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< The Best of Anita Baker > < Rapture > < Luther Vandross: Greatest Hits > < The Ultimate Collection > < Giving You The Best That I Got > < Ultimate Toni Braxton >

,Anita Baker
price：~~$7.56~~
Atlantic(2002-06-18)
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1.Angel (single version) 2.You're the Best Thing Yet 3.No More Tears 4.Sweet Love 5.Caught Up in the Rapture (single version) 6.You Bring Me Joy 7.Same Ole Love (365 Days a Year) 8.No One in the World 9.Ain't No Need to Worry (single version--the Winans, featuring Anita Baker) 10.Giving You the Best That I Got (single version) 11.Good Love 12.Just Because (single version) 13.Lead Me Into Love (single version) 14.Fairy Tales (edit) 15.Talk to Me (single version) 16.Body and Soul (radio edit) 17.I Apologize (single version) 18.It's Been You (single version)

customer 's reviewNo Description Available.
Genre:Soul/R&B
Media Format:Compact Disk
Rating:
Release Date:18-JUN-2002
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< The Very Best of Neil Diamond > < John Denver - Definitive All-Time Greatest Hits > < Best of Simon&Garfunkel > < 21 Number Ones > < Ultimate Manilow > < The Jazz Singer >

,Neil Diamond
price：~~$0.01~~
Sony Legacy(2011-12-06)
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1.Forever In Blue Jeans (Album Version) 2.Beautiful Noise 3.Love On The Rocks (Album Version) 4.Cherry Cherry (2011 Remastered Mono) 5.I am...I said 6.Sweet Caroline 7.Cracklin' Rosie 8.Play Me 9.I'm A Believer (2011 Remastered Mono) 10.Girl, You'll Be A Woman Soon (2011 Remastered Mono) 11.Holly, Holy 12.Solitary Man (2011 Remastered Mono) 13.Song Sung Blue 14.You Don't Bring Me Flowers (Album Version) 15.Hello Again (Album Version) 16.Red, Red Wine (Album Version) 17.If You Know What I Mean (Album Version) 18.Brother Love's Travelling Salvation Show 19.Pretty Amazing Grace (Album Version) 20.Kentucky Woman (2011 Remastered Mono) 21.Shilo (2011 Remastered Mono) 22.America (Album Version) 23.Hell Yeah (Album Version)

customer 's reviewTrack Notes from Neil Diamond: 1. Forever In Blue Jeans— “Forever in Blue Jeans” was inspired by guitarist Richard Bennett’s wonderful opening guitar lick which he first played for me while we were out on the road. That guitar lick was so seductive that the melody I started singing over his guitar practically wrote itself. When we returned to L.A. we were anxious to get into the studio and put the finished (we thought) song on tape. After running through it with my band a few times, we all realized that we needed to add another musical section to make the record really work. We called a 15 minute break, right in the middle of the recordingsession, while Richard and I sat down at the piano and hashed out a brand new section with a lyric of its own (“Maybe tonight...” ). This new, unplanned section (instantly orchestrated by arranger Tom Hensley) would become one of my favorite parts of the record. Necessity really did prove to bethe mother of invention on this wonderful Bob Gaudio production. 2. Beautiful Noise — I remember Garth Hudson of The Band sitting at his huge self built pipe organ and playing the solo of this record at the Beautiful Noise session. What he played completely floored us as he filled the musical track with an amazing sound that helped keep the record alive and interesting. Thank you Garth. 3. Love On The Rocks — “Love on the Rocks” was performed live for the cameras on the set of The Jazz Singer movie. This is something that’s hardly ever done in movies as they prefer to have the singer lip-sync the vocals of a pre-recorded track. All the songs in The Jazz Singer were done live because I’m terrible at lip-syncing. 4. Cherry, Cherry — Ellie Greenwich, Jeff Barry, Artie Butler and I made a fun little demo of “Cherry, Cherry” to use as a guide for an upcoming recording session of the song. We never could top that unpretentious, good feeling demo at the full session, so they ended up releasing the demo. It went top five in America and marked the true beginning of my career in music. 5. I Am…I Said — “I Am...I Said” took four months of writing day and night to complete. When the song was finally finished, a great Lee Holdridge string and horn chart was written and recorded. An immaculate Tom Catalano production completed this musical journey. It was nominated for a Grammy and still gives me chills when I perform it. 6. Sweet Caroline — “Sweet Caroline”was written in a Memphis hotel room the night before it was recorded. The next day I walked the song over to American Sound Studio and played it through for producer Tommy Cogbill and the studio house band (Reggie Young on guitar, Mike Leech on bass, Bobby Emmons on the Hammond B-3 organ, Bobby Woods on acoustic piano and Gene Chrisman on drums). This little group created the basic track of one of my biggest and most durable hits ever. Co-producer Tom Catalano then brought in arranger Charlie Calello who wrote the unforgettable string and horn charts (bah-bah-bah) which were recorded later inNew York City. This record was an unexpected gift from the Gods of music. One that made us all look so good, so good, so good! 7. Cracklin’ Rosie — While chatting with a Canadian fan one day I was told the story of an Indian tribe on a reservation in Canada which had a deficit in the number ofwomen. This meant that those unfortunate single men would buy an inexpensive bottle of wine called Crackling Rosé to keep them company on Saturday nights. This wine would become their date for the evening and they called her Cracklin’ Rosie. That was all the story I needed to hear to write this song. It ended up being my first #1 record as an artist. For a recording artist there is no bigger thrill. 8. Play Me — We discovered during its recording session that “Play Me” didn’t feel quite right in the 4⁄4 time signature that I had written it in. Guitarist Richard Bennett came up with the solution by playing his guitar picking lick in 3⁄4 time. This new time signature made all the difference in the world as the song settled into its own natural feel. I thanked Richard for pointing me in the right direction by giving him my beloved Everly Brothers acoustic guitar on the spot.He returned it to me years later knowing how much I missed it. That guitar now resides at the Grammy museum in Los Angeles. 9. I’m A Believer — I don’t remember too much about writing or recording “I’m a Believer.” At the time it was just another one of the songs I had written for my second album on Bang Records. I do remember though, the Monkees recording it and taking it to #1 on the charts and it becoming the biggest selling single of the year. It’s hard to forget stuff like that. 10. Girl, You’ll Be A Woman Soon — This was my love song to all the screaming teeny-boppersat my early shows. 11. Holly Holy — Tommy Cogbill produced the basic tracks of “Holly Holy” in Memphis with the super-hot American Sound Studio house band. When co-producer Tom Catalano and I hand carried the boxes of recording tape through the Memphis airport to L.A. the next day, we held them like they were newborn babies because we both felt there was a miracle on those tracks. When we got back to L.A., Tom brought in arranger Lee Holdridge who was inspired enough by the tracks to write the most magnificent string and choral parts. When engineer Armin Steiner played it back all together, we knew we had somehow captured lightning in a bottle. This was a once in a lifetime recording experience for me. 12. Solitary Man — “Solitary Man” was a first for me in many ways. My first chart record as an artist, my first recorded performance with great professional musicians, the verybest engineers, and two producers at the top of their game, Jeff Barry and Ellie Greenwich. These elements together made my first important musical introduction to the public one that I was thrilled to put my name on. 13. Song Sung Blue — I wish I could remember who played that electric piano riff on the opening of this record. I still love it. Also, it was my second #1 record as an artist. 14. You Don’t Bring Me Flowers — This song was written at the request of television producer Norman Lear. He wanted it used as a theme song for a new “male-female role reversal” TV sitcom calledAll That Glitters (why else would a guy be singing about not getting flowers?). Marilyn and Alan Bergman and I wrote the lyric first and then I went off to set it to music. It didn’t take long, the lyric was written to be sung. The song itself begged to be a duet and eventually my friend Barbra Streisand heard it and agreed. My third #1 single was shared with my favorite girl singer. What fun! 15. Hello Again — Alan Lindgren and I wrote this song at drummer Dennis St. John’s beach pad in a smoky haze of good fellowship. 16. Red, Red Wine — “Red, Red Wine” was recorded for Bang Records in 1967. Soon afterwards, I left the Bang Records label. After I left, the people at Bang began to release everything I had ever recorded while I was with them, whether it was complete or not. They decided to throw in some violins to the very understated track I did for “Red, Red Wine” andthen released it. I didn’t like their version very much but I swallowed it and moved on. Years later the group UB40 released the song in a terrific reggae version. The fact that UB40’s record went to #1 on the charts helped soothe my hurt pride. #1 records have a way of making all the hurt go away. 17. If You Know What I Mean — This is one of my favorite songs from the BeautifulNoise album. Robbie Robertson did a masterful job of producing this entire album. 18. Brother Love’s Traveling Salvation Show — This very unique record (produced by Tommy Cogbill and Chips Moman) was anotherMemphis creation (circa 1969). Bobby Woods on piano and Mike Leech on bass led me and the band to the promised land with this track. “Brother Love” was a very odd single (you couldn’t dance to it because of all the tempo changes) but it caught on nonetheless. Almost immediately, it became oneof my favorite songs to perform live and remains my show closer after more than forty years. Now that’s what I call longevity! 19. Pretty Amazing Grace — “Pretty Amazing Grace” is one of the offspring of my two Rick Rubin produced albums, 12 Songs and Home Before Dark. I familiarized the band in the studio with it by having us practice the instrumental guitar section that can be heard about three quarters of the way through. Once we got that part down, the rest of the tune just fell into place. Of course it takes great musicians to make things just “fall into place.” I was lucky to have them and a great producer on those sessions. 20. Kentucky Woman — I wrote “Kentucky Woman” in an old limo that I had just purchased from a funeral home to carry me through a touring version of Dick Clark’s Where the Action Is T.V. show. It was my very first tour and I didn’t know exactly what to expect so I prepared myself to do a lot of writing in transit. My keyboard player Max Sandler drove that ’57 Cadillac limo as I sat in the roomy back seat cradling my guitar and writing songs throughout that entire thirty-two city, twenty-eight day tour. This song was started as weapproached our play date in Paducah, Kentucky. 21. Shilo — “Shilo” set a higher lyrical standard for me than anything I had written before on Bang Records because it had a little story to tell. I wanted this record out as a single and Bang Records did not. They offered to release it if I werewilling to re-sign with them for another two years. I refused, believing that I had earned the right to choose my own single after all the success we’d had. I finally left Bang and my producers Jeff Barry and Ellie Greenwich over this song. I don’t regret it and I guess it turned out okay in theend but I’ll always miss the excitement of those Bang Years. 22. America — For me, the song “America” provided the heart and soul of The Jazz Singer film. The satisfaction I felt from popularizing that song made the reviews I got as an actor sting a little less. 23. Hell Yeah — This self-revelation poured out of me as the last of the thirty songs I had written for contention in my 12 Songs album. “Hell Yeah” is an affirmation of a lifetime spent devoted to music and my attempt to find a personally satisfying life for myself beyond the music. I have that life now but it was a much harder job than I thought possible. Still, well worth all the years and all the tears. I wish I could personally thank the hundreds of musicians, arrangers, and engineers who, along with the producers, spent long days and nights in studios around the country to make these recordings vibrate and thrill. As a songwriter I can only humbly bow down and thank them all from the depths of my heart for giving wings to my dreams. —Neil Diamond
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< The Very Best of Neil Diamond > < John Denver - Definitive All-Time Greatest Hits > < Best of Simon&Garfunkel > < 21 Number Ones > < Ultimate Manilow > Advetized RSS freaks

< Sounds of Summer: Very Best of The Beach Boys > < Beach Boys - 20 Good Vibrations, The Greatest Hits (Volume 1) > < That's Why God Made the Radio > < Pet Sounds > < The Mamas&the Papas - Greatest Hits > < Very Best of Frankie Valli and the Four Seasons >

,The Beach Boys
price：~~$0.06~~
Capitol(2003-06-10)
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1.California Girls 2.I Get Around 3.Surfin 4.Â’ Safari 5.Surfin 6.Â’ U.S.A. 7.Fun, Fun, Fun 8.Surfer Girl 9.Don 10.Â’t Worry Baby 11.Little Deuce Coupe 12.Shut Down 13.Help Me, Rhonda 14.Be True To Your School 15.When I Grow Up (To Be A Man) 16.In My Room 17.God Only Knows 18.Sloop John B 19.Wouldn 20.Â’t It Be Nice 21.Getcha Back 22.Come Go With Me 23.Rock And Roll Music 24.Dance, Dance, Dance 25.Barbara Ann 26.Do You Wanna Dance? 27.Heroes And Villains 28.Good Timin 29.Â’ 30.Kokomo 31.Do It Again 32.Wild Honey 33.Darlin 34.Â’ 35.I Can Hear Music 36.Good Vibrations

customer 's review

Beach Boys Photos

More from The Beach Boys

The Warmth of the Sun
Pet Sounds
20 Good Vibrations, The Greatest Hits

Good Vibrations: Thirty Years of The Beach Boys
Endless Harmony
Endless Harmony DVD

The cynic may question just how many Beach Boys greatest hits albums are enough. Everyone else, however, will appreciate what makesSounds of Summerunique. This is the first single-disc collection to feature such a large cross section of hits from the group's entire career, spanning 1962's "Surfin' Safari" through 1988's "Kokomo." All 30 tracks, spanning several label changes, wereBillboardTop 40 hits and are probably now as identifiable as the national anthem to anyone with radio or TV access. The fact that the tracks aren't in chronological order helps make for a fresh listening experience, as does the crisp digital sound. And yet these songs--even those that are more than four decades old--always sound strangely fresh and will likely remain so as long as there are beaches, young people, and that symbolic season of freedom and dreams. Which is to say that the title here passes the "truth in advertising" test. Perfect for those casual fans not yet ready to spring for the individual albums,Sounds of Summeris in many ways a better representation of this legendary band's art thanElvis' 30 No. 1 HitsandThe Beatles 1were of the King and the Fab Four.--Bill Holdship
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ROLLING STONES THE THE BEST OF THE 71 AL 93 - JUMP BACK
< Jump Back: The Best of the Rolling Stones 1971-1993 > < Hot Rocks 1964-1971 > < Sticky Fingers > < The Who: The Ultimate Collection > < The Very Best of the Doors [US Version] > < Let It Bleed >

,The Rolling Stones
price：~~$3.01~~
Universal(2009-08-18)
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1.Start Me Up 2.Brown Sugar 3.Harlem Shuffle 4.It's Only Rock 'N Roll (But I Like It) 5.Mixed Emotions 6.Angie 7.Tumbling Dice 8.Fool to Cry 9.Rock and a Hard Place 10.Miss You 11.Hot Stuff 12.Emotional Rescue 13.Respectable 14.Beast of Burden 15.Waiting on a Friend 16.Wild Horses 17.Bitch 18.Undercover of the Night

customer 's reviewDigitally remastered edition of this collection from the veteran British Rock 'n' Rollers spanning the first 22 years on their own Rolling Stones Records label, 1972-1993. Features 18 tracks including hits like 'Miss You', 'Beat Of Burdon', 'Angie', 'Tumbling Dice', 'It's Only Rock 'n' Roll' and many more.
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< Playlist: The Very Best of Prong > < Carved Into Stone > < Kill Devil Hill > < Holiday at Lake Bodom: 15 Years of Wasted Youth > < Apocalyptic Love > < De Vermis Mysteriis >

,Prong
price：~~$1.00~~
Sony Legacy(2012-05-29)
Not yet released

1.Whose Fist Is This Anyway? 2.Beg To Differ 3.Unconditional 4.Rude Awakening 5.Snap Your Fingers, Snap Your Neck 6.Prove You Wrong 7.Lost And Found 8.Broken Peace 9.For Dear Life 10.Controller 11.Irrelevant Thoughts 12.Another Wordly Device 13.Dying Breed (Live at CBGB) 14.Inheritance
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< Jack Johnson&Friends: Best of Kokua Festival > < Born and Raised > < Little Broken Hearts > < Love Is a Four Letter Word > < Brushfire Fairytales > < To the Sea >

,Jack Johnson
price：~~$0.30~~
Universal Republic(2012-04-17)
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1.Better Together 2.Cry Cry Cry 3.A Pirate Looks At Forty 4.Mudfootball 5.Constellations 6.Take It Easy 7.Island Style 8.Breakdown 9.Further On Down The Road 10.Welcome To Jamrock 11.High Tide or Low Tide 12.Blue Eyes Crying In the Rain 13.I Shall Be Released

customer 's review2012 live collection from the singer/songwriter and his musical friends. Culled from six years of his eco-minded music festival, Jack Johnson and Friends - Best of Kokua Festival, highlights onstage collaborations with legendary musicians like Willie Nelson, Jackson Browne, Eddie Vedder, Ben Harper, Dave Mathews, Ziggy and Damian "Jr. Gong" Marley and others. The Kokua Hawai'i Foundation is a non-profit organization that supports environmental education in the schools and communities of Hawai'i.
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< The Best Little Whorehouse in Texas > < The Best Little Whorehouse in Texas > < Very Best of > < Grease II (1982 Film) > < Once Upon a Christmas > < Grease (Original 1978 Motion Picture Soundtrack) >

,Dolly Parton
price：~~$11.99~~
Mca(1990-10-25)
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1.20 Fans - Jim Nabors 2.A Lil' Ole Bitty Pissant Country Place - Dolly Parton/Teresa Merritt/The Whorehouse Girls And Customers 3.Sneakin' Around - Dolly Parton/Burt Reynolds 4.Watchdog Report/Texas Has A Whorehouse In It - Dom DeLuise And The Dogettes 5.Courtyard Shag - The Best Little Whorehouse In Texas 6.The Aggie Song - The Best Little Whorehouse In Texas 7.The Sidestep - Charles Durning 8.Hard Candy Christmas - Dolly Parton And The Whorehouse Girls 9.I Will Always Love You - Dolly Parton

customer 's reviewNo Description Available
No Track Information Available
Media Type:CD
Artist:BEST LITTLE WHOREHOUSE IN TEXA
Title:SOUNDTRACK
Street Release Date:06/01/1987
Domestic
Genre:SOUNDTRACK
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< Sinatra: Best of the Best > < Nothing But The Best > < Classic Sinatra > < Dino: The Essential Dean Martin > < The Very Best Of Nat King Cole > < Ultimate Tony >

,Frank Sinatra
price：~~$7.30~~
Capitol(2011-11-15)
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1.I've Got The World On A String 2.My Funny Valentine 3.Young At Heart 4.In The Wee Small Hours Of The Morning 5.Love And Marriage 6.You Make Me Feel So Young 7.I've Got You Under My Skin 8.The Lady Is A Tramp 9.Witchcraft 10.All The Way 11.Come Fly With Me 12.Angel Eyes 13.Nice `N' Easy 14.Night And Day 15.The Way You Look Tonight 16.My Kind Of Town 17.Fly Me To The Moon (In Other Words) 18.It Was A Very Good Year 19.Strangers In The Night 20.Summer Wind 21.That's Life 22.My Way 23.Theme From New York, New York

customer 's reviewSinatra's biggest hits from Capitol Records and Reprise Records together on one record for the first time ever.
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< Best Of Meditation With Music&Nature > < 99 Must-Have Chillout Classics > < Healing Piano Music for Massage, Meditation, Reiki, 7 Chakras, Relaxation&Better Sleep > < Classical Music for the Reader 4: Great Masterpieces for the Dedicated Reader > < Classical Music for the Reader 3: Great Masterpieces for the Dedicated Reader > < Healing Piano Music for Massage, Meditation, Reiki, 7 Chakras, Relaxation&Better Sleep >

price：~~$0.99~~
Cobra Entertainment LLC.(2012-02-07)
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customer 's reviewRerations
< Best Of Meditation With Music&Nature > < 99 Must-Have Chillout Classics > < Healing Piano Music for Massage, Meditation, Reiki, 7 Chakras, Relaxation&Better Sleep > < Classical Music for the Reader 4: Great Masterpieces for the Dedicated Reader > < Classical Music for the Reader 3: Great Masterpieces for the Dedicated Reader > Advetized RSS freaks

< The Journey: The Very Best of Donna Summer > < On The Radio: Greatest Hits Vol.1&2 > < The Ultimate Bee Gees (2 CD) > < Saturday Night Fever > < The Dance Collection > < Bad Girls >

,Donna Summer
price：~~$1.00~~
Utv Records(2003-09-30)
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1.Love To Love You Baby 2.Could It Be Magic 3.I Feel Love 4.I Love You 5.Last Dance 6.Macarthur Park 7.Heaven Knows 8.Hot Stuff 9.Bad Girls 10.Dim All The Lights 11.No More Tears (Enough Is Enough) 12.On The Radio 13.The Wanderer 14.Love Is In Control (Finger On The Trigger) 15.State Of Independence 16.She Works Hard For The Money 17.This Time I Know It's For Real 18.I Will Go With You (Con Te Partiro) 19.That's The Way (New Recording) 20.Dream-A-Lot's Theme (I Will Love For Love) (New Recording)

customer 's reviewImport limited edition pressing of 2003 compilation has a different track listing than the domestic&includes a bonus disc with eight tracks, 'Love To Love You Baby' (Original 12 Inch), 'I Feel Love' (Patrick Cowley Mega Mix), 'Hot Stuff' (12 Inch Version), 'No More Tears (Enough Is Enough)' (12 Inch Version), 'On The Radio (Long Version)', 'Melody Of Love (Wanna Be Loved)' (Classic Club Mix), 'That's The Way' (Album Version),&'Dream-A-Lot's Theme (I Will Live For Love)' (Album Version). Universal.
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< The Journey: The Very Best of Donna Summer > < On The Radio: Greatest Hits Vol.1&2 > < The Ultimate Bee Gees (2 CD) > < Saturday Night Fever > < The Dance Collection > Advetized RSS freaks

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