens, Freaks and Other Outlaws >
Kate Bornstein
price: 478
Vintage(1995-04-25)
Usually ships in 24 hours customer 's review (Food for Thought)   
(Gender Outlaw)    
('Trotskyist' TS)  
(AMAZING.)    
(A struggle to read)  You know this is not a subject that I know a whole lot about...though I do profess some interest and curiosity about the reasons why people choose gender reassignment surgery. Mostly I was interested in exploring the why's and if's about gender and the myriad of choices and ways of being that people encounter and deal with or embrace in their lives. I wasn't sure what to expect...and I'm still not entirely sure how I feel about this book, but I've finished reading it and it's time to write down my thoughts about it. First and foremost, this is a book that doesn't just rehash the same debates one sees nearly everywhere these days about how little Tommy can play with dolls and Sally can play with cars or how Molly can be a doctor and Biff can be a nurse...this goes beyond what's considered politically correct or "allowable" excursions outside the comfort zone of the tribe. In Gender Outlaw Borenstein really tries to examine why we need gender at all and how gender is really determined in today's societies, she looks both backward and forward with regards to this issue in a way that is both informative and entertaining. Gender Outlaw is a strange blend of biography and gender theory written with a theatrical flair. The author is really not looking to redefine gender so much as she is looking to toss it out altogether, in favor of a gender model that is more dynamic and fluid. Now for what I didn't like about the book...well, I do understand that the author is an artist and performer at heart, but I read because I LIKE to read and while I like most of what I read to be entertaining and informative, I DON'T like to have to struggle to read it because the author thought it would be interesting and creative to create columns and make the reader have to read from side to side skipping about on the page. There is a serious lack of continuity in the format of the text that makes it a bear to read. Everything does not have to be performance; everything does not have to be art. Sometimes a book should just be a book. Outside of that, I enjoyed reading Gender Outlaw, I think the author wanted to reach the mainstream and this book is certainly readable and accessible to the general public...now if we could just get them to read it and open their minds to the ideas presented. Borenstein certainly got there with me, as I had no quarrel with the gender I've been assigned, but it certainly gave me lots of food for thought and I'll probably never think of gender the same way again. I give it a 4 stars (3.5 really, but since Amazon doesn't allow½ stars, I'll settle for 4, round up instead of down). I so wish I had read this book at 30 years of age. I so wish everyone would read this book. Kate Bornstein is right. There simply is no gender. Anima, animus. Sometimes we do need to have our ideas challenged. I am happy to have had my old ideas changed by this book. It seems to have given me answers for so many vague questions I had in my mind. Valuable book for heterosexual ppl and homosexual ppl. Valuable book for ppl. Gender Outlaw is considered a classic and a step forward. And it is, annoyingly.
A lot of her fearless theory, proto-GenderQueer, I believe is totally right on - and certainly harmonizes with my ideal of Permanent Transition. Yet Bornstein, with her conventional SRS, might not the most compelling proponent of smashing the binary chains. Like Trotsky, Bornstein has a populist (often gimmicky) style in which to place her epistemology and, like Trotsky, Bornstein is a tireless self-publicist: Just how many times does the reader need to know she appeared on the Geraldo Show?
Kinda the right book, by the wrong author. This is an amazing, amazing book. It's easy to read, engaging, and the tone is casual but the content is rich and nuanced - both accesible and intelligent. If you only read three books in your life, this should be one of them. I'm not exaggerating. The format of this book makes it real hard to read and detracts greatly from the content. Your eyes have to dart from one side of a page to the other and back again then to the middle. The content is important but on the edge of the spectrum which makes it even more difficult to read at times with the far fetched concepts. I'm not a big fan of this one. Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transsexual woman, Gender Outlaw breaks all the rules and leaves the reader forever changed.26 black-and-white illustrations. Rerations < Gender Outlaw: On Men, Women and the Rest of Us >
< My Gender Workbook: How to Become a Real Man, a Real Woman, the Real You, or Something Else Entirely >
< Sexing the Body: Gender Politics and the Construction of Sexuality >
< GenderQueer: Voices From Beyond the Sexual Binary >
< Stone Butch Blues: A Novel >
freaks
< Cowboy Up >
< The Tin Star >
< The Broken H >
< No Going Home >
< Under This Cowboy's Hat >
< Bareback >
Rob Knight
price: 510
Torquere Press(2008-06-16)
Usually ships in 24 hours customer 's review (Highly Recommended)   
(An amazing introduction to the genre)    
(Save a Horse: Ride A Cowboy!)    
(Amazing Stories)    
(Well Thought Out and Sexy!)     There are some EXCELLENT short stories here! They deal with subtlety, they deal with the day to day life of cowboys on the open range, they deal with love experienced but not spoken. Only one or two are overdone as far as the sex scenes. Otherwise, the several authors featured do a very credible job of how difficult a relationship can be when it's between two dominant males. What surprised me was how well the female authors did with the theme, though I don't think they are on a par with gay male writers. The book goes on my second shelf. I was recommened this anthology by a friend as a good first book to try in the m/m erotica genre, and WOW, I was blown away! I enjoyed every single story, and I can honestly say that that has never been true of any kind of anthology I've read before. I liked some more than others - Stormclouds, Dry Bones and Surrender were exceptional - but I didn't dislike any of them. All were instantly engaging *and* believeable in a very short space, whereas so many other anthology stories I've read have not been able to pull that off.
I was also pleasantly surprised at how romantic the stories were - I appreciated the hot sex, but was really hooked by the depth of emotion portrayed within such a broad range of characters. I even teared up several times, and in my head all of the couples who might live happily ever after, do.
Kudos, also, to editer Rob Knight, who put them all together for me. I will absolutely be recommending this to friends, but I'm not sharing my copy! Wow! Rob Knight found some truly HOT stories here. I liked them all and felt they all had not only sizzling sex, but, more importantly, some really good plot lines. Some of them should have been written as full length books, especially my favorite: Jourdan Lane's "Surrender." Hot, sexy cowboys steaming with mutual attraction and, at the same time, serious conflicts between them. Lane's story could well be the core of a much longer, even more satisfying book developing not only the two protagonists but a couple of the secondary characters as well. Not all of the stories ended "happily ever after," but they were satisfying in their conclusions. This book is well worth a try, and it will prove to be hard (so to speak) to put down. This book contains amazing stand alone stories about life and love. I was expecting just erotic interludes, but this book is sooo much more. Each story envoked a different emotion from me, and no two stories are the same. I was most surprised by Sean Michael's story. My fav was Chris Owen's story. She is fast becoming my number one.
I recommend this book, as one reviewer said, truly a "treasure".
This was not what I expected. These stories are long, little books within a book. Truly great stories. Hot and beautiful. I have no regrets. Cowboy up. Rideem cowboy! Thats what youll be shouting once youve read the Cowboy Up anthology. Editor Rob Knight has gathered a great selection of stories from authors like Sean Michael, BA Tortuga and Parhelion, featuring cowboys from around the globe and across more than a hundred years. These stories all illustrate the best and worst of the breed. Stubborn, independent, and sexy as all get out, the cowboys of Cowboy Up will leave you smiling, sometimes crying, but always admiring the tough, rugged man that rides the range and keeps his bedroll warm at night. Get yourself a cowboy today! Ride 'em cowboy! That's what you'll be shouting once you've read the Cowboy Up anthology. Editor Rob Knight has gathered a great selection of stories from authors like Sean Michael, BA Tortuga and Parehlion, featuring cowboys from around the globe and across more than a hundred years. These stories all illustrate the best and worst of the breed. Stubborn, independant, and sexy as all get out, the cowboys of Cowboy Up will leave you smiling, sometimes crying, but always admiring the tough, rugged man that rides the range and keeps his bedroll warm at night. Get yourself a cowboy today! Rerations < Cowboy Up >
< The Tin Star >
< The Broken H >
< No Going Home >
< Under This Cowboy's Hat >
freaks
< True Selves: Understanding Transsexualism--For Families, Friends, Coworkers, and Helping Professionals >
< She's Not There : A Life in Two Genders >
< Wrapped In Blue: A Journey of Discovery >
< She's Not the Man I Married: My Life with a Transgender Husband >
< Transgender Emergence: Therapeutic Guidelines for Working With Gender-Variant People and Their Families (Haworth Marriage and the Family) (Haworth Marriage and the Family) >
< Becoming a Visible Man >
Mildred L. Brown,Chloe Ann Rounsley
price: 606
Jossey-Bass
Usually ships in 24 hours customer 's review (Good Place To Start)  
(Decent read but...)   
(Very Helpful)    
(Exceptional Book)    
(Excellent Resource and Guidance)     While there are several things about this book that disappoint me, specifically the author's apparent inability to call a person by their proper pronouns or names and the idea that people who were abused are not/cannot be transsexual, it's a good place to start as long as you keep in mind that basing your entire opinion on a subject based on the views in ONE book is NOT a good idea.
The book is fairly easy to read, can have it's shining moments and can be a great help to both transsexual and their family and friends alike. It shouldn't be shunned, but it also shouldn't be taken as the Gospel Truth-- it's not, but that doesn't automatically make it worthless.
I would recommend "Trans Forming Families" (I forget the author) over this book, but as a resource, True Selves is still useful. It's a well-meaning book, despite it's (few, but glaringly obvious) flaws, and in my opinion, at least the author's didn't make transsexuals out to be psychotic freaks of nature. Much like a former reviewer I feel like on could nitpick the book to death however, as a bridge from knowing absolutely nothing about trans people (much like my mother) one I believe could do worse. This book was a recommended read for my mother and I by my/our therapist,which was a good call but I still had to explain lots of things myself.
This book arrived in a good state,very quickly and was most helpful to those who have read it I purchased this book after a close family member announced that he was transsexual. I knew very little about transexualism and was spending hours online looking for any information I could find about it. This book was enormously helpful to me in learning about an experience I knew nothing about. I am encouraging members of my family to also read it as they like me want to understand to the best of our ability how to support our family member. The book is wonderfully organized starting with an explanation of terms (e.g. transsexual, transgendered, transvestite) then moving into a description about what transsexuals typically experience during their lives. Starting from childhood and moving through life stages, the authors provide a thoughtful and thorough explanation of what life often entails for transsexuals. The author's are very clear in saying when experiences are common to men or women, and take every effort to not overly generalize experiences across all transsexuals. The last few chapters of the book provide a helpful overview of the medical procedures some transsexuals choose to do and how and why they may or may not officially change their gender. I wish I could more eloquently describe how thorough and well written this book is but I hope that those reading this review can at least hear in my words how very helpful I have found this book. I recommend it to anyone who wants to understand transexualism regardless of whether or not they personally know someone who is. 'True Selves' is a unique and excellent book. The book cover says "For Families, Friends, Coworkers, and Helping Professionals".
It is that and so much more. It is a great resource for learning or teaching about trnassexualism. But, it is also a great guide for those who are transgender or transsexual. It covers personal feelings, the feelings of others and also how to transition from coming out to the ultimate step of sexual/gender reassignment surgery. It discusses coming out, hormones, living full-time and covers every aspect of what is means to be transsexual.
I cannot say enough about this book. I would recommend this book be on anyone's list that is transgender or is dealing with a transgender individual. Combines authoritative information and humanitarian insight into the transsexual experience
Filled with wisdom and understanding, this groundbreaking book paints a vivid portrait of conflicts transsexuals face on a daily basis--and the courage they must summon as they struggle to reveal their true being to themselves and others. True Selves offers valuable guidance for those who are struggling to understand these people and their situations.
Using real life stories, actual letters, and other compelling examples, the authors give a clear understanding of what it means to be transsexual. They also give other useful advice, including how to deal compassionately with these commonly misunderstood individuals--by keeping an open heart, communicating fears, pain and support, respecting choices. Rerations < True Selves: Understanding Transsexualism--For Families, Friends, Coworkers, and Helping Professionals >
< She's Not There : A Life in Two Genders >
< Wrapped In Blue: A Journey of Discovery >
< She's Not the Man I Married: My Life with a Transgender Husband >
< Transgender Emergence: Therapeutic Guidelines for Working With Gender-Variant People and Their Families (Haworth Marriage and the Family) (Haworth Marriage and the Family) >
freaks
< Travesti: Sex, Gender, and Culture among Brazilian Transgendered Prostitutes (Worlds of Desire: The Chicago Series on Sexuality, Gender, and Culture) >
< In Search of Respect: Selling Crack in El Barrio (Structural Analysis in the Social Sciences) >
< Romance on a Global Stage: Pen Pals, Virtual Ethnography, and "Mail Order" Marriages >
< The History of Sexuality: An Introduction >
< Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club >
< The Gender/Sexuality Reader: Culture, History, Political Economy >
Don Kulick
price: 220
University Of Chicago Press
Usually ships in 24 hours customer 's review (excellent work)    
(very graphic)   
(O bicho pegou!)   
(An Excellent Anthropological Work -- Worth the Read)    
(Another book equating transgenderism with prostitution) I was actually in the field in Salvador Bahia at the same time as Don Kulick was doing his fieldwork for this book, and I also read the manuscript before it was published. He and I have discussed at length various theoretical aspects of the book (I have a different interpretation of how gender works in Brazil). Knowing the accuracy of his ethnography as I do, I think this is one of the important books to have been published in anthropology and gender in recent years. It is also an engaging, insightful and fascinating read.
I write this review to counter some insinuating remarks I have just read here about Dr. Kulick and the nature of his fieldwork. Dr. Kuluck is a linguist; he studied Portuguese intensively when he arrived in Brazil and was very soon completely fluent. His understanding of Bahia slang--very much needed for any work on the streets--is superb. In order to get the in-depth ethnography that he did, he had to stay in the horrific tenement conditions in which many of the transvestites with whom he worked live in Salvador, he also stayed with them on the streets until late, recording conversations. As with most field situations, Dr. Kulick was quite fond of some of his informants, less so of others (as would be expected); as a gay man, he was neither a potential client nor boyfriend (since these are people who consider themselves 'straight'), a situation that, I believe, aided him in gaining the trust and acceptance of his informants. My impression was that, although he empathized with his informants in many ways, he certainly did not 'identify' with them.
The controversy this book has sparked speaks more to its breaking new ground than anything else. I highly recommend it.
Margaret Willson (author of "Dance Lest We All Fall Down: A Journey of Friendship, Poverty, Power and Peace") I wasn't sure what to expect when I picked up Travesti. All I knew was that I would be in for a treat just by looking at the cover. Kulick who is an anthropologist who studied the lives transvestites in Brazil as he became friends with them he got all of the inside scoop and included it in his book. He talks about the travestis that come from Italy to do business in Brazil where these things are more acceptable. Some of the people he interviews talk about how they started in the business, they talk about the ups and downs of their jobs. I found some of the stories to be very graphic. The lives of these men are sometimes beyond their choice of living. Some of them believe they were born into it. The stories are very realistic and in some cases tragic. I wouldn't recommend this book to anyone whose clsed minded. However if you find it initeresting to read about the harsh realities of the world then this is the book for you. I found this book to be very well written and, in several instances, it made me long to return to my anthropological studies at NYU. Had I only been a curious reader I probably would have found this book brilliant, but my reading was shaded by the fact that I personally know many travestis in Salvador (Peruco, Xuxuca, Kit Mahoney, Angelica) and therefore found the exclusion of several things to be particularly odd.
The importance of having a basic understanding of the language and culture of a country in order to do fieldwork and understand anything in that country cannot be overstated, and the fact that Professor Kulick went into the "field" totally green must have put him at a significant disadvantage. This disadvantage would explain his cultural missteps and failure to see his "subjects" within the larger Brazilian context. The lack of contextualization is akin to discussing America's obesity problem without discussing the automobile, the microwave, women in the workforce, lack of school physical education programs, etc. A population teeming with 300-lb. people seems very strange indeed when not seen in context.
Though far more thorough than most researchers, it's incomprehensible to me that he barely discusses race/ color and class at all. It's important to note that nearly all travestis are negra (black) and mulata/ morena (brown) and come from the lowest social classes and everyone knows that, in Brazil, the primary contribution that negras and morenas are thought to offer society is their sexual services (mulata e pra transar, branca e pra casar).
It's also strange that there is hardly any discussion of religion and, being a gringo and all, Professor Kulick seems to look down on Candomble and tries to defend his new travesti friends by asserting that they are not "devotees" of the religion. All of the travestis that I know practice Candomble, but would never admit it to a prejudiced gringo who doesn't seem to understand the religion anyway. In fact, by ignoring Candomble, Professor Kulick missed a crucial element in understanding the place of the travesti in society. It is in the terreiro that Brazilians become accustomed to seeing men dressed as women and learn to respect their special status.
This book, though thoughtfully put together, lacks an understanding of Brazilian norms which would have made the work more complete. The knowledge that, for instance, Brazilians are used to mixture (e.g. being culturally/ racially mixed, practicing Candomble and Catholicism simultaneously) means that travestis are one of many hybrid classes in a highly hybridized nation.
Further, knowing what I know about baiano travestis, I am certain that they would not have allowed Professor Kulick to hang out with them if they didn't consider him to be one of them. It's clear to me in his writing that he greatly enjoyed spending time with the bichada and was "se sentindo" just as much as they were.
Don Kulick provides an excellent example of anthropologists dealing with the tough issues of gender and sexuality research. He demonstrates how connected anthropologists become to those they study; and further challenges us to consider closeness, concern, and friendship with our informants as methodologies that speak not only to our own humanity as anthropologists but also to the humanity of our communities of study. I have used this book to teach introduction to cultural anthropology course and it is a perfect blend of theory, narrative, and insight which keeps students engaged and asking the difficult questions of conducting cultural anthropological research. I applaud Kulick and thank him immensely for his work! GET A COPY :) ! The editorial review says it all:"In fact, this may be the most readable and engaging study of transgenderism!"THIS BOOK IS NOT A STUDY OF TRANSGENDERISM. It is a study of TRANSGENDER PROSTITUTION. THEY ARE NOT THE SAME THING. And anyway, haven't we written enough about transsexual hookers? Possibly an interesting subject, but how about the TS lawyers, doctors and scientists? Give us a break! Make some effort, skip over the easy score! Please! It is wonderful and weirdly fitting that one of the jacket blurbs for this work of social anthropology is by sex educator and former porn star Annie Sprinkle. Just as there is nothing dry or remote about Annie Sprinkle's delivery, there is nothing dry or remote about Don Kulick's. In fact, this may be the most readable and engaging study of transgenderism to surface in years. For seven months in 1994, Kulick lived in a household of "travestis"--Brazilian male prostitutes who live as women. He constantly tape-recorded their casual conversations, whether on the street soliciting customers or in their small rooms in the ghettos of Salvador, and has been able to trace the motivations behind their behavior and body modifications with plausibility and compassion. So absorbing are the details of the travestis' lives, as recounted by Kulick, that the reader can easily miss the author's equally acute analysis of their often bizarre transformations and of what travestis, with their exaggerated performance of "femininity," suggest about the construction of gender in Brazil.--Regina Marler
In this dramatic and compelling narrative, anthropologist Don Kulick follows the lives of a group of transgendered prostitutes (calledtravestisin Portuguese) in the Brazilian city Salvador.Travestisare males who, often beginning at ages as young as ten, adopt female names, clothing styles, hairstyles, and linguistic pronouns. More dramatically, they ingest massive doses of female hormones and inject up to twenty liters of industrial silicone into their bodies to create breasts, wide hips, and large thighs and buttocks. Despite such irreversible physiological changes, virtually notravestiidentifies herself as a woman. Moreover,travestisregard any male who does so as mentally disturbed.
Kulick analyzes the various waystravestismodify their bodies, explores the motivations that lead them to choose this particular gendered identity, and examines the complex relationships that they maintain with one another, their boyfriends, and their families. Kulick also looks at howtravestisearn their living through prostitution and discusses the reasons prostitution, for mosttravestis,is a positive and affirmative experience.
Arguing that transgenderism never occurs in a "natural" or arbitrary form, Kulick shows how it is created in specific social contexts and assumes specific social forms. Furthermore, Kulick suggests thattravestis—far from deviating from normative gendered expectations—may in fact distill and perfect the messages that give meaning to gender throughout Brazilian society and possibly throughout much of Latin America.
Through Kulick's engaging voice and sharp analysis, this elegantly rendered account is not only a landmark study in its discipline but also a fascinating read for anyone interested in sexuality and gender.
Rerations < Travesti: Sex, Gender, and Culture among Brazilian Transgendered Prostitutes (Worlds of Desire: The Chicago Series on Sexuality, Gender, and Culture) >
< In Search of Respect: Selling Crack in El Barrio (Structural Analysis in the Social Sciences) >
< Romance on a Global Stage: Pen Pals, Virtual Ethnography, and "Mail Order" Marriages >
< The History of Sexuality: An Introduction >
< Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club >
freaks
< Brokeback Mountain: Now a Major Motion Picture >
< Brokeback Mountain (Widescreen Edition) >
< Brokeback Mountain: Story to Screenplay >
< Brokeback Mountain >
< Close Range: Wyoming Stories >
< Postcards (Scribner Classics) >
Annie Proulx
price: 995
Scribner
Usually ships in 24 hours customer 's review (A+)    
(It's a story of love that can never be... not sex.)    
(As beautiful as it gets)    
(Great reading!)    
(You Won't Want it to End)     The raw emotion of this short story dares to punch you in the stomach; the tear ducts start to sting, but inevitably, do not yield, because the bitter bite of the narrative does not fall to melodrama. To feel the devastating triumph of a love ended too early is to experience the very essence of what literature exists for. Proulx's sweeping, sometimes complex images encompass an entire world into a few short words; the briefness of the story parallels how the characters feel there is never enough time. As always, Proulx betrays her extensive knowledge of the written word as a motif. The colloquially written dialogue is blunt and entirely convincing; not an ounce of it seems forced or unrealistic. To read Brokeback Mountain is to have your nerves catch on fire and belief restored in the power of the written word.
It doesn't matter if you're straight or gay... this is a story of love that can never be. If anyone has every been in a relationship that just can't happen, this story will hit a nerve. **SPOILER ALERT** The sex part of Brokeback Mountain is so minimal, it's not even really an issue. So get over that. **END OF SPOILER ALERT** The story tugs on the heartstrings on those who can understand what it's like to be in relationships that aren't working, but they're stuck... and when you meet someone or you're wanting to be with someone, yet it's just not possible. It truly shows how two people, over the course of twenty years, can honestly care and love each other. It reaffirms that love knows no distance, boundaries, number of years, or gender or sexual orientations. Love is just purely that... Love. Brokeback Mountain is exactly what our world needed, at at time, where understanding and compassion for one another is often disregarded.
Brokeback Mountain is a poem hidden away under beautiful prose. It is a short story, about 55 pages, yet it is profoundly heartwarming, with a subtle flow of true emotions and comes across as a refreshing, cool, light rain showering on your heart but comes back to haunt you and touches your soul in the deepest way.
I had seen the movie last year. It was kind of slow, but the beauty of the story was uniquely brilliant. So when I saw the book at the library I instantly grabbed it and read it within a couple of hours. It is all about 2 guys, Ennis del Mar and Jack Twist, coming to know each other while herding sheep on Brokeback mountain. It is the sad story of their difficult lives, separate yet entwined, and your heart reaches out to them. It is a remarkably enchanting story of forbidden love and longing.
The prose is astoundingly elegant and beautiful. Annie Proulx, critically acclaimed author and Pulitzer prize winner, writes as if painting a beautiful picture. The story flows like a serene river - quiet, beautiful, calm and exceedingly sure of itself. See a couple of excerpts to get a taste of her eloquent prose-
"They stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still usable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go"."
"Without getting up he threw deadwood on the fire, the sparks flying up with the |